Seasoned film critic. Gives a great interview. Penchant for horror. Unashamed fan of Michelle Pfeiffer and Jason Momoa.
One of many 2020 titles that saw its original release delayed due to the pandemic, and one of the few that held its nerve and opted out of a streaming alternative, Antlers, from director Scott Cooper (Crazy Heart, Black Mass) and producer Guillermo del Toro (Pan’s Labyrinth, The Shape of Water), proves its bold mentality…
Read More
As the flashing lights of fire brigades speed past a bruised and bloodied Laurie Strode (Jamie Lee Curtis) in the opening moments of Halloween Kills, it becomes all too evident that the haunting figure that is Michael Myers is far from vanquished; her desperate screams of “Let him burn” practically beg the oft-called ‘boogeyman’ to…
Read More
After pushing 2018’s sequel-cum-reboot Halloween to record breaking statistics, it only made sense that writer/director David Gordon Green was handed a sequel to continue revelling in Michael Myers’ carnage. Not only granted a sequel – Halloween Kills – but a trilogy (Halloween Ends, set for a 2022 release) to boot, Green expanded on the violent…
Read More
Comparisons between Ron’s Gone Wrong and 2014’s Big Hero 6 seem inevitable, yet, apart from the central relationship between a young adolescent boy and an operated robot, the two share little DNA, so it’s probably best that’s put to bed before going any further. Much like the titular Ron, the Sarah Smith/Jean-Phillipe Vine-directed feature is…
Read More
When Lucas (Pedro Correa) learns that his father has passed away and subsequently left him an entire apartment complex in Los Angeles, he’s emotionally perturbed, to say the least. Learning of such tragic news and such a vast inheritance in the one sitting would be enough for anyone to re-evaluate their existence, but given…
Read More
In these pandemic-driven times, the idea of inhabiting another planet sounds more and more appealing. And with space travel now becoming somewhat generally accessible – sure, you have to be filthy rich, but it’s still a step up from it being exclusive to astronauts only – it stands to reason that such a concept could…
Read More
A descent into grief and an examination on the affects of re-opening old wounds, Time Now, from writer/director Spencer King, is a tragic thriller that implements an unreliable narrator to maintain a certain intrigue as it navigates its central tragedy. Jenny (Eleanor Lambert, daughter of Diane Lane and Christopher Lambert) is feeling secluded and alone…
Read More
Kenny Rogers so famously told us “You gotta know when to fold ’em”, and in The Card Counter writer/director Paul Schrader seems unsure as to which hand he wants to confidently play. It’s not that this film is poorly made, nor is his commitment to the representation of desolation anything other than pure, but it’s…
Read More
German character actor Udo Kier is so synonymous with villainy that his role in Swan Song appears all the more revelatory. But given the actor’s own queer identification and penchant for theatrical performances, a character like his at the centre of Todd Stephens‘s gentle dramedy feels quite in tune with the actor’s aesthetic. Based on…
Read More
Immigration is a topic that’s quite intensely debated across the world, particularly in the United States. And in Blue Bayou, a spotlight is shone on a specific group of immigrants, those that come to a country as infants with little to no recollection of their homeland and, quite often, had no other choice. Such is…
Read More
“While the events of this story are fictional…These. People. Existed.” These words hit harder than any bullet or bass snare experienced in The Harder They Fall as they sprawl across the screen in the opening seconds of Jeymes Samuel‘s Black Western fantasy. Perhaps, in a way, an almost spiritual sequel to Mario Van Peebles’ genre-breaking…
Read More
Lending an air of femininity to the western genre – one so often entangled with a masculine temperament – without compromising its rooted personality, Leah Purcell‘s The Drover’s Wife: The Legend of Molly Johnson is the cinematic incarnation of her penned 2016 stage play and 2019 novel, all inspired by Henry Lawson‘s short story, “The…
Read More
Given their status today it’s difficult to think of Matt Damon and Ben Affleck as anything other than substantial stars in their field. But, back in 1997, neither was well-known, and their collaborative efforts as screenwriters brought them to the forefront of the industry thanks to a shared Oscar win for Good Will Hunting. Though…
Read More
To coincide with the trailer launch of The Black Phone, the latest horror film from Blumhouse, detailing the abduction of a young boy who learns he is able to communicate with the voices of his captor’s previous victims through a disconnected black phone, Peter Gray chatted with the film’s director, Scott Derrickson, discussing the origins…
Read More
“What’s your favourite scary movie?” 25 years ago it was a question posed to Neve Campbell in Wes Craven’s now genre classic Scream, and come January 2022 a new generation of fresh blood will have their knowledge similarly tested in, well, Scream. Less a sequel and more a reinvention, Scream will pay homage to Craven’s…
Read More
William Friedkin’s classic The Exorcist is so ingrained in the demonic possession sub-genre of the horror field that every feature that has come since can’t help but feel like a recycled take on a head-spinning narrative we’ve come to know so well. So, with that, there’s all more the reason to celebrate something like The…
Read More
As the spooky season creeps towards its hallowed end, horror-centric streaming service Shudder is proving to be the gift that keeps on giving for genre fans the globe over. With the recent release of the supernatural scarer Seance (you can read our review here), our own Peter Gray got to chat with the film’s writer…
Read More
Similar to how Jordan Peele, Robert Eggers, Jennifer Kent, and Ari Aster all secured their place in the annals of genre cinema with their debut offerings, Julia Docournau‘s bold cannibalistic horror effort Raw cemented the French filmmaker as a name to pay consistent attention to. And just as those aforementioned auteurs all swung big with…
Read More
Take a riveting ride through the Amazon when Disney’s Jungle Cruise docks early on Digital, 4K Ultra HD, Blu-ray, and DVD on October 6th, 2021, and to celebrate the release we have 5 Blu-ray copies up for grabs! Seeking an ancient tree with healing abilities, Dr. Lily Houghton and wisecracking skipper Frank Wolff team up…
Read More
There’s a lot of tried and true genre staples adhered to in Simon Barrett‘s Séance. Having cut his teeth over the years with writing credits for such horror efforts as V/H/S, You’re Next, and Blair Witch, Barrett’s flair for skewering expectation has often been his wheelhouse. Marking his directorial debut, Séance, whose title alone announces…
Read More
The Port Arthur Massacre of 1996 was horrific. Perpetrated by a violently disturbed young man who shot and killed 35 people at a Tasmanian tourist site, with a legally purchased semi-automatic rifle, it, to this day, remains Australia’s worst massacre committed by a single person in the country’s history, as well as serving as the…
Read More
During COVID-19 the Actors & Entertainers Benevolent Fund of Queensland received an unprecedented number of calls for help, with requests for assistance increasing by 720% since March 2020. Despite being the most difficult year in the Fund’s 46 years history, the charity was able to meet each and every single request for assistance from people…
Read More
Make it a great day by adding Free Guy to your movie collection! 20th Century Studios’ action-comedy Free Guy debuts on Digital, 4K Ultra HD, Blu-ray, DVD and streaming on Disney+ on September 29, and to celebrate the release we have 5 Blu-ray copies up for grabs! A bank teller (Ryan Reynolds) who discovers he is actually a background…
Read More
As the Taiwan Film Festival in Australia continues to screen virtually for the country, our own Peter Gray contacted director CB Yi, whose film Moneyboys (read our review here) has been one of the festival’s premiere titles, to discuss the film’s origins and tackling the risky subject matter. How did the project originate? When I…
Read More
The documentary You Cannot Kill David Arquette (read our review here) presents the titular actor in a manner many audiences will be unprepared for. Opening himself up to the very masses that shamed him upon his attempt to infiltrate the world of wrestling, David Arquette‘s personal and professional struggles are laid out at the core…
Read More
After 30 years of doing comedy all around Australia, famed comedian Jimeoin is finally embarking on a tour on his own terms. With his new program Waltzing Jimeoin (screening now on the Ten network), the loveable larrikin is surrounding himself with some of the industry’s funniest performers and performing stand-up wherever the roads of Australia…
Read More
Films dealing with queer thematics are few and far between in mainland China. Due to the government’s strict regime on censorship, stories detailing the LGBTQ communities are a rarity, which is why a feature like Moneyboys is all the more curious. Though set in China, it was filmed in the neighbouring Taiwan, co-financed with European…
Read More
Launched on September 9th on all major podcast platforms, No Time To Die: The Official James Bond Podcast features unrivalled behind the scenes access to one of the world’s most successful franchises. Hosted by British film critic James King, the six-part series features interviews with director Cary Joji Fukunaga, producers Michael G. Wilson and Barbara…
Read More
Opening with particularly confronting sexual imagery – something that appears unwarranted for gratuity sake before its bookend re-appearance – Disclosure is an unbearably tense and all-too raw drama that leans into the notion that adults can still very much act like children when provoked. And provoked the quartet at the centre of Michael Bentham‘s film…
Read More
Just because a story has been done before, doesn’t mean it can’t be told in a manner that offers something new. In the case of Die In A Gunfight, a supposedly romantic thriller influenced by Shakespeare’s classic tale Romeo & Juliet, its intent on bringing flare to proceedings is so chaotic and desperate that it…
Read More