Author: Peter Gray

Seasoned film critic. Gives a great interview. Penchant for horror. Unashamed fan of Michelle Pfeiffer and Jason Momoa.

Film Review: Silent Night; John Woo’s dialogue-free actioner is brutally unique

Though prolific action director John Woo has maintained a steady hand behind the camera for decades now, it’s been 20 years since he helmed an American production; the last standing as the largely-forgotten Ben Affleck sci-fi leaning Paycheck. Returning stateside with a mentality that feels far removed from the oft-outlandish, budget-aplenty genre films he was…

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Interview: Joel Kinnaman on taking a risk in John Woo’s dialogue-free actioner Silent Night; “I realised it was a lot more demanding for me.”

From acclaimed Hong Kong-based action director, John Woo (Face/Off, Broken Arrow, Mission: Impossible II) comes Silent Night – his first American film in 20 years. Starring Joel Kinnaman (The Suicide Squad, Robocop, Hanna), Silent Night tells the story of a man who witnesses the death of his young son on Christmas Eve, when the boy gets caught in…

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Interview: Catalina Sandino Moreno on the freedom of working without dialogue for John Woo’s Silent Night

Returning to the American filmic scene for the first time in 20 years, John Woo’s Silent Night is a bold, visceral tale of revenge told in the most unique of ways. Foregoing traditional dialogue, Woo’s violent, emotional action film emphasises the beating heart and the bloody pulp behind the slick choreography, with Joel Kinnaman leading…

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Film Review: Christmess, for better or worse, won’t be your festive “feel good” flick this year

Whilst films set around Christmas more often than not romanticise the holiday, there are still the occasional offerings that bathe in a downtrodden light that, for many, hits a far more realistic note.  In the case of Christmess, writer/director Heath Davis perhaps leans a little too heavily into the downward spiral of his main character,…

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Film Review: Bottoms is an unruly comedy that benefits from its wicked internal spark

There was something darkly, deliciously special about the way writer/director Emma Seligman and actress Rachel Sennott announced themselves with 2020’s Shiva Baby.  A claustrophobic black comedy that indulged in a spiralling, horrific temperament, their collaboration set a certain precedent for the boundary-pushing, topical humour that’s furthered in Bottoms, a wild, oft-violent, sexually liberated high-school comedy that honours John Hughes as much…

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Hear it. See it. Live it. Jennifer Lopez announces new musical experience This Is Me…Now

Jennifer Lopez’s long awaited musical experience THIS IS ME…NOW begins with the release of a new full length album and film inspired by the music, set for release on February 16th, 2024. The release of “This Is Me…Now”, Lopez’s first studio album in nearly a decade, celebrates the anniversary of its sister album, “This is Me…Then”,…

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Interview: Julian Dennison on connecting to his culture in Uproar, working with his family and the difficulty of executing comedy

After breaking out as a talent to watch from his performance in Taika Waititi’s acclaimed comedy Hunt for the Wilderpeople, New Zealand-born actor Julian Dennison quickly took the international film scene by storm with roles in such hits as Deadpool 2, The Christmas Chronicles 2 and Godzilla vs. Kong. Returning to his homeland, Dennison’s latest…

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Film Review: Uproar speaks to the strength of one’s own convictions through the beauty of universal storytelling

Outside of New Zealand it’s highly likely that the political clash at the centre of Hamish Bennett and Paul Middleditch‘s Uproar is one that’s never been heard of. Set in 1981, the ultimately uplifting, oft-powerful coming-of-age dramedy centres around the controversy that arose from the South African rugby team touring New Zealand at the time.  A cultural reckoning was born…

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Win a double in-season pass to see the heartwarming comedy Uproar

Thanks to Kismet Movies, we have 10 digital double in-season passes (Admit 2) to see Julian Dennison in the heartwarming Kiwi box office hit Uproar, in Australian cinemas from November 30th, 2023. UPROAR is a moving and heartwarming story about connection and finding your place in the world. It is the story of 17-year-old Josh…

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Film Review: The Retaliators is a bloody revenge flick that indulges in the gross physicality of violence

Aiming to exist on the same surface as Death Wish, with a little Robert Rodriguez-like gore on hand to really enhance its nasty spirit, The Retaliators is a bloody revenge flick that doesn’t quite land on even footing, but proves for fine genre escapism for those that have the stomach and appreciation. After a violent,…

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Film Review: Napoleon; Ridley Scott’s ambition fails to match the execution of disjointed epic

Despite the grandeur of some of its large scale battle sequences and reliable talent across the board, there’s a disjointedness to Ridley Scott‘s Napoleon that renders it shockingly inept at times and, overall, rather underwhelming. Hailed as one of the greatest military leaders and strategists in history, the Napoleon depicted here (as portrayed by Joaquin…

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Interview: Kitty Green on directing The Royal Hotel, subverting genre tropes and committing to an unhappy ending

After the uncomfortable mastery of The Assistant, an increasingly intense drama following the daily activity of an assistant to an insidious, powerful movie mogul, director Kitty Green easily placed herself on the map of filmmakers to follow. For her sophomore feature she’s maintaining that sense of dread – though she would beg to differ –…

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Interview: Director Susanna Fogel on casting Cat Person and toying with audience expectation

When Margot, a college sophomore, goes on a date with the older Robert, she finds that IRL Robert doesn’t live up to the Robert she has been flirting with over texts.  Directed by Susanna Fogel (TV’s The Flight Attendant, The Spy Who Dumped Me), adapted by Michelle Ashford from the acclaimed New Yorker short story…

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Film Review: Trolls Band Together hits the right musical note across its pop-filled family journey

As someone who’s childless and pushing a certain age bracket, on the surface it would seem as if the Trolls films shouldn’t necessarily appeal to me.  But within their candy-coated, unicorn fever dream-like aesthetic are surprisingly well-aimed jokes of maturity and, as an unashamed pop music enthusiast, a far-too-enjoyable soundtrack.  Children will absolutely lap this…

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Interview: Director Walt Dohrn on Trolls Band Together, the NSYNC reunion, and cast improvisation

This holiday season, get ready for an action-packed, all-star, rainbow-colored family reunion like no other as Anna Kendrick and Justin Timberlake return for the new chapter in DreamWorks Animation’s blockbuster musical franchise: Trolls Band Together. And orchestrating this slew of superstar voices – and perhaps a few boyband members for good measure – is director…

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Film Review: Saltburn; Emerald Fennell’s psychosexual satire indulges in its own wickedness

The thematics of power and the consequences of privilege Emerald Fennell explored in 2020’s confronting Promising Young Woman are exacerbated in her wicked follow-up, Saltburn, which feels as if The Great Gatsby and The Talented Mr. Ripley were invited to participate in an orgy with Bret Easton Ellis and the cast of Euphoria in a…

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Dakota Johnson weaves a Marvel origin story in first Madame Web trailer

“Meanwhile, in another universe…” In a switch from the typical genre, Madame Web tells the standalone origin story of one of Marvel publishing’s most enigmatic heroines. The suspense-driven thriller stars Dakota Johnson as Cassandra Webb, a paramedic in Manhattan, who may have clairvoyant abilities. Forced to confront revelations about her past, she forges a relationship…

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Film Review: Thanksgiving; Eli Roth’s gory horror treat is for those that like their meals bloody

Similar to how Robert Rodriguez expanded his faux trailer Machete into a feature-length exploitation action movie following its positive reception ahead of his and Quentin Tarantino’s joint B-movie double feature Grindhouse (2007), Eli Roth has finally made good on his mock trailer and turned in Thanksgiving, a self-aware slasher that embraces its R-rated bad taste…

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Film Review: The Hunger Games: The Ballad of Songbirds & Snakes is a prequel that asks more questions than it can answer

If you’ve read any (or all) of the Hunger Games novels or seen the films then you’re likely to have a specific view on one Coriolanus Snow.  But the presidential position (and villainous temperament) the character held in the original trilogy of novels, and later quartet of films as played by Donald Sutherland, is far…

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Film Review: The Marvels is fun and harmless, but MCU saviour this is not

It wasn’t so long ago that the Marvel machine was something of an unstoppable force to be reckoned with.  Each film seemed to pull record-breaking numbers upon its opening weekend and, more often than not, were winners across the board with critics; at least enough to be deemed “Fresh” on Rotten Tomatoes, which has become…

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Film Review: The Big Dog is a black dramedy that delights in the misery of its assembled company

As far as savvy sex-working women go, the character driving the bulk of The Big Dog‘s emotional and psychological torture isn’t the most traditional.  Pretty Woman this isn’t, with the financial dominatrix side of sexual services being explored here (Findom, for those in the know) in Dane McCusker‘s intriguing black dramedy that delights in the…

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Win a double in-season pass to Eli Roth’s seasonal slasher Thanksgiving

Thanks to Sony Pictures Australia we have 5 double in-season passes (Admit 2) to see Eli Roth‘s seasonal slasher Thanksgiving, which is set to carve up Australian cinemas from November 16th, 2023. After a Black Friday riot ends in tragedy, a mysterious Thanksgiving-inspired killer terrorizes Plymouth, Massachusetts – the birthplace of the holiday. Picking off…

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Poor Things is a sexually liberated black comedy stirring with emotion and topical commentary: Brisbane International Film Festival Review

Like his previous works that celebrate their fantastical, absurdist nature with a certain gravitas, Yorgos Lanthimos grounds Poor Things, an undeniably wild, oft-offensive, sexually liberated black comedy, with a stirring sense of emotion and topical commentary. In 19th century London – or what such a time period looks like within Lanthimos’ vivid imagination – the…

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May December navigates its delicate subject matter with an intentional melodramatic flair: Brisbane International Film Festival Review

Within the opening minutes of May December, small-town mother Gracie Atherton-Yoo (Julianne Moore) is throwing a community BBQ with all the social niceties we come to see over the future 113 minutes she shrewdly projects.  In hoping she has enough food to feed the masses, she opens the refrigerator and questions if she has enough…

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Sonos is a promising short that delights in its horror flourishes: Brisbane International Film Festival Review

Whenever a horror film does well at the box office, the internet as a collective (or, more specifically, Twitter, sorry, X) likes to announce that “horror is back!”  But the truth is, it never really went anywhere.  Sure, like most genres it has its ups and downs in terms of general interest and monetary returns,…

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The Royal Hotel manipulates our expectations with a lingering sense of unease: Brisbane International Film Festival Review

Inspired by Hotel Coolgardie, Pete Gleeson’s shock 2016 documentary about two female Finnish backpackers and their work experience at a predominantly male-frequented pub, The Royal Hotel similarly shines a light on the the disturbing, toxic nature that can spawn from a small, isolated town that exploits Australia’s “drinking culture” mentality. An ironic title that will…

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All of Us Strangers is an achingly beautiful, haunting lullaby of a film: Brisbane International Film Festival Review

As someone who lost their father at a young age, and therefore never had the conversation regarding my sexuality (and all that could possibly entail), the thought process throughout and inability to hold back my emotions during All of Us Strangers was palpable. Adapted by writer/director Andrew Haigh (Looking: The Movie) from Japanese author Taichi…

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Film Review: Quiz Lady wins the comedy round thanks to an energetic Sandra Oh

Though she’s known for her dramatic work primarily on television’s Grey’s Anatomy and Killing Eve, Sandra Oh enthusiasts are all too aware that the actress has a serious talent for the comedic flare; The Princess Diaries, anyone? But even still, the absolute let-loose mentality the actress adheres to for Quiz Lady is another level entirely,…

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Strange Way of Life is a gorgeous but unsatisfying short: Brisbane International Film Festival Review

Gorgeous but unsatisfying, Pedro Almodóvar‘s campy telenovela Strange Way of Life is a sexy short feature that proves the ultimate tease as it doesn’t entirely deliver on the sex appeal of its leads and then climaxes before we’ve even moved on from foreplay. Said leads are Ethan Hawke and Pedro Pascal, playing two perfectly-tailored cowboys…

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Film Review: Black White and the Greys encapsulates the emotional push-and-pull we universally experienced throughout the pandemic

With the Black Lives Matter and #MeToo movements featured prominently, as well as the overall intertwined arc of the COVID-19 pandemic, Black White and the Greys is a film that eerily encapsulates the emotional push-and-pull we universally experienced. A relatable, at-times uncomfortable drama, Black White and the Greys is a collaboration between Marchelle Thurman and…

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