Author: Harris Dang

Rotten Tomatoes-approved Film Critic. Also known as that handsome Asian guy you see in the cinema with a mask on.

Film Review: Portrait of a Lady on Fire burns with passion

French director Céline Sciamma is one of the best writer/directors in French Cinema working today. She specializes in coming-of-age dramas and this reviewer has been a fan of her work ever since he saw her film Tomboy. From fantastic directorial work like her directorial debut Water Lilies and her prior film Girlhood to stellar screenwriting…

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Film Review: Sorry We Missed You is a grueling, heartbreaking yet compassionate drama from Ken Loach

Sorry We Missed You is the latest film from acclaimed British director Ken Loach. Loach has made many great films over the years that delved into social realism. Great works like I, Daniel Blake, It’s a Free World…, Vera Drake, The Wind That Shakes the Barley; all examined the gritty undertakings of the British environment…

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Film Review: Nothing will prepare you for the experience that is Cats

Horror films have had a banner year in 2019. They crept under the audience’s skin, lingering in the mind long after the credits had stopped rolling. But none of them seemed as haunting as the first theatrical trailer for Tom Hooper‘s Cats. When the trailer was released, the public opinion was overwhelmingly negative. Many viewers were…

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Film Review: Freaks is one of the best genre surprises of the year

One of the pleasures of watching films is the feeling of surprise and enjoying the journey and not knowing where it will lead you. In other words, a little mystery goes a long way. In the case of Freaks by co-directors Adam B. Stein and Zach Lipovsky, it comes with an interesting premise that has…

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Film Review: The Two Popes is a thought-provoking piece of work, featuring a great double act from Pryce and Hopkins

Brazillian director Fernando Meirelles has a very interesting body of work. With intense crime thriller City of God (which he co-directed with Katia Lund) as his calling card, Meirelles has always been a filmmaker that aimed for realism and verisimilitude (see: political thriller The Constant Gardener) even if the premise had veered more into a fantastical way…

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What we learned from The Truth Q&A with director Hirokazu Kore-eda

Renowned Japanese director Hirokazu Kore-eda’s latest The Truth had it’s Australian premiere this weekend, at a special event at Sydney’s Hayden Orpheum Picture Palace, with the director himself in attendance. We were lucky enough to be in the audience for a post-screening Q&A with the director, headed up by film critic David Stratton, and we’ve got all…

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Film Review: The Report is a gripping procedural, boasting a fantastic performance from Adam Driver

Some of the cinema history’s most acclaimed films have revolved around stories of journalistic, procedural or investigative narratives. And with most of the selected group based on true stories, it begs the question: how can you make a gripping film where you already know the outcome of the story? Case in point: writer/director Scott Z….

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Film Review: Ford v Ferrari is a fantastic tribute to the Hollywood sports genre

The 1960s set Ford v Ferrari might not sound appealing to anyone with limited knowledge of or interest in the world of motor racing. But, in the world of cinema, any story can work, regardless of its premise, thanks to the themes it examines. In the case of director James Mangold‘s latest, these universal themes cover…

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Film Review: Ready or Not is gleefully sadistic fun, with a great performance from Samara Weaving

Horror comedies are a sub-genre that are hard to pull off successfully. One has to steer tonal shifts smoothly and juggle both laughs and scares with skill and balance; all whilst not overwhelming or underwhelming on either front. Successful horror comedies include Sam Raimi‘s horror entries — The Evil Dead Trilogy and Drag Me To…

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Monster Fest Review: In Search of Darkness gives horror fans what they want in spades

It may sound wrong to start off a review in the first person as well stating my personal bias, but I am planning to anyway because it would be unfair for the reader and myself due to certain restrictions in my writing. First off, I love horror films of the ’80s. I grew up watching…

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MIFF Review: Portrait of a Lady on Fire is a brimming, hot-blooded and passionate romance at its best

French director Céline Sciamma is one of the best writer/directors in French Cinema working today. She specializes in coming-of-age dramas and this reviewer has been a fan of her work ever since he saw her film Tomboy. From fantastic directorial work like her directorial debut Water Lilies and her prior film Girlhood to stellar screenwriting…

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Film Review: Ophelia fails to make the most out of its interesting revisionist premise

Filmgoers have always mused upon the fact that there are formulas in cinema that have been explored over and over. Cliches and tropes, if you will. In the case of this review, the formula that has been explored numerous times is the adaptations of the works of renowned English writer/playwright William Shakespeare. What makes Shakespeare’s…

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Film Review: Booksmart is so damn good, you’d want to rub your face in it

The fact that the existence of another raunchy teen comedy — jam-packed with sex, drugs and alcohol — may not mean much but it has been a very long time since I have heard this much hype for a comedy such as Booksmart. Ever since its premiere at this year’s South by Southwest, it has…

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Film Review: Stuber is an Uber-amusing three-star ride

Buddy comedies are a dime-a-dozen these days. And much like romantic films, they rely on the chemistry of the leads to succeed. An original plot? Unimportant. Solid acting? No need. If the chemistry works between the leads, then it should offset a lot of the film’s flaws. Case in point, Michael Dowse‘s action-comedy Stuber, a…

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Parasite

Film Review: Parasite is a spectacularly insidious film you would want to latch on to

Director Bong Joon-ho is one of cinema’s most eclectic filmmakers working today. What makes his work stand out so much is his assured directorial hand in mixing genres that usually do not associate with each other and yet somehow, he executes them brilliantly. But no matter what genre he works in, he always manages to…

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Melbourne Documentary Film Festival Review: Singled [Out] is too brief to make a true impact, but it is still worth a look

Singled [Out] is a new documentary by directors Mariona Guiu and Ariadna Relea; and the premise is what really struck out to me, as we follow the lives of five women (under 30) of different backgrounds (Australia, Turkey, Spain and two women from China), and how they live their lives with their choices, whether they…

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Sydney Film Festival Review: Pain and Glory (Spain, 2019) is one of Pedro Almodovar’s best films

Viva Almodovar! If that opening didn’t clue you in, I am a huge fan of the work of acclaimed Spanish film director Pedro Almodovar. His filmmaking is an extravagant blend that is both wondrously idiosyncratic and entertainingly melodramatic; capped off with a colourfully vibrant eye. Even his supposedly disappointing films have won me over time,…

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Film Review: Happy as Lazzaro (Italy, 2018) is magical realism par excellence

Over the recent years, it has come to my attention that some of the most problematic films that have attained a lot of critical derision have come from films that explore the trope of magical realism. Recent efforts such as Collateral Beauty, Life Itself and The Book of Henry have tried to be life-affirming by…

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Sydney Film Festival Review: The Souvenir (UK, 2019) is one of the best films of 2019

Before I start off this review, it must be said that I have not seen any of the works by director Joanna Hogg. It wasn’t due to any prior indiscretions, rather my personal ignorance. But upon hearing the massive amounts of praise from festivals and critics all over the world for her latest film, The…

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Sydney Film Festival Review: The Third Wife (Vietnam, 2018) is an entrancing, haunting and sensual experience

It feels absolutely wonderful to see a Vietnamese film in this year’s Sydney Film Festival. Of course, there have been many Vietnamese film in film festivals before but, with a stronger focus on genre-centric cinema over the recent year, it feels invigorating for a Vietnamese critic such as myself. This year, we have Ash Mayfair‘s…

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Film Review: X-Men: Dark Phoenix is mutant X-Crement

It has been almost two decades since the X-Men franchise started and now it has finally come to an end. Over the years, we have had a series of generally positive outcomes from this franchise — a list of mostly great films and a handful of very bad ones. For every film like X2: X-Men…

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Film Review: Godzilla: King of the Monsters pays loving tribute to its forebears, with monster battles and throwbacks galore

It’s finally here! The Godzilla franchise continues with Godzilla: King of the Monsters! Previous director Gareth Edwards has been replaced by Michael Dougherty, best known for his horror efforts like the Halloween anthology film Trick ‘R Treat and the Christmas movie Krampus. With an all-star cast of acclaimed thespians, rising talents and franchise returnees and free reign…

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Film Review: Triple Threat may not live up to its promise, but it is still an action-packed treat

If you were to see the cast of Triple Threat, which is jam-packed with talented martial artists/established action heroes, chances are that you would be overly excited. With this much talent in an action film, how can it possibly fail? We must consider the people behind the scenes. Triple Threat has director Jesse V. Johnson,…

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Film Review: Little Woods is a remarkably assured directorial debut from Nia DaCosta, with two great lead performances

When one brings up the word “survival” in cinematic terms, usually some would think adventure stories in foreign environments like tropical islands, forests or jungles. Others would think of contained thrillers, where stories would be set in one small setting like a hostage situation in a building ala Die Hard, Under Siege or Speed. But…

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Film Review: Fighting With My Family (UK, 2019) is a satisfying crowd-pleaser that will wrestle your funnybone as well as your heart

Based on a true story (well-documented in the Channel 4 documentary The Wrestlers: Fighting with My Family), born into a tight-knit wrestling family, Paige (Florence Pugh) and her brother Zak (Jack Lowden) are ecstatic when they get the once-in-a-lifetime opportunity to try out for the WWE. But when only Paige earns a spot in the…

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Film Review: Hotel Mumbai (Australia, 2019) is an intense but humane, white-knuckle thriller

Adapting tragic events of the world to the cinema screen can be a very risky proposition. There are many ways to get it wrong and very few ways to get it right. The wrong ways can lead the film to be considered exploitative, cheap, insulting, xenophobic and even laughable. It would also depend on the…

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Alliance Française French Film Festival Review: Knife+Heart is an unashamedly queer slasher hybrid

What is it about slasher films that makes them stand out as one of the best horror sub-genres? It is just a person just killing people with a sharp object and that’s it, right? Yes, but, that’s also the very reason why it has succeeded so well. Unlike the other horror sub-genres that involve fantastical…

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Film Review: Greta (Ireland/USA, 2018) is B-grade schlock elevated by A-grade credentials in all the right ways

If there’s a bias I have as a film critic, it is that I have an affinity for seeing established actors give unhinged performances in film that accommodate said performance. Most of these performances are usually in thriller genres, like the psycho-logical subgenre. Yes, the use of the hyphen is intentional, as those films delve…

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Film Review: Everybody Knows (Spain, 2018) is an inferior, yet effective entry from director Asghar Farhadi

Iranian director Asghar Farhadi has made some of most critically acclaimed dramas in the 21st Century. Garnering awards from many festivals, including winning two Oscars for Best Foreign Film, it is a testament to Farhadi’s impeccable storytelling about the social, gender and class differences in modern Iran as well as his assured hand in telling…

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Alliance Francaise French Film Festival Review: Revenge is a beautifully realized and pointedly subversive piece of exploitation

It isn’t hard to figure out that the reason why a lot of people watch movies is because of wish fulfillment. Who wouldn’t want to be in a fairy tale romance? Who wouldn’t want to be a kick-ass hero? But another level of wish fulfillment is to see people get revenge on those who have…

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