Author: Peter Gray

Seasoned film critic. Gives a great interview. Penchant for horror. Unashamed fan of Michelle Pfeiffer and Jason Momoa.

Interview: Sasha Calle on the importance of representation in playing Supergirl in The Flash

As The Flash speeds into cinemas around the world this week (you can read our review here), where the titular superhero uses his powers to alter the events of his past, changing the course of the very future he once knew, we’re entering a new dawn of DC superheroes – including none other than Supergirl!…

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Chevalier; Kelvin Harrison Jr dominates serviceable period drama with swagger and charm: Sydney Film Festival Review

A historical figure whose achievements are all the more remarkable due to the obstacles faced as the son of a white father and black mother, Joseph Bologne, Chevalier de Saint-Georges, is highlighted, but not quite as richly celebrated in Stephen Williams‘s Chevalier. And given the extraordinary details of his life story, it’s a shame that…

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Catching Dust is a potent, uneasy thriller enhanced by an arresting Jai Courtney: Tribeca Film Festival Review

There’s a palpable sense of unrest that litters the core of Catching Dust, Stuart Gatt‘s feature debut that speaks to one woman’s sense of autonomy and choosing between the devil she knows and that she doesn’t. The woman in question is Geena (Erin Moriarty), whose isolated Texas desert locale is the result of her violent…

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The New Boy tackles religion and colonisation with an allegorical mentality: Sydney Film Festival Review

The themes tackled throughout Warwick Thornton‘s The New Boy are presented with symbolic, almost-magical and allegorical physicality.  And though its 1940’s Australian setting lends interesting conversation to its religious outlay and the clashing of beliefs at the time, the film itself doesn’t quite contain the spark needed to earn true impact; though it’s not for…

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Past Lives is an impeccable drama of human connection and quiet complexity: Sydney Film Festival Review

Despite the simple premise of Celine Song‘s Past Lives and its romantic comedy connotations, the film is anything but.  Burning slow and composing its emotions until it knows when to release them in a flood of responsive passion, Song’s impeccable debut is a drama of humanism and quiet complexity. Set over the span of 24…

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Interview: Writer/director Bill Oliver on Tribeca drama Our Son; “With gay marriage I think there’s a little bit of an expectation to be perfect.”

Premiering at this year’s Tribeca Film Festival, Bill Oliver‘s Our Son is where drama meets mindfulness as audiences explore contemporary relationships between two men (played by Luke Evans and Billy Porter) trying to make their way in the world of parenting their child in the aftermath of their separation. This story unabashedly unfolds with the…

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Our Son details the dissolution of a marriage with a sense of wit and wisdom: Tribeca Film Festival Review

Whilst the breakdown of a marriage and the impending custody battle that will take place as to whose time favours the child in question has been a reliable staple for cinematic drama over the years – most recently displayed in Noah Baumbach’s Marriage Story and perhaps most famously in 1979’s Kramer vs. Kramer – queer…

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I Like Movies celebrates the film bro, video store rentals and auteur filmmakers with a genuine gaze: Sydney Film Festival Review

In this era of streaming taking priority (unfortunately), there’s a whole generation of movie watchers – if they aren’t on their phone during said watch – who are unaware of just how special a time the video store truly was.  I Like Movies indulges in that time. Set amongst the backdrop of teen angst, Blockbuster…

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Sisu is visually exciting, shamelessly playful, and always, always unpredictable: Sydney Film Festival Review

There’s both a sense of adhering to the temperaments of action films gone by and embracing the current and future state of the genre present in Jalmari Helander‘s Sisu. Matching its dark sense of humour (and I mean dark) with a violently bloody mentality (and I mean bloody!), Sisu manages to present the simplest of…

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Asteroid City; Wes Anderson’s visually lush comedy is heavy on star wattage, but light on substance: Sydney Film Festival Review

Another Wes Anderson creation, where the sheer cast alone is unfathomable in their collective talent and the twee is as twee as can be, Asteroid City, with its distinct colour pallet and deadpan performances, won’t convert any viewers over to the Wes way of watching, but those that have stuck with the auteur through his…

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Scrapper is an impossibly charming dramedy made all the more so by its central performances: Sydney Film Festival Review

Whilst it’s easy to pick how Scrapper – Charlotte Regan‘s impossibly charming comedy/drama – will end when all is said and done, the central performances from newcomer Lola Campbell and Harris Dickinson as a feisty, self-reliant 12-year-old and her man-child father, respectively, are what keeps the quirky narrative continually engaging. It’s one of those “message”…

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Late Night With the Devil has occasionally nasty, always unbridled fun with the “found footage” horror genre: Sydney Film Festival Review

“Before we continue I’d like to apologize to anyone who might be upset or offended by what you saw before the break. It’s not every day you see a demonic possession on live television.” Not the most typical sentence you’d expect to hear from a late night host, but such is the statement made by…

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Carmen is a haunting and isolated tale that will entrance with its unconventional tempo: Sydney Film Festival Review

Though the title of Benjamin Millepied‘s feature directorial debut Carmen – the dancer-turned filmmaker having cut his teeth on short films and music videos – suggests a connection to Georges Bizet‘s French opera of the same name, his script – co-written with Alexander Dinelaris Jr. and Loïc Barrere – only mildly references its narrative mentality and…

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Series Review: Based On A True Story is a darkly comic satire on society’s obsession with true crime podcasts

To say society has a fascination with true crime would be putting it mildly.  No longer just contained to a select audience who got their grisly fix on news-skewered programs, true crime – or, more specifically, murder – is now a multi-million dollar business in itself, cornering the market on books, podcasts, docuseries’ and the…

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Film Review: The Flash conjures awe, emotion and humour as it speeds to the upper echelons of its genre

The wants and needs of comic book fans is something of a tall order when it comes to successfully executing a story that has a certain level of lore attached to it.  In terms of The Flash, there’s perhaps an even stronger necessity for the film to prove its worth off the back of certain…

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Film Review: The Roundup: No Way Out manoeuvres the beats of the action genre with a welcome unpredictability

Despite being the third film in the respective Crime City series – preceded by The Outlaws (2017) and The Roundup (2022) – The Roundup: No Way Out very much operates on its own.  Sure, it helps to have seen the other films, but Lee Sang-yong‘s enthusiastic actioner transmits a joy and an individuality that doesn’t…

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Film Review: Padre Pio; Shia LaBeouf’s committed performance can’t be faulted in uneven faith-driven drama

Whilst it’s fair to say that not every respective project of director Abel Ferrera and actor Shia LaBeouf is successful in their individual execution, you can’t deny the absolute dedication they both have regarding their craft.  Ferrara, whose varied career has seen him helm such divisive works as King of New York, Harvey Keitel’s lauded…

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Film Review: Spider-Man: Across the Spider-Verse is bombastically ambitious, beautifully imaginative and emotionally rich

Expanding everything that made 2018’s revolutionary Spider-Man: Into the Spider-Verse work so wonderfully, Spider-Man: Across the Spider-Verse is bombastically ambitious, beautifully imaginative and emotionally rich.  It’s also drastically complicated for anyone not (Spider)versed in the ways of its animated predecessor, so – like many comic book movies that are specifically intertwined with their own franchise…

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Win a double in-season pass to The Unlikely Pilgrimage of Harold Fry starring Jim Broadbent

Thanks to Transmission Films we have 5 double in-season passes (Admit 2) to see the remarkable journey of Jim Broadbent in The Unlikely Pilgrimage of Harold Fry, in cinemas from June 8th, 2023. Recently retired, Harold Fry is well into his 60s and content to fade quietly into the background of life. Harold’s life with…

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Film Review: The Machine; Bert Kreischer fans are likely to enthusiastically gel with exaggerated comedy actioner

Bert Kreischer is not a personality I’m familiar with.  And having no idea as to who he was in a professional capacity meant The Machine – a star vehicle centred around his most famous  stand-up story – was a film I entered with zero expectations. Perhaps that was what ultimately got me over the line…

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Film Review: Halle Bailey rules the uneven ocean of The Little Mermaid

Whilst, for the most part, there’s a certain unnecessary mentality that comes along with Disney and their incessant need to live-action-update their animated back catalogue, some of these efforts have given way to adaptations that are inherently interesting (Jon Favreau’s 2016 take on The Jungle Book), undeniably charming (Kenneth Branagh’s Cinderella from 2015) or have…

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Film Review: Maybe I Do is a little too safe for audiences to embrace its proposal

When you have a film led by such reliable talent as Richard Gere, Diane Keaton, Susan Sarandon and William H. Macy, it’s understandable to believe that the hands you’re in will guide you to a safe destination.  And perhaps that’s the problem.  Maybe I Do is entirely too safe to make any lasting impression beyond…

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Win a double in-season pass to The Machine

Thanks to Sony Pictures Australia we have 5 double in-season passes (Admit 2) to the new action comedy The Machine, starring Bert Kreischer and Mark Hamill, inspired by Kreischer’s viral story of his booze-soaked misadventures with the Russian mafia. Set 23 years after the original story which inspired it, The Machine finds Bert (Bert Kreischer) facing familial crisis and the arrival of…

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Interview: Ben Schwartz on Renfield; “How in the world would I pass on a movie where Nic Cage is playing Dracula?”

As we mentioned in our review of Renfield (which you can read here), Nicolas Cage is too perfect a casting addition as the legendary Count Dracula.  And it would seem that was the enticing reason Ben Schwartz took on the film as well; “How in the world would I pass on a movie where Nic…

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Film Review: Renfield; Nicolas Cage sinks his teeth into goofy, gory vampire flick

If ever there was a role Nicolas Cage was going to sink his teeth into, it’s that of Dracula.  And the eccentric character actor is undoubtedly Renfield‘s biggest asset, but, despite top billing, this isn’t the Count’s movie – though it’s not for a lack of trying. The titular Renfield is R.M. Renfield (the film’s…

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First Nations Film Festival returns as part of National Reconciliation Week

Now in its fifth year running, the First Nations Film Festival (Formally known at the Virtual Indigenous Film Festival) is returning with a new name and, once again, as part of National Reconciliation Week. The festival runs from the 30th of May to the 3rd of June, 2023, and features a selection of award-winning films,…

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The Top 10 actors we’d like to see join the Fast & Furious franchise

Over 22 years and 10 films (thus far), the Fast & Furious franchise has defied all expectations – and physics – and driven its players to constant peril, but ultimate safety, all in the name of family. With Fast X now riding high in cinemas across the globe (you can read our review here), in…

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Win a double in-season pass to see Nicolas Cage as Dracula in Renfield

Thanks to Universal Pictures Australia we have 5 digital double in-season passes (Admit 2) to see Nicolas Cage and Nicholas Hoult in the vampiric new comedy Renfield, in cinemas from May 25th, 2023. Evil doesn’t span eternity without a little help. In this modern monster tale of Dracula’s loyal servant, Nicholas Hoult (Mad Max: Fury…

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Film Review: John Farnham: Finding the Voice is a warm reminder of one of Australia’s leading talents

Given how attached John Farnham is to the song “You’re The Voice”, it’s hard to believe that it almost didn’t make the cut for his 1986 signature record, “Whispering Jack”.  His 12th album at the time, “Whispering Jack” reignited Farnham’s solo career, and off the back of the aforementioned single, it drove itself to 25…

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Film Review: Fast X; Forget family. Furious 10 is all about the flamboyant Jason Momoa

The Fast & Furious films live in the ridiculous – or, at least they have predominantly for the last decade or so – and, at this point, that’s practically a compliment to call so.  Whether you think they have evolved or devolved over time from their humble 2001 beginnings of car-jackings and street races is…

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