Author: Naomi Gall

Gabi Bolt performs on stage at the State Theatre Sydney.

Review: Sydney learns to laugh again as the Sydney Comedy Festival kicks of at The State Theatre

The Sydney Comedy Festival Gala at The State Theatre was a sneak peek of some of the acts which will form the line-up of this year’s festival. With talent from around the world, each act was given 5 minutes to impress the crowd enough to get you to buy tickets to their show and provide…

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The Phantom of the Opera

Opera Review: Opera Australia delivers The Phantom of the Opera as you’ve never seen it before

The Phantom of the Opera is the longest-running show in musical history. It tells the story of a mysterious and terrifying masked man who lives beneath the Paris Opera House and of a young, talented singer who becomes his obsession. This Opera Australia interpretation, directed by Simon Phillips, is presented on a floating stage on Sydney…

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Close up image of two women carrying All About Women tote bags.

Review: All About Women at the Sydney Opera House will make you uncomfortable – and that’s a good thing

There has been a lot of discussion around International Women’s Day this year, with many expressing strong concerns the day has become tokenistic. Big corporations, largely still run by middle aged white men, throw a morning tea (often organised by the women in the office) and lament lyrically about the organisation’s commitment to inclusivity and…

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A woman stares at her reflection in a mirror.

Theatre Review: Opening Night at Belvoir is surprisingly relatable and empowering

Opening Night at Belvoir in Sydney is the story of an actor, Myrtle (Leeanna Walsman), who finds herself at a point in her life where her age begins to make her feel invisible. She starts to question her relevance and her ability as a performer as she undergoes rehearsals for a new play. Everyone around…

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Wudjang

Theatre Review: Bangarra’s Wudjang: Not the Past will leave you shaken

Described by Bangarra Director Stephen Page as “narrative dance theatre and contemporary ceremony”, Wudjang: Not the Past follows the journey of a young woman Nananhg (Jess Hitchcock) as she struggles to understand her cultural heritage while existing in a white system. When ancestral bones are discovered during excavation for a dam, one of the men,…

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Seventeen dancers assmeble on stage to learn a routine.

Theatre Review: A Chorus Line is a glimpse into the world of dance like you’ve never seen

Forming part of the 2022 Sydney Festival, A Chorus Line at Riverside Theatres in Parramatta delivers a behind-the-scenes look at the life of a dancer trying to forge a career on Broadway. Set on the stage of a theatre during auditions for a chorus line, the musical centres on the lives of seventeen hopefuls and…

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Queer Screen Film Fest showcased the best LGBTIQ+ films from around the world

Disclaimer, I identify as a straight, CISgender woman and an ally of the LGBTIQ+ community. Queer Screen was founded in 1993 by a group of queer Sydney filmmakers, students, and supporters who wanted to focus on queer film and screen culture and since 2013 the Queer Screen Film Fest, has delivered the latest LGBTIQ+ movies to…

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Little Shop of Waffles

Inside Little Shop of Waffles, Sydney’s only bubble waffle café

The first thing you notice about the Little Shop of Waffles is the smell. It’s sweet – like sugar and batter – reminding me of Sunday’s spent baking in my Nan’s kitchen. The big difference being my Nan never made bubble waffles and until a few weeks ago, I had never even heard of them….

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Fringe HQ Newtown’s Spike Heels is about male entitlement, not female empowerment

Trigger warning: this review contains discussions of sexual assault. Spoiler alert: this review also discusses how the play ends. Set in 1990s Boston, Spike Heels focuses on the intertwined lives of four individuals and one woman’s journey to self-actualisation. Written in 1992 by Theresa Rebeck and directed by Serhat Caradee, Spike Heels is based on…

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Theatre Review: Sydney Opera House’s Claudel shines a light on a forgotten genius

You could be forgiven for having never heard of a French sculptor named Camille Claudel. Like many talented and brilliant women history forgot, she existed in the shadow of a man and within the confines of a society that feared the ambitions of women. Growing up with a father who encouraged her and a mother…

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Yellow Face

Theatre Review: Kings Cross Theatre’s Yellow Face will make you laugh, then break your heart

Written by David Henry Hwang, Yellow Face at Kings Cross Theatre is a semi-autobiographical play that features the playwright himself as the protagonist. Set in America over the course of the 1990s, Yellow Face focuses particularly on the inception, creation, release and subsequent failure of Hwang’s 1993 play Face Value, and everything that follows. When…

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Comedy Review: Grey hair is glitter and other lessons from A Flying Photon

Arriving off the back of a successful run at the Adelaide Fringe, A Flying Photon at Giant Dwarf in Sydney is science, with a twist. The twist being – it’s actually interesting. We are introduced to Rachel Rayner, Science Explainer, who is a ‘science communicator, poet and performer’. With a background in physics, Rayner begins…

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Theatre Review: Belvoir’s Stop Girl is a powerful and compelling story

Trigger warning: review contains references to mental illness and trauma. Sally Sara is a Walkley award-winning journalist, writer and author who has reported from more than 40 countries as a foreign correspondent with the ABC. Her debut play Stop Girl at Belvoir in Sydney is a powerful and compelling story of a woman’s struggle with…

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Appropriate

Review: Sydney Theatre Company’s Appropriate is a remarkable and intensely significant production

Ever notice how families will remember events from their childhood differently? How a conversation, a situation or a person that seems so clear to you can be viewed from a completely different perspective by your sibling. This concept of selective memory is sometimes heightened after someone dies, our brains often choosing to focus on the…

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Review: The Other Art Fair Sydney makes art affordable and relevant

Described as an art fair for a new generation of art buyers, The Other Art Fair in Sydney presents a selection of over 100 independent artists with works ranging in price from under $100 to over $1000. Presented by Saatchi Art and held at The Cutaway at Barangaroo, The Other Art Fair also delivers performance…

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Review: You’re Not Special at Kings Cross Theatre is insightful and thought provoking

The average Australian spends close to 40% of their waking hours on the internet. That’s over 6 hours a day scrolling, liking, searching and connecting to other people. But what happens when your screen time begins to take up all your time. What happens when the connections you make online become more real than the…

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Review: All About Women at the Sydney Opera House addresses inclusivity and your right to be angry

It’s an interesting time to be a woman right now. The news coming out of Canberra of harassment, assault and rape is shining a light on the fact that the “boys club” in this country is still alive and well – and women are, rightfully, angry. Angry that it is 2021 and we are still…

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Whisks at the ready, The Big Bake comes to Sydney

Copious amounts of sugar, a baking competition and a cocktail bar – what could possibly go wrong?! The Big Bake Sydney is a pop up baking experience where you team up to compete for the title of Baking Champion. Loosely based on the popular Canadian television show of the same name, The Big Bake incorporates…

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Preview: STC’s Appropriate has all the benchmarks of great theatre

With everything that occurred in the year that was 2020, Appropriate, directed by Wesley Enoch seems, well, appropriate. Written by the American playwright Branden Jacobs-Jenkins, the play centres around a dysfunctional American family brought together by the death of their father. As they begin to sort through his belongings they struggle between a desire to…

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Magic Mike Live

Review: Is it hot in here? Magic Mike Live comes to Sydney

It is with no small amount of amusement that I tell you, Magic Mike Live has been one of the most difficult reviews I’ve ever had to write. It would be easy for me to sit here and wax lyrical about how attractive the dancers were (because they were) or how much the crowd of…

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Review: All About Women at the Sydney Opera House is the feminist fight song for a new generation, so listen up

All About Women at the Sydney Opera House celebrated feminism with a line-up of powerful and inspiring innovators and thinkers. Coinciding with International Women’s Day (March 8), the festival was originally conceived to push back against the fact that, at the majority of conferences, most of the speakers tend to be male. What has evolved…

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Live Review: Amanda Palmer’s …No Intermission had Sydney in tears

It seems fitting to start this review with a confession – I knew very little about Amanda Palmer before this night. I’ve never listened to The Dresden Dolls, have never seen her perform, I’d never even heard her sing. But after tonight, I know more than I ever thought I would. The show she’s currently…

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Film Review: Suddenly A Tree – personal narratives run deep at Persian Film Festival

In its 8th year, the Persian Film Festival was officially opened by Festival Director Amin Palangi, who gave one of the most engaging and genuine opening night addresses I’ve ever heard. He touched on the current conflict in Iran and the very real impact it had on the festival, given all the films were physically…

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Theatre Review: Mercutio and The Prince of Cats both entertains and confuses its audience at Sydney’s Old 505

Shakespeare’s Romeo and Juliet is one of the most iconic tragedies of all time. If you’re unfamiliar with this tale of woe – plot spoiler – they die in the end. But Giles Gartrell-Mills, the writer behind Mercutio and The Prince of Cats, isn’t interested in the star-crossed lover’s plight. Instead the play focuses on…

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Film Review: Odessa (Russia, 2019) – Amazing cinema at the Russian Resurrection Film Festival Launch

The Russian Resurrection Film Festival is considered one of the largest and most well respected film festivals outside of Russia. Travelling to Melbourne, Sydney, Brisbane, Perth, Adelaide and Canberra, the festival offers an insight into Russian culture through some of the most imaginative and creative cinema you’ll see. After some welcome speeches, including the Russian…

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Theatre Review: Things I Know to be True will leave you shaken and amazed

A word of advice about Things I Know to be True – do not read any reviews about this play. Just see it. Immediately, if not sooner. Do not risk any twist, turn or roundabout being ruined for you. Having said that, here’s my thoughts. I went into this play with no expectations, having heard…

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Live Review: So Pop sees Aqua headline a nineties revival with all your favourites

The line – up for So Pop read like the best of the Nineties – Lou Bega, Eiffel 65, Blue, Vengaboys, Aqua – it was the soundtrack of my High School years. Nostalgia hung heavy in the air as the first act of the night, Mr President, took to the stage. By the time B*WITCHED captivated…

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Opera Review: La Bohéme is all at once decadent and tragic at the Sydney Opera House

A world of starving artists, love at first sight, decadence and jealousy – so sets the scene for Puccini’s formidable La Bohéme. The performance begins with four friends, each a poor artist, struggling to survive another winter. By the end of the first act Rodolfo, a poet, has fallen in love with Mimí, a seamstress,…

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Review: Personal narratives take centre stage at the Feminist Writer’s Festival in Sydney

Established in 2016, the Feminist Writer’s Festival aims to support and promote feminist writers in Australia. For the first time this biennial festival came to Sydney, and over the course of two and a half days this writer attended a total of ten talks. Topics of the talks ranged from Writing and Speaking Indigenous Lives…

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Film Review: Lady Gaga shines as A Star is Born (USA, 2018) proves perfection on screen

Lady Gaga is not the first singer to embark on the transition from music to film (J. Lo, I’m looking at you), and I doubt she will be the last. However, never before have I seen a musician take this leap with such skill, such talent and such raw emotion reminiscent of a seasoned actor….

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