Author: Peter Gray

Seasoned film critic. Gives a great interview. Penchant for horror. Unashamed fan of Michelle Pfeiffer and Jason Momoa.

Dual is a blend of deadpan satire and high concept sci-fi that mainly succeeds off Karen Gillan’s fascinating performance: Sundance Film Festival Review

With its mix of deadpan satire and high concept sci-fi – comparisons to Yorgos Lanthimos’ 2015 dystopian black comedy The Lobster feel imminent – Dual may be an off-putting experiment to many who can’t readily accept Riley Stearns‘ mentality.  It certainly helps that the film is headlined by the wonderful Karen Gillan though, delivering two…

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Summering is an appealing, if safe, drama about the bonds of female adolescence: Sundance Film Festival Review

Comparisons to Rob Reiner’s 1986 coming-of-age drama Stand By Me will be inevitable when discussing James Ponsoldt‘s Summering; the Sundance fixture returning to the festival following his last effort, the critically mauled 2017 Tom Hanks vehicle The Circle, the first of his filmography to not screen at the festival.  The dark elements, thematic inclinations, and…

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Good Luck To You, Leo Grande is an intelligent sex-positive comedy headlined by a career-best Emma Thompson: Sundance Film Festival Review

Whilst there’s no surprise revealed in the fact that Emma Thompson truly deserves to be considered one of the greatest living actresses working today, it’s always appreciated when a performance solidifies such a statement.  And in the deliriously charming and strikingly emotional Good Luck To You, Leo Grande, Thompson turns in career-best work that leans…

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Watcher is a formulaic, but no less tension-filled thriller carried by a striking Maika Monroe: Sundance Film Festival Review

A thriller that both leans into the formulaic mentality of the genre whilst simultaneously hoping to combat it, Watcher, from director Chloe Okuno (V/H/S/ 94), is a dread-filled effort that plays on the terrors of voyeurism. Gorgeously shot, though consistently lingering with uncertainty, Watcher lays focus on Julia (Maika Monroe, always a welcome presence in…

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Jesse Eisenberg’s When You Finish Saving the World is a shallow drama that lacks true satirical bite: Sundance Film Festival Review

There are flashes of an interesting film present within Jesse Eisenberg‘s directorial debut When You Finish Saving the World, it’s just a shame that the satirical flourishes and occasional nuances teased throughout aren’t devoted enough to to be deemed an overall success.  The film’s closing 20 minutes leans into the emotional gut-punch Eisenberg clearly hopes…

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Fresh is an ambitious, genre-skewering effort that should satisfy those with off-kilter pallets: Sundance Film Festival Review

Off-putting it may be, there’s enough deliciousness throughout the wicked Fresh that your pallet is sure to be satisfied in spite of the cannibalistic practices laid forth. An initial romantic dramedy, director Mimi Cave sets up the dating scene with all the discouragement you’d expect, with Noa (Daisy Edgar-Jones) endlessly swiping through her Tinder-esque apps,…

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Win 1 of 5 Blu-ray copies of Marvel’s Eternals starring Angelina Jolie

Marvel Studios’ Eternals is gearing up to defend humanity on Blu-ray™, DVD, and 4K Ultra HD™ from February 2nd, 2022, and to celebrate the release we have 5 Blu-ray copies up for grabs! Marvel Studios’ Eternals follows a group of ancient heroes from beyond the stars who had protected Earth since the dawn of man. When monstrous…

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Interview: Director Edoardo Vitaletti on the religious inspiration behind Shudder’s The Last Thing Mary Saw

Following its acquisition by Shudder, Edoardo Vitaletti‘s horror film The Last Thing Mary Saw will commence its streaming season on the genre-centric service from January 20th, 2022. To coincide with the film’s release (you can read our review here), Peter Gray discussed with the writer/director the religious origins of the film, if he felt any…

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Film Review: Spencer is an unconventional tale of tragedy, reinforced by a mesmeric Kristen Stewart

In the opening moments of Pablo Larraín‘s Spencer, his subject – Princess Diana (Kristen Stewart, beyond impressive) – hopes to maintain any shred of autonomy she can through a lifestyle she knows has wildly altered her reality.  Late to a family Christmas celebratory weekend – the film focuses on December 24th-26th in the early 1990’s,…

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Film Review: Nightmare Alley is an intoxicatingly beautiful and haunting noir thriller from Guillermo del Toro

So intoxicatingly beautiful is Guillermo del Toro‘s haunting Nightmare Alley that its sheer aesthetic pleasures alone are enough to forgive the narrative sins it commits along the way. Far from the unnerving horror film the trailers would have you believe, del Toro’s adaptation of William Lindsay Greshem‘s 1946 novel – first made into a feature…

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Film Review: The Last Thing Mary Saw is a horror-leaning drama that opts for tension over indulgent gore

Religious principles and the notion of intolerance run thematically rampant in The Last Thing Mary Saw, a horror-leaning drama film that announces first time filmmaker Edoardo Vitaletti as an intriguing mind to keep our radar on. Opting for tension and unease rather than overt gore, Mary… is an 1843 set period chiller that opens on…

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Oscar Isaac debuts as Marvel’s Moon Knight in first released trailer

Disney+ have debuted the thrilling trailer for the upcoming Marvel Studios series Moon Knight ahead of its streaming release date of March 30th, 2022. The series follows Steven Grant, a mild-mannered gift-shop employee, who becomes plagued with blackouts and memories of another life. Steven discovers he has dissociative identity disorder and shares a body with…

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Film Review: The 355 masks its genre simplicities with a willing cast and an escapism attitude

Whilst there’s nothing remotely original about The 355, that certainly doesn’t mean there isn’t plenty of fun to be had with this slice of pure escapism fluff that manages to mask its simplicities with a willing cast and a scrappy, can-do attitude. Outside of directing, Simon Kinberg has a rather enviable resume.  He served as…

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Interview: The cast of Scream on carrying on the iconic horror franchise; “You don’t want to feel as if you’re copying because that can be virtually disrespectful”

As Scream, the hotly anticipated fifth instalment in the acclaimed horror series, arrives in Australian cinemas today (read our review here), Peter Gray sat down (virtually, of course) with the cast of fresh blood.  Melissa Barrera, Jack Quaid, Jasmin Savoy Brown, Mason Gooding, Sonia Ammar, and Mikey Madison were all on hand to chat with…

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Interview: Will Smith and the cast and crew of King Richard; “It’s about family and making it joyful, even though it’s intense”

As King Richard arrives in Australian cinemas today (you can read our review here), Peter Gray was invited to attend a global press conference with select cast members, including recent Golden Globe winner Will Smith, Aunjanue Ellis, Demi Singleton, Saniyya Sidney, and Tony Goldwyn, as well as Venus and Serena Williams, to discuss the making…

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Film Review: Scream is a joyous and violently unpredictable film that honours the spirit of the original series

In 1996, when horror was a bad word and the slasher subsect had been relegated to bargain bins and a straight-to-VHS lifespan, genre maestro Wes Craven (A Nightmare on Elm Street, The Hills Have Eyes) and a (then) relatively unknown Kevin Williamson dared to defy the conventions by creating a film that played into the…

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Film Review: King Richard is a winning biopic that transcends genre expectation

As much as King Richard has all the trappings of a biopic – and a sports drama, for that matter – it’s a testament to everyone involved that it manages to entirely transcend expectation and feel like something that’s so much more. It’s easy to wax lyrical about the fact that we’re getting a film…

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Win a double in-season pass to see the return of Ghostface in Scream

Thanks to Paramount Pictures we have 5 double passes (Admit 2) to give away for the upcoming release of Scream, set for release exclusively in cinemas from January 13th, 2022. Twenty-five years after a streak of brutal murders shocked the quiet town of Woodsboro, a new killer has donned the Ghostface mask and begins targeting…

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Film Review: The Tender Bar is well-meaning, yet mediocre storytelling that shines brightest through Ben Affleck’s gentle performance

The Tender Bar is very much the type of film we’ve seen before, and, unfortunately for George Clooney‘s well-meaning dramedy, it’s been done better than what this narrative ultimately presents. A coming-of-age story where the protagonist overcomes his or her personal and professional struggles to achieve ultimate success, all the while guided by a wise…

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Film Review: The King’s Man adds a surprising emotionality to a series built on exaggerated violence and humour

At a time when sequels are delighting in a certain sense of nostalgia – looking no further than the latest iterations of Spider-Man, The Matrix, Ghostbusters, and the forthcoming Scream as immediate examples – you have to at least hand it to director Matthew Vaughn for opting out of such a proven trend for The…

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Film Review: The Addams Family 2 is a little too safe for a property built on creeps, kooks and ooks

Whatever creepiness, kookiness and all together ookiness that has been evoked by previous incarnations of The Addams Family is sadly nowhere to be seen in this safe-playing sequel, one that manages to bury any of the morbid humour and likeability we’d expect from the usually reliable pens of Dan Hernandez (Pokemon: Detective Pikachu), Benji Samit…

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Interview: The Addams Family 2 director Conrad Vernon on crafting a sequel and his relationship with animated films

Writer/director Conrad Vernon and the animated genre go hand-in-hand.  As both a voice actor and a director, the former storyboard artist has left his stamp on such films as Shrek 2, Monsters vs. Aliens, and Sausage Party. After the success of 2019’s animated update of The Addams Family, Vernon found himself back to the drawing…

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Interview: Simon Rex on filming Red Rocket and being “rediscovered” in the process; “I’ve never really been respected as an actor”

For someone who’s receiving unanimous praise and deserved award chatter about his latest performance, Simon Rex is an actor that’s keeping things remarkably cool.  Humbled by the reception he’s earning for his role in Sean Baker’s acclaimed comedy Red Rocket as a washed-up former porn star looking to get back on his feet, Rex is…

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Film Review: Red Rocket is a bleak, uncomfortable comedy heightened by the career-redefining turn of Simon Rex

When we are first introduced to Red Rocket‘s lead subject – washed-up porn star Mikey (Simon Rex) – writer/director Sean Baker frames him in such a manner that alludes to him being one of those scrappy anti-heroes whose undeniable charm is enough for us to forgive his indiscretions. And indeed, Mikey is that (in a…

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Interview: Nick Kroll on enjoying the free rein of voicing Uncle Fester in The Addams Family 2

Despite his prolific status within comedy, chances are you’re likely to recognise Nick Kroll‘s voice before seeing him in person.  Biding his time between family fare – just this last month he was heard as Gunter in the animated Sing 2 – and more adult aimed comedy – if you’ve laughed at either Coach Steve,…

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Interview: Clayton Watson on playing Kid in The Matrix franchise and keeping himself grounded throughout his career; “Be centred and be still, especially in front of the lens”

Clayton Watson may be most familiar to audiences as he appears above, but the actor, best known as Kid from the Matrix sequels Reloaded and Revolutions, is so much more. Returning to Sydney to attend the preview screening of The Matrix Resurrections (you can read our review here), Watson engaged with our own Peter Gray…

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January 2022 Australian cinema releases: Five films you need to see

New year.  New cinema. 2022 is here (can you even believe?) and the multiplexes are doing their darndest to make you forget what’s going on in the real world with a heft of escapism entertainment. Between a killer sequel, A-list horror, Oscar bait dramas, and female-fronted action, the first taste of the new year promises…

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Film Review: Ghostbusters: Afterlife heavily winks to fans of the original in its bid to conjure up nostalgia

There’s a lot of DNA shared between Jason Reitman‘s Ghostbusters: Afterlife and the 1984 original that his father, Ivan Reitman, helmed to fruition.  But it’s not just a familial bond that links the respective films, with several portions of the film’s plot and its character line-up clearly based off what came those near-four decades prior. …

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Interview: Director Joachim Trier on the messy process of creating The Worst Person in the World

A shortlisted title for Best International Feature at next year’s Academy Awards and currently sitting 100% fresh on Rotten Tomatoes, The Worst Person in the World is undoubtedly one of this year’s most celebrated films.  After a successful run at film festivals across the globe, it arrives in Australian cinemas on Boxing Day. To coincide…

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Film Review: The Worst Person in the World finds the soothing comfort in one’s own discomforting outlook

As much as The Worst Person in the World adheres to many of the standard ingredients of the “romantic comedy”, to refer to Joachim Trier‘s as one would be doing it a massive disservice. Detailed over 12 chapters (and both a prologue and epilogue), the film gives us a look into a certain period of…

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