Author: Peter Gray

Seasoned film critic. Gives a great interview. Penchant for horror. Unashamed fan of Michelle Pfeiffer and Jason Momoa.

Film Review: Frances O’Connor defies convention with Emily, a fictionally-charged biopic bolstered by a mesmerising Emma Mackey

“It’s an ugly book, full of selfish people who only care for themselves” isn’t exactly the sterling praise one would reap upon something as treasured as “Wuthering Heights”, but it is how author Emily Brontë’s work was described by her older, more traditional sister Charlotte upon finishing it; or, at least, that’s how Frances O’Connor…

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Film Review: M3GAN; A.I. horror-lite comedy is a self-aware slice of glorious lunacy

Right from the opening of M3GAN it’s obvious what type of film Gerard Johnstone‘s A.I. horror-lite is going to be: one that doesn’t take itself remotely seriously, has its wink poised at the audience, and knows you can’t think it’s ridiculous any more than the creators already do. If its trailer didn’t already clue you…

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Film Review: Operation Fortune: Ruse de Guerre; Hugh Grant’s camp energy and Aubrey Plaza’s deadpan Bond girl elevate suave spy comedy

Originally scheduled for an early release starting in January of 2022, the sudden pulling of Operation Fortune: Ruse de Guerre from the theatrical schedule certainly didn’t bode well for a film that, from all appearances, seemed like a certified success.  Yes, it wasn’t uncommon for films to shift during the time period due to the…

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Short Film Review: Kiddo is an unsettling and individually interpreted horror film

Kiddo, a short film written and directed by Brett Chapman, is an oddity, to say the least. And that’s meant in the most complimentary of fashions, as the supremely bizarre, always unsettling outing announces itself as an original, individually interpreted horror film that’s likely to sit differently (and divisively) with its audience. In fact, it’s…

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Film Review: Mummies is an engrossing adventure for all the wrong reasons

Needle drops have become more and more of a popular addition in film over the last year.  The notion of having a song not written for the film – often one that already has a sense of notoriety – and inject it into proceedings has been utilised to either enhance a physical sequence or, perhaps,…

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Win a double in-season pass to meet M3GAN; She’s more than just a toy. She’s part of the family

Thanks to Universal Pictures we have 5 double in-season passes (Admit 2) to see M3GAN, a fresh new face in terror from the horror genre’s most prolific minds – James Wan, the filmmaker behind the Saw, Insidious and The Conjuring franchises, and Blumhouse, the producer of the Halloween films, The Black Phone and The Invisible…

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Win a double in-season pass to see Emily; The real and imagined life of Emily Brontë on the big screen

Thanks to Madman Films we have 10 double in-season passes (Admit 2) to see Emily, where the real and imagined life of ‘Wuthering Heights’ author Emily Brontë intertwine, in Australian cinemas from January 12th, 2023. EMILY tells the imagined life of one of the world’s most famous authors, Emily Brontë. The film stars Emma Mackey…

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Interview: The cast and creators of Stan’s thrilling new Australian crime series Black Snow

The biggest challenge with cold cases is finding out who people were back then. Who killed Isabel Baker? Such is the logline for Stan Australia’s thrilling new limited series, Black Snow.  In 1994,  seventeen-year-old Isabel Baker was murdered. The crime shocked the small town of Ashford and devastated Isabel’s Australian South Sea Islander community. The…

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Interview: Michelle Williams and Paul Dano on playing Steven Spielberg’s parents in The Fabelmans

With The Fabelmans, Steven Spielberg returns with his most personal movie yet – the legendary director’s own coming of age story set against the family drama which paralleled and ultimately intersected with his emergence as a filmmaker. Ahead of the film’s release in Australia on January 5th (read our review here), Michelle Williams and Paul…

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Interview: Tony Kushner on writing Steven Spielberg’s The Fabelmans; “He only likes to work on things that scare him.”

As undoubtedly one of his generations greatest, most adored filmmakers, it’s difficult to fathom a project leaving an auteur such as Steven Spielberg vulnerable.  But for his latest film The Fabelmans, a semi-autobiographical look at his own beginnings as the director he came to be, Spielberg laid his soul bare – and Tony Kushner was…

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Film Review: The Fabelmans; this is Spielberg’s story, and we’re privileged to be along for the ride

“Mommy and Daddy will be right next to you the whole time.” From the opening line of dialogue in Steven Spielberg‘s The Fabelmans, an autobiographical coming-of-age tale that boasts itself as his first writing credit since A.I. some two decades prior, we get a sense of what’s to come as, outside a New Jersey movie house in the early…

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Interview: Manuel Garcia-Rulfo on being recommended by Tom Hanks for A Man Called Otto and finally playing a nice guy on screen

As the lead in Netflix’s The Lincoln Lawyer and flexing a more intimidating muscle on screen in films such as The Magnificent Seven, Sicario: Day of the Soldado, and Sweet Girl, it’s a welcome change when Manuel Garcia-Rulfo arrives in A Man Called Otto, beaming an infectious smile and displaying effortless charm. Said smile and…

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Film Review: A Man Called Otto continually finds a warm light throughout its surprisingly dark navigation

Welcome back, Mr. Hanks. After adopting a not-so-easy to digest accent and exaggerated acting style in Baz Luhrmann’s divisive Elvis, and whatever the hell that adaptation of (not Guillermo del Toro’s) Pinocchio was, America’s loveable dad has returned for another of his committed, affable turns in Marc Foster‘s A Man Called Otto; which is rather…

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Interview: Alex Bain on becoming the Prime Video Buff; “I can’t be authentic about something if I don’t love something.”

Following a nation-wide search, Prime Video Australia have secured their “Buff”. Queensland-born Alex Bain has secured the illustrious Prime Video couch for the next three months, where she will be the streaming service’s voice of recommendations and reason – all the while being paid $40,000. As she settles into her first month of catalogue shuffling,…

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Interview: Radha Mitchell on new Australian drama Blueback, facing her deep water fears, and the film’s family engagement

The last time Peter Gray spoke with Australian actress Radha Mitchell, the two discussed a considerably controversial film detailing female revenge in the aftermath of assault.  Narratives couldn’t be any further removed from each other with Blueback, an adaptation of Tim Winton’s acclaimed short story that follows a young girl who befriends a magnificent wild…

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Film Review: Blueback is beautifully captured and charmingly peaceful

Given just how successful his last film The Dry was, it’s understandable for their to be a certain expectation and closely examined look at what director Robert Connolly has on his table for his immediate follow-up.  Not that you should expect a crime thriller 2.0 given he’s adapting Tim Winton‘s family-friendly short Blueback, but don’t…

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Film Review: Triangle of Sadness is a wicked satire that’s as horrific as it is humorous

The rich eat, but then suffer mercilessly in Ruben Östlund’s Triangle of Sadness, a wicked, at-times horrifically and humorously gross satire that takes aim at the wealthy in a manner that is deliciously void of any subtlety. Divided into three chapters – all linked by a young, glamorous couple – the film promises one observation…

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Film Review: The Banshees of Inisherin blurs the line between absurdity and heartbreak with dark humour and masterful poise

Though he certainly didn’t lose any of his sense of comfort by travelling across the Atlantic for his last film – 2017’s Three Billboards Outside Ebbing, Missouri – there’s a sense of grandeur in writer/director Martin McDonagh returning to his homeland for The Banshees of Inisherin, an impossibly funny and, at times, heartbreakingly bleak dramedy…

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Interview: Philippa Langley on her real-life story inspiring Steve Coogan’s The Lost King

Fascinated by the stories we don’t tell, and why we don’t tell them, Philippa Langley has a passion to tell distinctive and original narratives that challenge our perception of established truths. In 2012 she led the successful search to locate the grave of King Richard III through her Looking For Richard Project. Philippa conceived, facilitated…

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Film Review: The Lost King is a charming underdog tale of a woman finding her voice and its global echo

Behind every true story there’s always a slew of accusations as to what is exactly fact and what’s fiction.  In the case of The Lost King, a charming dramedy surrounding everywoman Philippa Langley and her search to find the grave of Richard III, there’s the historians who believes it absolves the king of the supposed…

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Film Review: I Wanna Dance With Somebody; Houston, we have a problem!

Much like a Greatest Hits package where it’s all the beats that both fans and the casual listener are familiar with, I Wanna Dance With Somebody, a glossy biopic about “The Voice”, Whitney Houston, Kasi Lemmons‘ film refuses to delve beyond a catchy hook.  There’s no bridge, no worthy duets, and no deep-rooted B-side. And…

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The AU Review’s Best Films of 2022

It’s always an amusing statement to hear when people say that “There are just no good movies out there.” You can cry foul on 2022 being “the worst year of movies, ever” all you want – it’s considerably not true – and, perhaps, because certain blockbusters failed to wow you or due to the endless…

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Win a double in-season pass to see Steven Spielberg’s The Fabelmans

Thanks to StudioCanal we have 5 double in-season passes (Admit 2) to see Steven Spielberg‘s The Fabelmans, a semi-autobiographical story loosely based on his adolescence and first years as a filmmaker.  Winner of the People’s Choice Award at this year’s Toronto International Film Festival and nominated for 5 Golden Globes, including Best Motion Picture (Drama),…

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It’s Margot Robbie’s world and we’re all just living in it in first Barbie teaser

She came.  She saw.  She conquered. Margot Robbie is a towering vision in a pastel world as her anticipated debut in Greta Gerwig‘s Barbie has finally arrived for us mere humans to admire. After showing exclusively in front of screenings of Avatar: The Way of Water, Universal Pictures on behalf of Warner Bros. have delivered…

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Interview: Antonio Banderas on revisiting his signature character for Puss in Boots: The Last Wish; “It’s a little more substantial.  A little deeper.”

Given the absolute phenomenon Shrek became upon its debut in 2001, it’s not hard to see why Antonio Banderas would want to join such a franchise.  But standing out in a cast that includes such comedians as Mike Myers and Eddie Murphy is another ballgame entirely, but he managed to not only shape his own…

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Interview: Harvey Guillén on finding his voice for Puss in Boots: The Last Wish; “It’s freeing and yet it’s terrifying.  And I love both of those feelings.”

As Puss in Boots: The Last Wish arrives in theatres (you can read our review here) to reintroduce us to the Shrek franchise’s feisty feline and his last-life effort to regain the 9 lives he mistakenly took for granted, Peter Gray spoke with series newcomer Harvey Guillén about finding his voice for his character Perrito,…

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Film Review: Puss in Boots: The Last Wish is visually arresting, spectacularly entertaining and surprisingly mature

Given that it has been 11 years since we last saw Puss in Boots garner his own solo outing, it’s fair for any audiences going into this one to have certain reservations.  Not that the original was bad in any manner, but Puss in Boots: The Last Wish isn’t exactly a continuation many were clamouring…

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Interview: Anna Diop and Nikyatu Jusu on navigating the horror elements of Nanny with lived-in emotion

In the psychological horror fable of displacement Nanny, Aisha (Anna Diop), is a woman recently emigrated from Senegal and hired to care for the daughter of an affluent couple (Michelle Monaghan and Morgan Spector) living in New York City.  Haunted by the absence of the young son she left behind, Aisha hopes her new job…

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Film Review: Nanny is a haunting human drama bathed in a supernatural temperament

The term “elevated horror” gets thrown around a lot nowadays.  And as much as supposed film purists like to rib on such a phrase, it’s undeniably becoming a subgenre of the horror space, allowing dark, heavy topics and deep exploration of characters to exist within the structure of a scary story. Such is the mentality…

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Scream VI trailer teases terror in the Big Apple

In a city of millions, no one hears you scream. After re-energising the Scream franchise earlier this year with the fifth installment, Scream, requel rules were very much in effect as the legacy characters of the series – Neve Campbell’s Sidney Prescott, David Arquette’s Dewey Riley and Courteney Cox’s Gale Weathers – passed the torch…

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