Seasoned film critic. Gives a great interview. Penchant for horror. Unashamed fan of Michelle Pfeiffer and Jason Momoa.
So often across cinematic history has it been proven that fact is stranger than fiction, and in the case of Ron Howard‘s Eden, the crazier humanity proves themselves to be, the more seeped in reality their stories are. And it’s what makes Eden – arguably Howard’s most exciting project in over a decade – all…
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Towards the end of the new Australian musical The Deb there’s an uplifting song-and-dance sequence to a ditty titled “Pretty Strong”, and that’s an acceptable enough term to describe Rebel Wilson‘s directorial debut. The comedienne makes for a serviceable presence behind the camera as she injects an infectiousness and often-home-grown-specific humour into the proceedings of…
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Part dog, part man, all hero. From DreamWorks Animation, creators of the beloved blockbuster franchises Kung Fu Panda, How to Train Your Dragon and The Boss Baby, comes the canine-crime-fighting film adaptation of Dav Pilkey’s New York Times bestselling literary phenomenon: Dog Man. When a faithful police dog and his human police officer owner are…
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Following its premiere at this year’s Cannes Film Festival, where it won the Jury Prize and its female ensemble (Zoe Saldaña, Karla Sofía Gascón and Selena Gomez) won the Best Actress award, there was considerable hype surrounding the TIFF presence of Emilia Pérez, a Spanish-language, crime thriller-cum-musical that was recently crowned the runner-up in the…
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Whether you loved him or hated him as part of Take That or on his own accord as a brash soloist, Robbie Williams, particularly in the 1990s, was a figure you couldn’t escape. Similar to the cultural impact of Geri Halliwell exiting the Spice Girls or Zayn Malik bidding adieu to One Direction, Williams’ exit…
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As much as Halina Reijn‘s Babygirl is an erotic thriller about the power play dynamic of a high-strung female CEO and the young, confident intern who infiltrates her deepest sexual desires, the Bodies, Bodies, Bodies filmmaker ultimately has created a film about the power of communication. Communication in its most carnal form is what draws…
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Described as his most personal work yet, Luca Guadagnino‘s Queer is an adaptation of William S. Burrough‘s 1985 novel of the same name; though published in the 80s, it was written between 1951 and 1953. Guadagnino has made a career out of telling vastly opposing stories with each of his productions – Call Me By…
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Screening so soon after The Substance doesn’t bode well for something like Shell, Max Minghella‘s campy, body horror ode to trashy escapist 90s cinema that similarly explores the world of ageing in Hollywood and how far someone will go to maintain perfection. With both films screening within a week of each other at this year’s…
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If you could restore youthful beauty and guarantee longevity by committing to a few days of mysterious treatments, would you? Would you trust your life and health to science and technology that might be more hype than healthy? Enter Shell. Samantha (Elisabeth Moss) is thinking it over. She’s a slightly unkempt, earnest, talented actress who…
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For almost 50 years, Saturday Night Live has been an institution of (primarily) American culture. Every weekend it invites audiences to surrender to the thrill of live television, where anything could go wrong at any given moment, amongst a staple of regular segments and musical performances. Its structure has shifted over time, but the core…
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Author Stephen King and filmmaker Mike Flanagan have made careers predominantly out of their affinity for horror. With The Life of Chuck, they have decidedly pivoted and leaned into another of their shared strengths; broadcasting emotional stories. The result, however schmaltzy it may threaten to be, is a beautiful, weird celebration of life and all…
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Just call her M3GAN Fox. One of the few movies in the last few years of Megan Fox‘s career that actually earned acclaim was the 2021 home invasion thriller Til Death. It is a lo-fi VOD affair that has probably gone largely unnoticed, but it has a fun elevator pitch premise – that of Fox…
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Jack (Dacre Montgomery) travels to a remote region of New Zealand to attend the wake of his estranged mother Elizabeth, a troubled architect who abandoned him as a child. Jack claims he was invited to the funeral by his mother’s widow, Jill (Vicky Krieps), who has no recollection of contacting him. Out of a sense…
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3x GRAMMY and 7x BRIT Award-winning global pop powerhouse Dua Lipa has announced a global 2025 run on her Radical Optimism Tour with over 40 new dates across Australia, New Zealand, North America, Europe, and the UK next year. Additionally, South America shows will be announced at a later date. The tour announcement follows Dua’s highly anticipated…
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A film that speaks volumes in its silences just as much as it does its audible dialogue, Generations of Men, a powerful new short inspired by Judith Wright‘s book of the same name, is just as much a testament to the strength and resilience of women during colonial times as it is a reminder of…
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Runt, based on Craig Silvey’s best-selling novel, is a delightful Australian family film that blends heartfelt moments with humour. The story revolves around eleven-year-old Annie Shearer and her best friend, Runt, an adopted stray dog. The novel was released in 2022 and has achieved significant acclaim, winning several major Australian literary awards. These accolades include…
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Based on the beloved novel by Craig Silvey, Runt is an effortlessly likeable Australian family venture that overcomes any of its cheesiness thanks to an ensemble committed to the cause of providing old-fashioned entertainment There’s some topical themes at bay here under the surface – drought-stricken farmers, real estate corruption – but Silvey’s script never…
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In the last few years Hugh Grant has truly taken pleasure in playing against the grain of expectation he laid upon himself after a career of inhabiting predominantly likeable characters. Arguably starting with his wonderfully committed camp turn as the villainous Phoenix Buchanan in Paddington 2 in 2017, Grant has been on an incline of…
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It’s too easy to claim that writer/director Sean Baker makes inaccessible films due to the fact that so many of his narratives centre around the society underrepresented, chief among them being sex workers. As we saw in such previous works as Tangerine and Red Rocket, Baker seeks to remove such a stigma around pornography performers, prostitutes…
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Despite the fact that the recently released trailer made Nightbitch look more like a quirky comedy – think a female-drive, R-rated take on Tim Allen’s The Shaggy Dog – I can attest that Marielle Heller‘s take on Rachel Yoder‘s seemingly unadaptable 2021 novel of the same name is far from the laughable ridiculousness some may…
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To celebrate the release of Speak No Evil, in Australian theatres from September 12th, 2024, starring James McAvoy, thanks to Universal Pictures Australia we have 5 digital double passes (Admit 2) to giveaway. When an American family is invited to spend the weekend at the idyllic country estate of a charming British family they befriended…
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Given that the trailer for We Live in Time very much informs audiences that it will be a tale of potential emotional manipulation, with the Nick Payne-penned script basing itself around a family dealing with late-stage cancer, it proves worth the screentime as Brooklyn director John Crowley breathes a certain life into proceedings, aware that…
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Given the imaginative manner he has expressed in his previous work, it makes sense that Nacho Vigalondo (Colossal) would create something like Daniela Forever, a romantic science-fiction tale that adds layer upon layer of artistry to itself that it practically (and unfortunately) comes undone. A little Eternal Sunshine of the Spotless Mind, a little Inception,…
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At the centre of Gia Coppola‘s The Last Showgirl is Shelley (Pamela Anderson), a 57-year old (though she’ll initially tell you otherwise) Vegas all-girl revue performer whose 30+ years in the Razzle Dazzle show are coming to an abrupt end. But just as Shelley’s tenure is closing, and the uncertainty of life sets in, Anderson’s…
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Not to be confused with Denzel Washington’s 2010 runaway train thriller – or the lesser known 2004 outing from Wesley Snipes – Unstoppable, which marks the directorial debut of editor William Goldenberg, whose credits include such titles as Coyote Ugly, Miami Vice and Air, is a by-the-numbers sports drama that lives by its inspirational hook. …
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Much like how his 2018 psychological thriller Unsane was elevated by it being shot entirely on an iPhone 7 Plus, Steven Soderbergh is implementing another technological gimmick of sorts in Presence, a ghost story that’s filmed entirely from the point of view of the haunting figure lurking within the walls of a sprawling suburban residence….
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The idea of wanting to be younger and create a more perfect aesthetic version of one’s self is a thought many (if not all) of us have conjured at one point or another. And so often do the two go hand-in-hand, despite the fact that being younger and looking better aren’t always reliant on the…
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SXSW Sydney (October 14th – 20th, 2024) is back for its second year, and its bringing a bold and inspiring mix of local and international features, showcasing the best across drama, horror, comedy and documentaries for its Screen Program. The lineup includes the Australian premiere of Lucy Lawless‘s directorial debut, Never Look Away, a documentary about…
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Thanks to StudioCanal Australia and Think Tank Communications, we have 5 family passes (Admit 4) to giveaway to see the new Australian comedy Runt, starring Celeste Barber, Jai Courtney, Matt Day and Jack Thompson, in Australian theatres from September 19th, 2024 (with Queensland starting from September 12th). Based on Craig Silvey’s best-selling novel, this delightful…
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At over 2 hours long, with performances that are predominantly uninspired, and a script that doesn’t delve beyond setting up a narrative solely to off its variety of stock-standard characters, Michael Leavy‘s slasher Stream leaves a lot to be desired. In the same breath, it’s so gloriously gory and committed to not taking itself seriously…
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