Good Cop/Bad Cop follows Lou and Henry, a sister and brother detective team in a small Pacific Northwest police force who must contend with colourful residents, a serious lack of resources, and their very complicated dynamic with each other and their police chief, Big Hank – who happens to be their father. A social media…
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Whilst there’s certainly nothing wrong with the prestige approach to television and treating an entire season as an extended film, essentially, Good Cop/Bad Cop is a welcome example of the type of throwback, one-hour sittings of pure entertainment, riding off the benefits of a snappy ensemble, familiar rhythms and lived-in characters. Set for release locally…
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After last year’s Longlegs became a breakout success and lent a certain elevated air of relevance to writer/director Osgood Perkins‘ name, there’s understandably a level of expectation surrounding his follow-up, The Monkey, especially with the added gravity of being based off a Stephen King short story and having the producer credit of James Wan (Saw,…
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At the centre of Gia Coppola‘s The Last Showgirl is Shelley (Pamela Anderson), a 57-year old (though she’ll initially tell you otherwise) Vegas all-girl revue performer whose 30+ years in the Razzle Dazzle show are coming to an abrupt end. But just as Shelley’s tenure is closing, and the uncertainty of life sets in, Anderson’s…
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