Seasoned film critic. Gives a great interview. Penchant for horror. Unashamed fan of Michelle Pfeiffer and Jason Momoa.
She’s more than just a toy. She’s part of the family. From the most prolific minds in horror – James Wan, the filmmaker behind the Saw, Insidious and The Conjuring franchises, and Blumhouse, the producer of the Halloween films, The Black Phone and The Invisible Man – comes a fresh new face in terror; M3GAN!…
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Before Romeo & Juliet, there was Romeo & Rosaline. Adopting a personality that takes inspiration from the likes of Baz Luhrmann’s Romeo & Juliet, 10 Things I Hate About You, and A Knight’s Tale, Rosaline is a charming romantic comedy that manages to present its meta commentary on the pros and cons of Shakespeare’s work…
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After skewering the narrative of the Halloween films with the direct name-same sequel in 2018, David Gordon Green took a massive kitchen knife to all that had come before and created a brand new series within the horror franchise. After reviving the iconic Michael Myers for Halloween and Halloween Kills, the epic conclusion to his…
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Thanks to Warner Bros. Australia we have 5 double in-season passes (Admit 2) to see the new DC’s newest superhero Black Adam, starring Dwayne Johnson. Dwayne Johnson stars in the action adventure “Black Adam.” The first-ever feature film to explore the story of the DC Super Hero comes to the big screen under the direction…
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Thanks to Sony Pictures Releasing Australia we have 5 double in-season passes (Admit 2) to see the acclaimed action/drama The Woman King, starring Viola Davis, John Boyega, Thuso Mbedu and Lashana Lynch. The Woman King is the remarkable story of the Agojie, the all-female unit of warriors who protected the African Kingdom of Dahomey in the 1800s with…
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Maybe you can try a little too hard sometimes? David O. Russell is no stranger to big swings, both from a narrative point of view and in his casting. And here have been times that such an effort has paid off, with Silver Linings Playbook and American Hustle standing as (arguably) his most accessible titles. …
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Santa Claus: Action hero? The jolly man in red is getting a violent, twisted makeover in Violent Night, and whilst it may seem like an odd premise, when you realise it comes from the brains behind Nobody, Bullet Train, and Hansel & Gretel: Witch Hunters it makes perfect sense! As the trailer for the film…
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You’d be forgiven for knowing more about Don’t Worry Darling‘s on-set drama and supposed promotional tension than the film itself at this point. It feels redundant to mention the specifics of such because, ultimately, it has very little bearing on the film’s quality itself; though there is a certain irony in director Olivia Wilde having…
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It’s time to literally save the day for Jennifer Lopez and Josh Duhamel in the first explosive trailer for Shotgun Wedding. Darcy (Lopez) and Tom (Duhamel) gather their lovable but very opinionated families for the ultimate destination wedding, just as the couple begin to get cold feet. And if that wasn’t enough of a threat…
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As casting director Jill Anthony Thomas states herself, those involved in the casting process are “the unsung heroes of the industry”. Actors aren’t always handed a role. And two performers on paper doesn’t equate to them working well in person. So, thank the movie and television Gods that we have people like Jill to steer…
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From its literary origins with queer authors Mary Shelley, Bram Stoker and Oscar Wilde to the pansy craze of the 1920s that influenced Universal Monsters and Hitchcock; from the “lavender scare” alien invasion films of the mid-20th century to the AIDS obsessed bloodletting of 80s vampire films; through genre-bending horrors from a new generation of queer creators; Queer for Fear re-examines genre stories through a queer lens, seeing them not as violent, murderous…
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There’s always a certain joy in seeing someone you know personally excel in their chosen field of expertise. And for Peter Gray it was chatting with Queensland actress (and long-historied friend) Melanie Zanetti in conjunction with the release of Raven’s Hollow. After catching up and filling more than a few interview minutes on celebrating each…
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Like so many of the House of Mouse’s IPs, Hocus Pocus has been conjured once more. Disney weren’t entirely sure they had a success on their hands some 30 years ago with the release of the original film – what with the studio releasing a Halloween-themed family film in July, for starters – and were…
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A buddy comedy centred around a suicide pact isn’t exactly going to be the easiest sell (or the most pleasant viewing experience), and coming out on the other side of a global pandemic where mental health issues surged certainly doesn’t help matters either, but here we are with On the Count of Three, an at-times…
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Celebrating its 28th year, Queensland’s brightest celebration of film, the Brisbane International Film Festival (BIFF), announces its eagerly awaited program and new festival hub, lighting up screens over 11 days from October 27 to November 6, 2022. This year BIFF will delight audiences with a diverse selection of Award-Winning films, anticipated releases from acclaimed directors,…
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As the Edgar Allan Poe-inspired Raven’s Hollow begins to haunt horror streaming service Shudder just in time for the spooky season (you can read our review here), Peter Gray spoke with writer/director Christopher Hatton about navigating gothic horror, what he hopes Poe purists will take away from the film, and their own personal connection to each…
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Not exactly an origin story in the traditional – or autobiographical – sense, but a healthy start all the same as to how legendary horror writer Edgar Allan Poe fuelled his creativity for all things macabre, Christopher Hatton‘s Raven’s Hollow indulges in the author’s aesthetic for an atmospheric chiller that favours story over scares. In…
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Given how wild everyone – or teenage girls, to be a little more accurate – are for pop’s main man-candy Harry Styles, it will no doubt throw much of his female following off as to how graphic the sexual scenes are in My Policeman, a queer love story that perseveres with grand intentions but, sadly,…
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One of the more unlikely franchises of a resilient nature, V/H/S/, a retro-appearing horror anthology effort that often compiles a series of genre directors flexing their creative muscle through short horror narratives, is now in its fifth iteration in the form of V/H/S/99. The horror tales that often are confined within the V/H/S/ films are always…
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When The Wonder first begins there’s a rather pretentious and, ultimately, unrewarding additive that runs the risk of undoing all that will follow. Niamh Algar‘s soothing vocal tone greets us as our eyes glaze over a constructed film set. Algar informs us that we are indeed watching a film, but the players involve believe in…
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Though he certainly didn’t lose any of his sense of comfort by travelling across the Atlantic for his last film – 2017’s Three Billboards Outside Ebbing, Missouri – there’s a sense of grandeur in writer/director Martin McDonagh returning to his homeland for The Banshees of Inisherin, an impossibly funny and, at times, heartbreakingly bleak dramedy…
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As much as this film titles itself after an infant whose actions drive much of its horrifically-laced narrative forward, it’s the newborn’s mother that earns much of the focus in Baby Ruby, an unsettling psychological drama from Bess Wohl, the writer/actress making her directorial debut here. That mother is Jo (Noémie Merlant, best known for…
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If you’re one of the many that have laughed on repeated viewings of Bridesmaids (and hopefully the underrated Barb and Star Go to Vista Del Mar) then it’s because of Annie Mumolo. A writer and actress who has long been a reliable staple in the comedy genre, she’s once again making her presence undeniably known…
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The idea of a Fletch remake/reboot/sequel has long been discussed for almost three decades now. The obvious suggestions of Jason Lee and Jason Sudeikis were thrown around for contention to follow in Chevy Chase’s comedic footsteps during its production, but after consistent stop/starts it has fallen to Jon Hamm to pick up the mantle and…
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“Mommy and Daddy will be right next to you the whole time.” From the opening line of dialogue in Steven Spielberg‘s The Fabelmans, an autobiographical coming-of-age tale that boasts itself as his first writing credit since A.I. some two decades prior, we get a sense of what’s to come as, outside a New Jersey movie…
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There’s something incredibly refreshing about The Good Nurse in that its true-crime temperament isn’t marred by overt manipulation – as so many of such adapted tales can be. Jessica Chastain (as typically great and committed as expected) is Amy, the titular good nurse, a single mother who is hiding her own ailment as she dedicates…
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The claustrophobic and emotional resonance Florian Zeller created with 2020’s The Father is unfortunately nowhere to be found in The Son, a prequel of sorts based off another of Zeller’s stage plays. A chamber piece on the subject of dementia that rightfully won Anthony Hopkins his second Best Actor Academy Award, The Father expressed subtlety…
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Rian Johnson had far too much fun paying homage to the works of Agatha Christie in 2019’s star-studded crime comedy Knives Out. To say he executed it perfectly would be putting it mildly, but whilst a sequel to such a set-up seemed like a given, how anything secondary would be navigated was another mystery in…
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Few actors possess and exude as much movie star wattage as George Clooney and Julia Roberts. And it’s his attractive gruffness and her screen-lighting smile that keep Ticket To Paradise from being a destination you’d request a refund for. Local audiences – predominantly those based in Queensland – are sure to get a thrill from…
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If X was Ti West‘s homage to classic 70’s horror effort The Texas Chainsaw Massacre, then Pearl could almost be aligned with The Wizard of Oz, just with, you know, a lot more blood and dry-humping scarecrows. The fact that X was an initial singular success story was enough of a win for independent horror…
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