Seasoned film critic. Gives a great interview. Penchant for horror. Unashamed fan of Michelle Pfeiffer and Jason Momoa.
Not only were they voices that spoke loud enough to break a cycle of abuse within the Hollywood system, they are now the faces of a ceiling-breaking movement that has forever changed the entertainment industry. Jodi Kantor and Megan Twohey were the New York Times journalists who investigated the abuse allegations against mogul Harvey Weinstein. …
Read MoreIn our continued coverage for She Said, the new drama from Universal Pictures detailing New York Times reporters Megan Twohey and Jodi Kantor and their breaking of one of the most important stories of a generation, one that helped launch the #MeToo movement and shattered decades of silence around the subject of sexual assault in…
Read MoreNew York Times reporters Megan Twohey and Jodi Kantor broke one of the most important stories in a generation – a story that helped launch the #MeToo movement and shattered decades of silence around the subject of sexual assault in Hollywood. This story that altered American culture forever is being detailed in the new film…
Read MoreGiven the weight and influence that came with the #MeToo movement – founded in 2006 by American activist Tarana Burke – and, by extension (and association), the overwhelming allegations of sexual assault against once-famed producer Harvey Weinstein, it makes sense that a film detailing as such has come to fruition. Based off the 2017 New…
Read MoreIt’s all too easy to wax lyrical these days about trailers spoiling and “giving too much away” for the keyboard warriors who oft decide they hate a film before they even see it. Whilst the jury is still out on how many will dislike The Invitation, I can attest that, as far as spoilers go, Jessica M….
Read MoreThanks to Warner Bros. Australia and Metro Goldwyn Mayer Pictures we have 5 double in-season passes (Admit 2) to see the cannibalistic romance Bones and All, the latest film from acclaimed director Luca Guadagnino (Call Me By Your Name), in Australian cinemas from November 24th, 2022. Bones and All is a story of first love between Maren…
Read MoreThe Hitman Vs. Assassin subsect of the action genre is one that rarely deviates from its rather tried and true formula; aside from a hefty injection of cash and a star-studded cast, something as recent as Netflix’s throwaway actioner The Gray Man is proof that the genre, even in 2022, seems comfortable resting on its…
Read MoreAustralian-born Claudia Doumit may best be known for her deceptively sinister turn as Victoria Neuman in the television series The Boys, but it’s roles in films such as Dylan & Zoey that should truly keep her on the map. As the indie drama releases in US theatres and On Demand, Claudia spoke with our Peter…
Read MoreInitially, it can’t be denied, Dylan & Zoey does adhere to certain rules that the “Indie film playbook” so often lays out for new filmmakers to navigate. This is by no means a criticism of Matt Sauter‘s film, merely an observation that the simplistic settings, dialogue-heavy characters and their societal views, and “me against the…
Read MoreIt’s understandable to be going into a film like Nope and be expecting horror greatness, given that it’s stemming from the mind of Jordan Peele, who, with both Get Out and Us, redefined the genre with his “woke” sensibilities and penchant for symbolism and commentary. Ominous alien invasion is seemingly what’s promised here. The trailers (at least initially, before the studio…
Read MorePremiering exclusively on Shudder from November 10th, Mandrake is a Northern Irish folk horror tale that marks the directorial feature debut of Lynne Davison. Premiering earlier this year at FrightFest Glasgow the film follows probation officer Cathy Madden (played by Scottish BAFTA-winner Deirdre Mullins), who is given the task of rehabilitating notorious killer ‘Bloody’ Mary…
Read MorePhase Four of the Marvel Cinematic Universe has undoubtedly divided fans like no other that has preceded it. Whilst there was a certain uniqueness in how characters and narratives were handled – say what you will about Eternals or Thor: Love and Thunder, but they at least attempted to separate themselves from the norm –…
Read MoreJust when you thought remote working was good, along comes remote-control working. Prime Video Australia today announced a nationwide search for a content junkie to fill a brand-new role—the Prime Video Buff. Prime Video is on the hunt for someone who lives and breathes entertainment to be employed in a full-time role** over summer and get…
Read MoreThere was a point in Romuald Boulanger‘s On The Line where a character utters the line “Elvis has left the building”, here referring to Mel Gibson‘s character Elvis Cooney, a late-night shock jock who has seemingly made a name for himself due to his on-air pranks and general volatile personality. The line clearly wants to…
Read MoreA low-key slice of independent cinema that you imagine wouldn’t be given as big of a spotlight had it not been for lead Jennifer Lawrence, Causeway nonetheless deserves its attention as it’s a determined and moving picture about one’s healing, both emotionally and physically. Adhering to the stripped-away mentality that drove her to her first…
Read MoreGiven how wild everyone – or teenage girls, to be a little more accurate – are for pop’s main man-candy Harry Styles, it will no doubt throw much of his female following off as to how graphic the sexual scenes are in My Policeman, a queer love story that perseveres with grand intentions but, sadly,…
Read MoreThe plot for Aftersun is one that we have seen countless times before in one form or another: Adult reflects on a childhood trip with a parent that was often laced with memorable experiences. It’s how writer/director Charlotte Wells chooses to frame such a story though – almost like a faded memory – that transforms…
Read MoreThough she was born in New York, was on the Broadway stage by age 13, and working in Hollywood only years later, securing roles opposite such talent as Matthew Fox (1994’s Party of Five), Jared Leto (Cool and the Crazy in 1994) Shannen Doherty (1997’s Friends ‘Til The End), and Jessica Alba (in James Cameron’s…
Read MoreDirector Karl Malakunus is a filmmaker and journalist who has been based in Asia, covering environmental issues, conflict, natural disasters and political upheavals, for two decades. Karl is the Asia-Pacific Deputy-Editor-In-Chief for Agence France-Presse based in Hong Kong. He is a Sundance Institute Documentary Film Program Fellow and a recipient of the SFFILM Vulcan Productions…
Read MoreThe idea of a Fletch remake/reboot/sequel has long been discussed for almost three decades now. The obvious suggestions of Jason Lee and Jason Sudeikis were thrown around for contention to follow in Chevy Chase’s comedic footsteps during its production, but after consistent stop/starts it has fallen to Jon Hamm to pick up the mantle and…
Read MoreWhen The Wonder first begins there’s a rather pretentious and, ultimately, unrewarding additive that runs the risk of undoing all that will follow. Niamh Algar‘s soothing vocal tone greets us as our eyes glaze over a constructed film set. Algar informs us that we are indeed watching a film, but the players involve believe in…
Read MoreFrom the beaches of Home and Away to starring opposite Michael B. Jordan in Without Remorse, by way of the acclaimed sword-and-sandals epic series Spartacus, Australian actor Todd Lasance is another homegrown success story carving his own international career. In the lead up to the Brisbane and Adelaide legs of the Supanova Comic Con &…
Read MoreWhether it was his tenure as sensible teen Geoff Campbell for 567 episodes on long-running Australian soap series Home and Away, his turn in the acclaimed Tomorrow When the War Began, or his recurring role as the love interest to one of the country’s most notorious underworld figures in Underbelly: Razor, the fourth season of…
Read MoreThere’s a scene in the first third of Call Jane that I can only imagine would infuriate the female audiences in attendance. Abortion is not a subject I have any real right to comment on – I am pro choice, for what it’s worth – but, in 2022, it’s almost insulting that sequences taking place…
Read MoreAfter earning a swarm of likes from SXSW audiences earlier in the year and from the Australian Academy of Cinema and Television Arts (AACTA), where it earned nominations for Best Film, Best Direction, and Best Lead Actress (for Aisha Dee’s committed performance), the social media slasher Sissy is ready for local audiences to like and…
Read MoreWhether we like them (or follow them) or not, influencers – sorry, “content creators” – are a cultural mainstay in our society that often extends beyond the environment of social media. In Australian horror effort Sissy, co-writers/directors Hannah Barlow and Kane Senes seem all too aware of the faux importance influencers place upon themselves, a…
Read MoreThe rich eat, but then suffer mercilessly in Ruben Östlund’s Triangle of Sadness, a wicked, at-times horrifically and humorously gross, satire that takes aim at the wealthy in a manner that is deliciously void of any subtlety. Divided into three chapters – all linked by a young, glamorous couple – the film promises one observation…
Read MoreWhilst Resurrection never deviates from its grim examination of motherhood, Andrew Semans‘ gripping, ultimately bonkers thriller refuses to stay on the course you expect it to. Portraying very much the type of Rebecca Hall-encapsulated character that Rebecca Hall effortlessly portrays, the actress here, strong-willed and properly presented, is Margaret, a pharmaceutical company representative who offsets…
Read MoreThe type of filmmaker who’s able to create stories so bombastically silly that they are somewhat brilliant, Quentin Dupieux once again expresses straight-faced frivolity in Incredible But True, a tightly-paced (a lean 74 minutes) twilight-zoned comedy that, somehow, is one of his more level-headed features in spite of its ludicrous plot. Said ludicrous plot revolves around Alain (Alain…
Read MoreAn agonising drama if ever there was one, Mass details the type of conversation that instantly makes you feel sickeningly uncomfortable. And then to watch it unfold in a suffocating location for 110 minutes is a test of endurance that audiences may be unprepared for. The tragedy at the centre of the conversation is one…
Read More