Seasoned film critic. Gives a great interview. Penchant for horror. Unashamed fan of Michelle Pfeiffer and Jason Momoa.
It goes without saying that the topical interest in Kristen Roupenian’s 2017 short story “Cat Person”, which ran in The New Yorker, before going viral online, is ripe for a filmmaker to adapt and expand. Unfortunately, director Susanna Fogel can’t quite secure a grip on proceedings, clumsily handling the film’s tone and undermining its central…
Read More
The wealthy whites and their easy skewering is a narrative mentality that we have been witness to in a variety of practices as of late. But unlike The White Lotus and The Menu, two of the most recent examples of such a temperament, Brandon Cronenberg‘s Infinity Pool pushes further past being just a little wicked…
Read More
Nominated for her record eighth Academy Award for her latest role as Lydia Tár, Cate Blanchett‘s turn as the titular character in Todd Field’s Tár is a tour-de-force performance that speaks to the strive for perfection within the world of art and a female’s abuse of power. As the film releases nationally in Australia, Peter…
Read More
Tár, set in the international world of classical music, centers on Lydia Tár, widely considered one of the greatest living composer/conductors and first-ever female chief conductor of a major German orchestra. Enveloped by a career-best Cate Blanchett in her Golden Globe-winning (and now Oscar nominated) performance, Tár is brought to the screen by director Todd…
Read More
There’s a lot to digest within the 158 minutes of Todd Field‘s ambitious Tár, so much so that lead Cate Blanchett practically devours it whole and spits out a venomous toxicity in return. It’s an, at-times, icy black comedy and a tragic character study melded within the cancel culture mentality and the #MeToo movement. It…
Read More
How do you find lasting love in today’s world? For documentary-maker and dating app addict Zoe (Lily James), swiping right has only delivered an endless stream of Mr Wrongs, to her eccentric mother Cath’s (Emma Thompson) dismay. For Zoe’s childhood friend and neighbour Kaz (Shazad Latif), the answer is to follow his parents’ example and…
Read More
Don’t let the title fool you, What’s Love Got To Do With It? has nothing to do with Tina Turner. Instead, the titular question is a rhetorical of sorts that documentary filmmaker Zoe (Lily James) ponders when she hears that her life-long best friend (Shazad Latif‘s Kaz) is interested in an arranged marriage, and subsequently…
Read More
A brutal movie to endure, Elijah Bynum‘s Magazine Dreams speaks to the strive for physical perfection within men and how such toxicity can consume them from the inside out. On that outside, Killian Maddox (Jonathan Majors in a demanding, raw performance that should already be favourited come award season next year) has the type of…
Read More
Thanks to Madman Films we have 10 double in-season passes (Admit 2) to see the new drama The Whale, starring Brendan Fraser in his acclaimed comeback role and directed by Darren Aronofsky (Black Swan, mother!), in cinemas from February 2nd, 2023. A reclusive English teacher living with severe obesity attempts to reconnect with his estranged teenage…
Read More
Sometimes an artist’s vision is best conveyed through the use of metaphorical imagery. Reiki Tsuno is not one of those artists! Leaning bombastically far into literal chaos and absurdity, Tsuno’s Mad Cats is a high-art-meets-low-brow martial arts extravaganza that embraces melodramatic nonsense – and is all the better for it. When he receives a message…
Read More
Whilst it isn’t always moving at a tolerable pace, nor does it necessarily answer the questions it raises throughout, Rachel Lambert‘s at-times dreamy dramedy Sometimes I Think About Dying still manages an emotional resonance as it tackles social anxiety and the feeling of disconnection that can stem from such. Daisy Ridley – in a beautiful,…
Read More
The unexplained corpse of a white woman at the feet of three Black gentlemen doesn’t look good. Four dead white women looks even worse, and it’s a situation at the centre of Mahogany Drive that writer/director/star Jerah Milligan navigates with precise wit and a social commentary that doesn’t quite travel where we expect it to. Before…
Read More
If there’s one thing you can rely on when it comes to the romantic comedy genre, it’s that if there’s a wedding involved Jennifer Lopez can’t be too far from the fray. The reliable superstar knows how to play the genre game, but if any audiences are concerned that Shotgun Wedding will play things a…
Read More
After 27 years of slicing and dicing his (and sometimes her) variety of assorted victims over 5 films, it’s nice to see the iconic Ghostface rebrand themselves as “something different”; at least that’s what’s being promised to returning franchise player Gale Weathers (Courteney Cox) in the first full-length trailer for Scream VI, the hotly anticipated…
Read More
An elephant graphically defecates on its unsuspecting handlers, before stomping about in an uneven state amongst a storm of fornicating bodies. An aspiring actress urinates on the face of a willing movie star in a coked-out stupor. A tuxedoed lounge singer seductively croons about petting her girlfriend’s genitalia. A party reveller bounces around on a…
Read More
Thanks to StudioCanal we have 5 double in-season passes (Admit 2) to see What’s Love Got to do With It?, a new romantic comedy from Working Title Films, the producers of Bridget Jones’s Diary and Love Actually, starring Lily James, Shazad Latif, Shabana Azmi and Emma Thompson. How do you find lasting love in today’s…
Read More
Emily tells the imagined life of one of the world’s most famous authors, Emily Brontë. The film, written and directed by Australian actress Frances O’Connor (in her directorial debut), stars Emma Mackey as Emily, a rebel and misfit, as she finds her voice and writes the literary classic “Wuthering Heights”; further exploring her raw, passionate…
Read More
“It’s an ugly book, full of selfish people who only care for themselves” isn’t exactly the sterling praise one would reap upon something as treasured as “Wuthering Heights”, but it is how author Emily Brontë’s work was described by her older, more traditional sister Charlotte upon finishing it; or, at least, that’s how Frances O’Connor…
Read More
Right from the opening of M3GAN it’s obvious what type of film Gerard Johnstone‘s A.I. horror-lite is going to be: one that doesn’t take itself remotely seriously, has its wink poised at the audience, and knows you can’t think it’s ridiculous any more than the creators already do. If its trailer didn’t already clue you…
Read More
Originally scheduled for an early release starting in January of 2022, the sudden pulling of Operation Fortune: Ruse de Guerre from the theatrical schedule certainly didn’t bode well for a film that, from all appearances, seemed like a certified success. Yes, it wasn’t uncommon for films to shift during the time period due to the…
Read More
Kiddo, a short film written and directed by Brett Chapman, is an oddity, to say the least. And that’s meant in the most complimentary of fashions, as the supremely bizarre, always unsettling outing announces itself as an original, individually interpreted horror film that’s likely to sit differently (and divisively) with its audience. In fact, it’s…
Read More
Needle drops have become more and more of a popular addition in film over the last year. The notion of having a song not written for the film – often one that already has a sense of notoriety – and inject it into proceedings has been utilised to either enhance a physical sequence or, perhaps,…
Read More
Thanks to Universal Pictures we have 5 double in-season passes (Admit 2) to see M3GAN, a fresh new face in terror from the horror genre’s most prolific minds – James Wan, the filmmaker behind the Saw, Insidious and The Conjuring franchises, and Blumhouse, the producer of the Halloween films, The Black Phone and The Invisible…
Read More
Thanks to Madman Films we have 10 double in-season passes (Admit 2) to see Emily, where the real and imagined life of ‘Wuthering Heights’ author Emily Brontë intertwine, in Australian cinemas from January 12th, 2023. EMILY tells the imagined life of one of the world’s most famous authors, Emily Brontë. The film stars Emma Mackey…
Read More
The biggest challenge with cold cases is finding out who people were back then. Who killed Isabel Baker? Such is the logline for Stan Australia’s thrilling new limited series, Black Snow. In 1994, seventeen-year-old Isabel Baker was murdered. The crime shocked the small town of Ashford and devastated Isabel’s Australian South Sea Islander community. The…
Read More
With The Fabelmans, Steven Spielberg returns with his most personal movie yet – the legendary director’s own coming of age story set against the family drama which paralleled and ultimately intersected with his emergence as a filmmaker. Ahead of the film’s release in Australia on January 5th (read our review here), Michelle Williams and Paul…
Read More
As undoubtedly one of his generations greatest, most adored filmmakers, it’s difficult to fathom a project leaving an auteur such as Steven Spielberg vulnerable. But for his latest film The Fabelmans, a semi-autobiographical look at his own beginnings as the director he came to be, Spielberg laid his soul bare – and Tony Kushner was…
Read More
“Mommy and Daddy will be right next to you the whole time.” From the opening line of dialogue in Steven Spielberg‘s The Fabelmans, an autobiographical coming-of-age tale that boasts itself as his first writing credit since A.I. some two decades prior, we get a sense of what’s to come as, outside a New Jersey movie house in the early…
Read More
As the lead in Netflix’s The Lincoln Lawyer and flexing a more intimidating muscle on screen in films such as The Magnificent Seven, Sicario: Day of the Soldado, and Sweet Girl, it’s a welcome change when Manuel Garcia-Rulfo arrives in A Man Called Otto, beaming an infectious smile and displaying effortless charm. Said smile and…
Read More
Welcome back, Mr. Hanks. After adopting a not-so-easy to digest accent and exaggerated acting style in Baz Luhrmann’s divisive Elvis, and whatever the hell that adaptation of (not Guillermo del Toro’s) Pinocchio was, America’s loveable dad has returned for another of his committed, affable turns in Marc Foster‘s A Man Called Otto; which is rather…
Read More