Melbourne alt-metal favourites Windwaker brought their Love in the Dark Tour to The Brightside in Brisbane last Thursday night, supported by Caskets, alt. and Headwreck. The sold-out fourth show on their six-date run proved them as one of the nation’s most exciting frontrunners in the next generation of heavy music. Opening the night soon after…
Read MoreNewcastle hardcore act Vilify have emerged as a force to be reckoned with since their debut EP Clarity in 2020. Featuring Amy McIntosh and Lizi Blanco of The Beautiful Monument, the quartet have come out swinging this year with blistering single “Take the Pill” and latest offering “From the Inside”. We caught up with Amy…
Read MoreAussie Indie Artists is a series of interviews with lesser known Aussie creators across all forms and fields. The goal is to share exciting new works, find new angles towards the art, and peek behind the scenes. Singer/songwriter/producer Poppy Rose is a self taught artist who has gone from singing to Garageband in her bedroom…
Read MoreThe inaugural SXSW Sydney has just revealed an unmissable line-up of headline speakers. Initially an annual event in Austin Texas famous for launching the careers of the likes of Billie Eilish and Uber, this year the “festival of festivals” has been expanded to Sydney, and will comprise of 1000+ events, speakers and music acts. Coachella…
Read MoreIt’s 1977, and Strawberry the glowing octopus (Stauroteuthis syrtensis) is finally out of jail. Hitching a ride with Ray, an insurance sales-snake searching for meaning in his life, she heads for New York City, where she eventually finds work at a little bar called CBGB. Centered around the New York City Blackout of 1977 and…
Read MoreWhen Ms. Lauryn Hill was announced as the headliner for Gold Coast’s Promiseland festival in October, people were… confused. Nothing against the Gold Coast, of course, but such a big name coming to Australia to celebrate 25 years her seminal solo debut, The Miseducation of Lauryn Hill, and just doing one show seemed a bit…
Read MoreFor a film that sold itself on the premise of action staple Jason Statham facing off against a giant, prehistoric shark – and grossed over $500 million globally in the process – it was a particular let-down that 2018’s The Meg had, well, very little of Statham v shark to speak of. A creature feature…
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