Author: Peter Gray

Seasoned film critic. Gives a great interview. Penchant for horror. Unashamed fan of Michelle Pfeiffer and Jason Momoa.

May December navigates its delicate subject matter with an intentional melodramatic flair: Brisbane International Film Festival Review

Within the opening minutes of May December, small-town mother Gracie Atherton-Yoo (Julianne Moore) is throwing a community BBQ with all the social niceties we come to see over the future 113 minutes she shrewdly projects.  In hoping she has enough food to feed the masses, she opens the refrigerator and questions if she has enough…

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Sonos is a promising short that delights in its horror flourishes: Brisbane International Film Festival Review

Whenever a horror film does well at the box office, the internet as a collective (or, more specifically, Twitter, sorry, X) likes to announce that “horror is back!”  But the truth is, it never really went anywhere.  Sure, like most genres it has its ups and downs in terms of general interest and monetary returns,…

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The Royal Hotel manipulates our expectations with a lingering sense of unease: Brisbane International Film Festival Review

Inspired by Hotel Coolgardie, Pete Gleeson’s shock 2016 documentary about two female Finnish backpackers and their work experience at a predominantly male-frequented pub, The Royal Hotel similarly shines a light on the the disturbing, toxic nature that can spawn from a small, isolated town that exploits Australia’s “drinking culture” mentality. An ironic title that will…

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All of Us Strangers is an achingly beautiful, haunting lullaby of a film: Brisbane International Film Festival Review

As someone who lost their father at a young age, and therefore never had the conversation regarding my sexuality (and all that could possibly entail), the thought process throughout and inability to hold back my emotions during All of Us Strangers was palpable. Adapted by writer/director Andrew Haigh (Looking: The Movie) from Japanese author Taichi…

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Film Review: Quiz Lady wins the comedy round thanks to an energetic Sandra Oh

Though she’s known for her dramatic work primarily on television’s Grey’s Anatomy and Killing Eve, Sandra Oh enthusiasts are all too aware that the actress has a serious talent for the comedic flare; The Princess Diaries, anyone? But even still, the absolute let-loose mentality the actress adheres to for Quiz Lady is another level entirely,…

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Strange Way of Life is a gorgeous but unsatisfying short: Brisbane International Film Festival Review

Gorgeous but unsatisfying, Pedro Almodóvar‘s campy telenovela Strange Way of Life is a sexy short feature that proves the ultimate tease as it doesn’t entirely deliver on the sex appeal of its leads and then climaxes before we’ve even moved on from foreplay. Said leads are Ethan Hawke and Pedro Pascal, playing two perfectly-tailored cowboys…

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Film Review: Black White and the Greys encapsulates the emotional push-and-pull we universally experienced throughout the pandemic

With the Black Lives Matter and #MeToo movements featured prominently, as well as the overall intertwined arc of the COVID-19 pandemic, Black White and the Greys is a film that eerily encapsulates the emotional push-and-pull we universally experienced. A relatable, at-times uncomfortable drama, Black White and the Greys is a collaboration between Marchelle Thurman and…

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Club Zero is a traumatic and dangerous film that misses the mark on satire: Brisbane International Film Festival Review

*Trigger warning: This review discusses eating disorders* The satirical possibilities present within Jessica Hausner‘s dramatic Club Zero are ripe.  The execution, however, is undercooked; ironic, considering the topic at the core of this truly odd and oft dangerous film. At an elite private school, the enigmatic Miss Novak (Mia Wasikowska) has arrived to teach a…

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Birdeater is a visceral experience that leans into the brutality of emotional abuse: Brisbane International Film Festival Review

Given that Jim Weir and Jack Clark‘s frighteningly uncomfortable Birdeater is an Australian chiller set in the outback (at least for the majority of its running time), audiences are justified in thinking it could fall in line with other brutality-in-the-bush titles like Picnic at Hanging Rock or even Wolf Creek.  The more accurate comparison though…

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Film Review: Victim is a distressing watch about the online radicalisation of today’s youth

Throughout Victim‘s 14 minute running time, the tension laid forth by writer/director Robin Summons is near-unbearable as it traces a radicalised teenager and his increasingly concerned mother. Offspring favourite Kat Stewart brings a sweet yet stern nature to the role of Chrissy, a single mother whose seeming one wish is to have a collected dinner…

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Interview: Scarygirl‘s Remy Hii on his love of animation and finding the right voice for his unique character

From the glamour of Crazy Rich Asians to the Christmas cheer of The Princess Switch 3, by way of being Tom Holland’s romantic rival in Spider-Man: Far From Home, Malaysian-Australian actor Remy Hii certainly forged a formidable path in his career thus far. But I don’t think any of that prepared him for the “Giant,…

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Interview: Jillian Nguyen on voicing Scarygirl; “It felt very sacred.”

In another case of someone making the most of their lockdown potential during COVID, Australian actress Jillian Nguyen auditioned for a voice role as she was confined to hotel quarantine.  That role ended up being for the lead in a bold, ambitious new locally made animated feature – Scarygirl. As the family film continues to…

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Late Night With the Devil is a twisted take on the “found footage” horror film: Brisbane International Film Festival Review

“Before we continue I’d like to apologize to anyone who might be upset or offended by what you saw before the break. It’s not every day you see a demonic possession on live television.” Not the most typical sentence you’d expect to hear from a late night host, but such is the statement made by…

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Brisbane International Film Festival’s uproarious reception as the sunshine state centres on cinema

The BIFF is back! As the Brisbane International Film Festival continues to go from strength to strength as an industry must-do, newly appointed CEO Luke Wheatley and Screen Queensland CEO Jacqui Feeney made sure the festival’s 29th year was worthy of an Uproar-ious reception. A celebration of films for audiences seeking new perspectives and memorable…

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Live Review: The Corrs leave Sydney ‘Breathless’ – Qudos Bank Arena (29.10.23)

There has to be something said for the power of nostalgia. Despite not having any major success in Australia as of late – at least comparatively to when they first burst on the scene in the mid-90s – The Corrs packed out Sydney’s Qudos Bank Arena to practical maximum capacity as they delighted fans with…

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Bring Him To Me‘s masculine energy can’t mask its genre unoriginality: Brisbane International Film Festival Review

Having dealt with a duo of alien invasions for his Occupation films, it makes sense that Australian filmmaker Luke Sparke would want to look at something a little more grounded for his next cinematic feat.  Whilst still working with an exaggerated mentality, Bring Him To Me is a crime thriller that bathes in a smaller,…

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Film Review: The Killer is a precise and darkly comedic antidote for genre expectation

With its tried and true premise, and graphic novel origins, one may expect The Killer to fall into the expected traps and tropes of the hitman subsect of the action genre.  And though that wouldn’t necessarily be a bad thing, with David Fincher at the helm, as well as reuniting with his Se7en screenwriter Andrew…

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Uproar is an uplifting coming-of-age dramedy grounded by a sublime Julian Dennison: Brisbane International Film Festival Review

Outside of New Zealand it’s highly likely that the political clash at the centre of Hamish Bennett and Paul Middleditch‘s Uproar is one that’s never been heard of. Set in 1981, the ultimately uplifting, oft-powerful coming-of-age dramedy centres around the controversy that arose from the South African rugby team touring New Zealand at the time. …

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Film Review: Netflix’s opioid crime drama Pain Hustlers benefits from Emily Blunt’s passionate performance

There’s already been an abundance of films, television series and books that have detailed the greedy, unethical foundations of the pharmaceutical industry in America.  And whilst Netflix’s Pain Hustlers may not be the most investigative and favours entertainment over education, it’s a further insight into the peddling of the opioid crisis and acts as something…

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Dendy Cinema announce new Brisbane outdoor cinema venue

The stars come out at night, and now so can Brisbane with the announcement today that Dendy Cinema, the home of quality cinema, are bringing an unforgettable new outdoor cinema experience to the iconic Brisbane Powerhouse, the city’s hub of contemporary art and culture. Nothing says you’re in Queensland more than gathering with your friends…

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Film Review: Scarygirl invites its viewers to embrace the power of positivity in even the darkest of days

Watching Scarygirl it becomes even more increasingly annoying that Australian cinema hasn’t embraced animation as thoroughly as we should.  Sure, we have the likes of Blinky Bill and Ferngully to claim as our own (and, yes, I’m aware of Happy Feet, but it feels like an entity separate from the more independently funded productions), but,…

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Film Review: Dumb Money is a cautionary tale as much as it is one of conquest

Watching Dumb Money it’s not hard to be reminded of The Social Network.  Aside from the fact that Craig Gillespie‘s comedic drama is produced by The Winklevoss Twins – the brothers who had a major role in the creation of Facebook, at least according to them – Dumb Money is similarly recounting one of the…

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Film Review: Five Nights at Freddy’s may be too long a stay for the uninitiated viewer

As someone who hasn’t played the Five Nights at Freddy’s video game series and, by extension, has no idea of the attached lore, I can’t comment on how faithful Emma Tammi‘s supernatural horror(ish) film truly is.  I have to hope that the purists will enjoy themselves with what is put forward, but as a casual…

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Film Review: Monolith is an intimate, isolated chiller that delights in its own ambiguity

As we have been told across filmic media for years, “The truth is out there”, and referencing the tagline for The X-Files feels more than appropriate when discussing Matt Vesely‘s science-fiction leaning chiller Monolith, an intimate, isolated feature that flirts with the notion of an alien invasion without complete penetration. Such a tease. An incredibly…

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Interview: Lily Sullivan on filming the isolated horror of Monolith; “It was just a very bizarre, anxiety-induced form of meditation.”

It’s been a horrific year for Australian actress Lily Sullivan – and she wouldn’t want it any other way! After surviving the bloody carnage of Evil Dead Rise earlier in 2023, the Queensland-born starlet is capping off the year with another horror entrant, Monolith, but to say it’s far removed from the “groovy” gore of…

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Interview: Robert Bennett on creating the animatronics for Five Nights at Freddy’s; “It can be a lot to wrangle.”

Can you survive five nights? The terrifying horror game phenomenon becomes a blood-chilling cinematic event, as Blumhouse, the producer of M3GAN, The Black Phone and The Invisible Man, brings Five Nights at Freddy’s to the big screen. The film follows a troubled security guard as he begins working at Freddy Fazbear’s Pizza. While spending his…

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Nightmarish folk horror film Saint Drogo is brutal, bleak and erotic: Nightmares Film Festival Review

After announcing themselves as a queer filmmaking collective that weren’t afraid to take risks with both the horror genre they clearly adore and certain dynamics within their own community with their campy, giallo-inspired slasher Death Drop Gorgeous (now streaming on Shudder), Monster Makeup, LLC have more proven they aren’t a flash in the pan –…

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Bottoms rises to the top with an uproarious nature: SXSW Sydney Screen Festival Review

There was something darkly, deliciously special about the way writer/director Emma Seligman and actress Rachel Sennott announced themselves with 2020’s Shiva Baby.  A claustrophobic black comedy that indulged in a spiralling, horrific temperament, their collaboration set a certain precedent for the boundary-pushing, topical humour that’s furthered in Bottoms, a wild, oft-violent, sexually liberated high-school comedy…

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Hot Potato: The Story of The Wiggles is a heartwarming documentary about Australia’s unlikeliest icons: SXSW Sydney Screen Festival Review

From the humblest of beginnings, where Australia’s ABC network weren’t sure on investing in their talent, to multi-million selling music artists that sold out Madison Square Garden and can count the likes of Jerry Seinfeld, John Travolta, and Sarah Jessica Parker as fans, The Wiggles defied the expectations of many to form a global brand…

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Interview: AnnaLynne McCord on having no fear and blind faith in accepting her role in Condition of Return; “Why am I afraid to say yes?”

You have to take your hat off for director Tommy Stovall and writer John Spare for navigating Condition of Return in a manner that I don’t think even the savviest of viewers would predict.  As a whole it may not always adhere to a certain cohesion as it flits between a dramatic thriller detailing the…

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