It’s hard to imagine a more pristine and picturesque setting for a four-night run of shows, other than overlooking Sydney Harbour, the Harbour Bridge, and the world famous sails of the Opera House. For a select few thousand punter on a wet Friday night, this is exactly the view that was afforded to them, as…
Read MoreMan, the Irish have something good going on. They’ve always seemed to be the little red engine that could; the little guy that produces quality goods for the rest. From Guinness, to Jameson Whiskey, to U2 and Ronan Keating, the country has always been on the money with what they do. And going by The…
Read MoreHomecoming shows are always going to special for bands. But in the age of social media, with so many average videos uploaded to your choice of social media channel, the exclusivity of a live gig is slowly beginning to dwindle. With this in mind, for a band to sell out a medium sized venue without…
Read MoreOver the past few years, the definition of each musical genre has become evermore blurred. No longer is it easy to pigeon-hole an artist into one specific genre, with the increasing rise of sub-genres within these previously defined genres becoming even more blurred. And the good thing about this, is that music, especially in Australia,…
Read MoreWho’d have thought that a debut album released 10 years ago, with a lead single whose title was effectively just onomatopoeic syllables put together, would have spawned one of the sweatiest headline slots Sydney’s Metro Theatre would see this year? Definitely not me. But it’s exactly what Melbourne Indie-Pop-Punk quartet Kisschasy did. Acting as main…
Read More2015 has been a great year for music. While it was almost universally agreed that 2014 was pretty light on ground-breaking releases and tactfully glorious tunes, 2015 has gone in the complete opposite direction and released banger after absolute banger; masterpiece after masterpiece. And Little May’s For The Company is another one you can add…
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