Author: Peter Gray

Seasoned film critic. Gives a great interview. Penchant for horror. Unashamed fan of Michelle Pfeiffer and Jason Momoa.

Omoiyari: A Song Film by Kishi Bashi is a beautiful and heart-breaking journey into the historical relationship between America and Japan: SXSW Film Festival Review

Weaving together both historical and current events, how those events pertain to the savagery of racism over the years, and the juxtaposition of his own calming musicality, Omoiyari: A Song Film by Kishi Bashi is a stunning documentary about Kishi Bashi‘s own personal journey in exploring his past as he looks for inspiration for his…

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Interview: Director Maureen Bharoocha and actress Ramona Young on their SXSW revenge comedy The Prank

After missing out on the SXSW screening experience in 2020 with her feature The Golden Arm, director Maureen Bharoocha is even more grateful to be screening her latest film, The Prank, in person this year.  As the dark comedic thriller premiered (you can read our festival review here) our Peter Gray spoke to both Maureen…

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Film Review: Dog is an emotionally investing feature that benefits from Channing Tatum’s charm and competence as a filmmaker

Whilst he never exactly went off the grid to warrant this a “comeback”, Channing Tatum certainly reminds us just why his likeable, some may say limitedly ranged persona was such a staple in the mid 2010’s with Dog.  Not only does it see the actor step back into leading man territory – somewhere he hasn’t…

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The Cow; A slow burn thriller with a wild reveal that asks more questions than it answers: SXSW Film Festival Review

For such a scrappy little feature, Eli Horowitz‘s The Cow has some impressive calibre that will no doubt help earn it some extra eyes beyond the unique indie crowd this seems tailor made for. Headlined by Winona Ryder (always a treat to see taking charge these days) and a suitably disarming Dermot Mulroney, The Cow…

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The Prank is an uneven black comedy kept afloat by the wicked Rita Moreno: SXSW Film Festival Review

A somewhat standard high-school comedy and a campy dark mystery are fused together in Maureen Bharoocha‘s ambitious offering The Prank.  Whilst much of the film rides on the fact you have to root for unlikeable archetypes – either outcast students Ben (Connor Kalopsis) and his feisty bestie Tanner (Ramona Young) or their evil-incarnate teacher (a…

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Everything Will Be Alright is a bleak yet soul-stirring drama that speaks to our universal determination: SXSW Film Festival Review

A pandemic story without exclusively being as such, Everything Will Be Alright has an everyman-type quality to it in how it presents the dilemmas the Coronavirus inflicted upon the world.  Director Farhard Pakdel fuses his narrative with a heightened sense of drama though, injecting a potentially triggering additive that further highlights how people’s realities were…

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Pretty Problems comedically indulges in the unpleasantness of the privileged: SXSW Film Festival

When watching Kestrin Pantera‘s Pretty Problems, if such titles as This Is 40, Wanderlust, The Invitation, White Lotus, and/or Schitt’s Creek come to mind, you can sit comfortably knowing that was somewhat deliberate.  Though there’s evident inspiration from such vast titles, Pretty Problems is still very much its own being; it just helps it has…

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Sissy is a gross and darkly funny horror that explores the dangers of the social influencer: SXSW Film Festival Review

Whether we like them (or follow them) or not, influencers – sorry, “content creators” – are a cultural mainstay in our society that often extends beyond the environment of social media.  In Australian horror effort Sissy, co-writers/directors Hannah Barlow and Kane Senes seem all too aware of the faux importance influencers place upon themselves, a…

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Slash/Back thrills with both a genuine terror and its youthful energy: SXSW Film Festival Review

Unless you’re already an established name in the industry – and even then, to some degree, getting a film off the ground can have its challenges – the process of seeing a film through its production stages is never without its hurdles.  So you can only imagine how it was for a first-time director like…

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Interview: Director Bianca Poletti on her SXSW short film Radical Honesty; “I love stories that have subtle, dark, awkward humour”

Premiering at this year’s SXSW Film Festival, Radical Honesty is a new short feature from director/photographer Bianca Poletti.  In the lead-up to the film’s premiere, our own Peter Gray spoke with her about the inspiration behind its unconventional take on relationships, her own personal attachment to the idea of non-monogamy, and which filmmakers she personally…

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Film Review: Turning Red is a fantastical family film that speaks to the tribulations of growing up

If it wasn’t for the fact that she turns into a giant red panda, the life of Turning Red‘s protagonist Meilin Lee (voiced by Rosalie Chiang) would be considered normal.  She gets good grades at secondary school, has a trio of respectable besties, helps her mother, Ming (Sandra Oh), in running the family temple –…

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Film Review: Book Of Love is an entirely harmless and inherently sweet romantic comedy

“It was so long, I wish I’d watch paint dry instead!” Not the most encouraging way to open a review.  Though, thankfully, I’m referring to the book “The Sensible Heart”, the novel-within-the-movie that Book Of Love‘s main character has written, and not Analeine Cal y Mayor‘s film itself. Said writer is Henry Copper (Sam Claflin,…

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Interview: Umbrella Entertainment’s Ari Harrison on Australia’s revolutionary Feature30 filmmaking competition

Have you ever had an experience or an idea that would make a great movie?  A first of its kind film competition open to everybody is hoping to turn your creativity into reality. Never been done before in Australia, Feature30 is a competition with a difference.  Not only will it reward its winner with a…

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Interview: Radha Mitchell on new revenge thriller Asking For It, its controversial reception, and how she feels about the ending of Neighbours

One of Australia’s finest, and hardest working, exports, Radha Mitchell is a homegrown success story, having graduated from the local screens of the sitcom All Together Now and the institution that is Neighbours, to such international box office successes as Pitch Black, Phone Booth, and Silent Hill. As her latest film, the darkly comedic revenge…

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Film Review: Asking For It is a grindhouse-inspired revenge thriller that’s sure to generate uncomfortable conversations

When detailing delicate subject matter – in this case, sexual assault and the most toxic of masculinity – some films have the insight and intelligence to do so with a certain nuance.  Asking For It is not one of those films!  No, this is as subtle as a sledgehammer, ripping through its surfaces with a…

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SXSW announce Keynotes and Featured Speakers for their 2022 line-up; including Grammy winners Lizzo and Beck

With only just over a week away until SXSW 2022 (March 11th-20th), the festival has revealed Keynotes and Featured Speakers made up of prominent industry leaders and creative visionaries from the world’s of tech, film, music, and beyond. The Keynotes announced include three-time Grammy Award-winning artist Lizzo; 2022 Rock & Roll Hall of Fame nominee…

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Interview: The Batman director Matt Reeves on navigating a darker take on the superhero; “I wanted a story that would break him to his core”

Arriving in cinemas this week (you can read our review here), The Batman is arguably one of the year’s most anticipated films.  Directed by acclaimed filmmaker Matt Reeves (Dawn of the Planet of the Apes) and fronted by Robert Pattinson, the film is gearing up to deliver a version of the Dark Knight we have…

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Benedetta takes glee in its farcical and graphic depiction of nunsploitation: Mardi Gras Film Festival Review

If there’s one thing director Paul Verhoeven loves to do, it’s poke the bear.  As he has so gleefully outraged audiences and critics across his career, his latest exploitive project – the “based on a true story” nunsploitation drama(?) Benedetta – could easily be dismissed as blasphemous, but there’s also an alarming sincerity to his…

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Film Review: The Batman; a noirish, pulpy thriller that rejects the superhero formula with a violent intimidation

As easy as it is to wax lyrical on the fact that we have yet another iteration of the Dark Knight, The Batman, from director Matt Reeves, is unlike any we have experienced on screen thus far.  Sure, the fact that Reeves has adopted a dark temperament to lace his narrative may not be viewed…

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Film Review: Gasoline Alley is a lazy, ugly thriller that furthers the sad decline of Bruce Willis’ career

Another day, another Bruce Willis direct-to-DVD effort that continues the odd, sad decline of his career.  Keeping in tune with the last dozen or so efforts he has sleepwalked his way through (that is if he decides to actually show up for filming that day), Willis barely registers in Gasoline Alley, the fourth collaboration with…

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Film Review: Naomi Watts’ compelling turn can’t save The Desperate Hour from its offensive nature

The core narrative of The Desperate Hour (previously screened as Lakewood at last year’s Toronto International Film Festival) is one that is ripe with tension and despair.  It’s every parent’s worst nightmare come true.  It’s a true shame then that Phillip Noyce‘s initially well-intentioned thriller devolves into absurdity, taking its serious subject matter and exploiting…

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Film Review: No Exit has fun embracing lunacy-driven thrills within its claustrophobic setting

Though there’s nothing particularly original about No Exit, the sheer commitment from lead Havana Rose Liu serves the film enough benefit that its genre simplicities and narrative lunacies are somewhat forgiven. Initially, Australian filmmaker Damien Power (Killing Ground) aims for a dramatic temperament, introducing Liu’s Darby as an addict in recovery who has all but…

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Moneyboys navigates its precarious subject with warmth and respect: Mardi Gras Film Festival Review

Films dealing with queer thematics are few and far between in mainland China.  Due to the government’s strict regime on censorship, stories detailing the LGBTQ communities are a rarity, which is why a feature like Moneyboys is all the more curious.  Though set in China, it was filmed in the neighbouring Taiwan, co-financed with European…

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Win a double in-season pass to see Robert Pattinson as The Batman

Thanks to Warner Bros. Pictures we have 5 double passes (Admit 2) to give away for the upcoming release of The Batman, starring Robert Pattinson, Zoe Kravitz and Colin Farrell, set for release in Australian cinemas from March 3rd, 2022. Two years of stalking the streets as the Batman (Robert Pattinson), striking fear into the…

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Interview: Peter Dinklage on the fear and complexity of playing Cyrano; “With great risk comes great reward”

Arriving in cinemas today, Cyrano (you can read our review here) is the beautiful new drama from director Joe Wright, who has reinterpreted Edmond Rostand’s classic 1897 play Cyrano de Bergerac as a sorrowful musical starring Emmy and Golden Globe Award-winning actor Peter Dinklage (TV’s Game of Thrones) as the titular poet. To coincide with…

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Film Review: Cyrano is a sorrowful romance that finds beauty in an understated canvas

Reimagining another literary masterpiece, as he did with both Pride & Prejudice and Anna Karenina (and, to a lesser extent, the ambitious but much maligned Pan), Joe Wright‘s interpretation of Edmond Rostand‘s 1897 play Cyrano de Bergerac is a suitably lush affair that manages to reinvigorate a tried and true story, one that we have…

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Interview: Cyrano director Joe Wright on bringing the classic love story to life through an altered lens

Joe Wright is no stranger to a period piece, having adapted the literary dramas Pride & Prejudice and Anna Karenina, the acclaimed romantic war tale Atonement, and the Oscar-winning political drama Darkest Hour.  So, there’s really no one more suited to adapting Edmond Rostand’s classic 1897 play Cyrano de Bergerac. Based upon the 2018 stage…

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Boulevard! A Hollywood Story is a fascinating look at life imitating art and the golden age of Hollywood: Mardi Gras Film Festival Review

Detailing a film and its lead actress adored by the queer community, and uncovering within that connection a story so juicy it seems almost too dramatic to be true, Boulevard! A Hollywood Story is a fascinating look at the intended musical iteration of Billy Wilder’s 1950 classic Sunset Boulevard, Gloria Swanson‘s determination to see its…

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The Novice clears the finish line in its horrific look at personal achievement: Mardi Gras Film Festival Review

Though presented in the guise of a character drama, The Novice is very much a psychological thriller detailing the compulsive, obsessive need one can hone in their attempt to perfect their field of interest.  For the central figure in Lauren Hadaway‘s dark effort, Alex Dall (Isabelle Fuhrman, dedicating herself wholeheartedly to the role, both physically…

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The Sixth Reel should tickle an audience with a love for campy, classic cinema: Mardi Gras Film Festival Review

Whilst we’re finally experiencing the certain studio projects that the pandemic momentarily stalled from their original release dates, the last year has also made way for many made-during-COVID productions to seep through the schedule too.  Two creatives who put their lockdown status to viable use were Charles Busch and Carl Andress, lifelong friends and collaborators…

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