Seasoned film critic. Gives a great interview. Penchant for horror. Unashamed fan of Michelle Pfeiffer and Jason Momoa.
The BIFF is back! As the Brisbane International Film Festival continues to go from strength to strength as an industry must-do, newly appointed CEO Luke Wheatley and Screen Queensland CEO Jacqui Feeney made sure the festival’s 29th year was worthy of an Uproar-ious reception. A celebration of films for audiences seeking new perspectives and memorable…
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There has to be something said for the power of nostalgia. Despite not having any major success in Australia as of late – at least comparatively to when they first burst on the scene in the mid-90s – The Corrs packed out Sydney’s Qudos Bank Arena to practical maximum capacity as they delighted fans with…
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Having dealt with a duo of alien invasions for his Occupation films, it makes sense that Australian filmmaker Luke Sparke would want to look at something a little more grounded for his next cinematic feat. Whilst still working with an exaggerated mentality, Bring Him To Me is a crime thriller that bathes in a smaller,…
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With its tried and true premise, and graphic novel origins, one may expect The Killer to fall into the expected traps and tropes of the hitman subsect of the action genre. And though that wouldn’t necessarily be a bad thing, with David Fincher at the helm, as well as reuniting with his Se7en screenwriter Andrew…
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Outside of New Zealand it’s highly likely that the political clash at the centre of Hamish Bennett and Paul Middleditch‘s Uproar is one that’s never been heard of. Set in 1981, the ultimately uplifting, oft-powerful coming-of-age dramedy centres around the controversy that arose from the South African rugby team touring New Zealand at the time. …
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There’s already been an abundance of films, television series and books that have detailed the greedy, unethical foundations of the pharmaceutical industry in America. And whilst Netflix’s Pain Hustlers may not be the most investigative and favours entertainment over education, it’s a further insight into the peddling of the opioid crisis and acts as something…
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The stars come out at night, and now so can Brisbane with the announcement today that Dendy Cinema, the home of quality cinema, are bringing an unforgettable new outdoor cinema experience to the iconic Brisbane Powerhouse, the city’s hub of contemporary art and culture. Nothing says you’re in Queensland more than gathering with your friends…
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Watching Scarygirl it becomes even more increasingly annoying that Australian cinema hasn’t embraced animation as thoroughly as we should. Sure, we have the likes of Blinky Bill and Ferngully to claim as our own (and, yes, I’m aware of Happy Feet, but it feels like an entity separate from the more independently funded productions), but,…
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Watching Dumb Money it’s not hard to be reminded of The Social Network. Aside from the fact that Craig Gillespie‘s comedic drama is produced by The Winklevoss Twins – the brothers who had a major role in the creation of Facebook, at least according to them – Dumb Money is similarly recounting one of the…
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As someone who hasn’t played the Five Nights at Freddy’s video game series and, by extension, has no idea of the attached lore, I can’t comment on how faithful Emma Tammi‘s supernatural horror(ish) film truly is. I have to hope that the purists will enjoy themselves with what is put forward, but as a casual…
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As we have been told across filmic media for years, “The truth is out there”, and referencing the tagline for The X-Files feels more than appropriate when discussing Matt Vesely‘s science-fiction leaning chiller Monolith, an intimate, isolated feature that flirts with the notion of an alien invasion without complete penetration. Such a tease. An incredibly…
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It’s been a horrific year for Australian actress Lily Sullivan – and she wouldn’t want it any other way! After surviving the bloody carnage of Evil Dead Rise earlier in 2023, the Queensland-born starlet is capping off the year with another horror entrant, Monolith, but to say it’s far removed from the “groovy” gore of…
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Can you survive five nights? The terrifying horror game phenomenon becomes a blood-chilling cinematic event, as Blumhouse, the producer of M3GAN, The Black Phone and The Invisible Man, brings Five Nights at Freddy’s to the big screen. The film follows a troubled security guard as he begins working at Freddy Fazbear’s Pizza. While spending his…
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After announcing themselves as a queer filmmaking collective that weren’t afraid to take risks with both the horror genre they clearly adore and certain dynamics within their own community with their campy, giallo-inspired slasher Death Drop Gorgeous (now streaming on Shudder), Monster Makeup, LLC have more proven they aren’t a flash in the pan –…
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There was something darkly, deliciously special about the way writer/director Emma Seligman and actress Rachel Sennott announced themselves with 2020’s Shiva Baby. A claustrophobic black comedy that indulged in a spiralling, horrific temperament, their collaboration set a certain precedent for the boundary-pushing, topical humour that’s furthered in Bottoms, a wild, oft-violent, sexually liberated high-school comedy…
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From the humblest of beginnings, where Australia’s ABC network weren’t sure on investing in their talent, to multi-million selling music artists that sold out Madison Square Garden and can count the likes of Jerry Seinfeld, John Travolta, and Sarah Jessica Parker as fans, The Wiggles defied the expectations of many to form a global brand…
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You have to take your hat off for director Tommy Stovall and writer John Spare for navigating Condition of Return in a manner that I don’t think even the savviest of viewers would predict. As a whole it may not always adhere to a certain cohesion as it flits between a dramatic thriller detailing the…
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Whilst it’s always best to go into films with zero expectations, plot synopses and narrative outlines at least provide an idea of what audiences can expect from a storytelling perspective – however loose the product itself wants to determine as such. For New Strains, there was the idea of this being sold as a romantic…
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The type of film surrounding a character we know we shouldn’t like, Jennifer Cram‘s Sick Girl manages to overcome its central figure’s questionable morals by never asking its audience to forgive her. The “sick girl” in question is Wren Pepper (Nina Dobrev, great), a slacker, party girl-type who’s never grown up in the same manner…
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The act of (or is it the art of) lip-syncing is one that practically goes part and parcel within the realms of pop music. Some artists do so because their studio vocals can’t possibly be emulated live. Others rely on such due to demanding dance routines. And then there are those that, well, can’t sing…
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Hopefully a film that won’t just become infamous for its lack of being seen – after it previewed one single screening at last year’s Toronto International Film Festival it was withdrawn due to “rights issues” – The People’s Joker is a bold, bonkers debut feature from Vera Drew that reimagines the mythology of a slew…
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Inspired by Hotel Coolgardie, Pete Gleeson’s shock 2016 documentary about two female Finnish backpackers and their work experience at a predominantly male-frequented pub, The Royal Hotel similarly shines a light on the the disturbing, toxic nature that can spawn from a small, isolated town that exploits Australia’s “drinking culture” mentality. An ironic title that will…
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Flitting between two separate timelines as it details a forbidden, youthful romance and the remnants of such a memory, Olivier Peyon‘s tender Lie With Me is a poignant journey, laced with beauty and unavoidable crispness despite its emotionally messy mentality. In the present day, Stéphane Belcourt (Guillaume de Tonquédec) is a famous author who has…
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The world premiere of Baz Luhrmann’s Faraway Downs, an inspiring epic adventure and reimagined extended version of his 2008 film Australia, will be presented by the celebrated filmmaker in person, on closing night of the inaugural SXSW Sydney Screen Festival on October 21st, 2023. The film, told in six chapters, will premiere all at once…
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When the insertion of the number 4 in a film’s fourth outing as a substitute for the letter A is the smartest thing it’s able to execute, you know you aren’t in for the smoothest of operations. In a year where we’ve seen certain action sequels prove that there’s ample gas in the tank…
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Announcing its House of Music Discovery at the inaugural this year’s event, SXSW Sydney invites locals and international guests to enter into a world of music rediscovery as TikTok Australia takes over the eccentric cultural hub, Pleasures Playhouse, on Wednesday, 18 October. TikTok’s House of Music Discovery will bring the magic of music exploration to life by transcending the digital realm…
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After a Black Friday riot ends in tragedy, a mysterious Thanksgiving-inspired killer terrorizes Plymouth, Massachusetts – the birthplace of the holiday. Picking off residents one by one, what begins as random revenge killings are soon revealed to be part of a larger, sinister holiday plan. Will the town uncover the killer and survive the holidays…or…
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Given the big swings he took with his take on the Halloween series – the foul cries from fans were deafening at times – it stands to reason that writer/director David Gordon Green‘s tackling of such a classic genre piece as The Exorcist won’t be done by the books or to the liking of purists….
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In 1970s Korea, when both art and dreams are censored, a film director dreams of a masterpiece. After delighting audiences at both this year’s Cannes Film Festival and Sydney Film Festival, Cobweb is spinning its way into Australian cinemas from October 5th (you can read our review here). To coincide with the release, Peter Gray…
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50 years ago this December, the most terrifying horror film in history landed on screens, shocking audiences around the world. Now, a new chapter begins. From Blumhouse and director David Gordon Green, who shattered the status quo with their resurrection of the Halloween franchise, comes The Exorcist: Believer. Ahead of the film’s much discussed release…
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