Author: Peter Gray

Seasoned film critic. Gives a great interview. Penchant for horror. Unashamed fan of Michelle Pfeiffer and Jason Momoa.

Win a family pass to the animated fantasy Moonbound

Thanks to Rialto Distribution we have five family passes (Admit 4) to give away to the upcoming release of the animated fantasy film Moonbound, based on one of Germany’s most popular children’s books, in Australian cinemas from June 24th, 2021, just in time for school holidays. When Peter sets out on a magical journey to rescue…

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Melbourne International Film Festival returns to cinemas for 2021 program

Building on the success of last year’s 2020 online-only festival – which had the largest audience reach in their history – The Melbourne International Film Festival (MIFF) will afford its largest platform to date, with the 2021 festival presented as a hybrid with both digital and physical access. Returning August 5th-22nd, MIFF 2021’s packed program…

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Film Review: Luca is a love story at its core that celebrates individuality

On the surface Luca appears to be one of the more slight Pixar entrants.  A studio that is known for its near-perfect track record, there’s a certain narrative around the brand that seems to paint any of their films that doesn’t quite reach the emotional highs of an Up or an Inside Out as a second-tier…

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Film Review: Fast & Furious 9 knows that too much is never enough

As melodramatic and as nonsensical as one would expect from a series that defies the laws of physics as freely as it does whilst waxing lyrical on the importance of family, Fast & Furious 9 (or F9 as it’s being marketed) is the type of ludicrous, high-octane fluff designed for the biggest of screens. Another…

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Tribeca Film Festival Review: Ultrasound is a deliberately off-kilter horror/sci-fi hybrid

To claim nothing is as it seems in Rob Schroder‘s Ultrasound would be a vast understatement.  Requiring significant patience and understanding of its components, this horror/science-fiction hybrid begins on one disturbing note before unravelling into something far more psychologically mysterious. It all opens rather straightforward, however off-kilter, with Glen (Vincent Kartheiser) driving home one night…

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Interview: Sung Kang on his return to the Fast & Furious franchise; “It’s very humbling”

Despite supposedly meeting his maker at the end of The Fast and the Furious: Tokyo Drift, Sung Kang‘s fan favourite character Han Lue is back in action for Fast & Furious 9.  Reuniting with director Justin Lin and Fast family patriarch Vin Diesel, Kang’s return to the franchise has been shrouded in mystery. As the…

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Win a family pass to new animated adventure film Cranston Academy: Monster Zone

Thanks to Rialto Distribution we have five family passes (Admit 4) to give away to the upcoming release of the animated adventure Cranston Academy: Monster Zone, featuring the voices of Jamie Bell and our own Ruby Rose, in Australian cinemas from June 24th, 2021, just in time for school holidays. Bullied for his intelligence and struggling…

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Tribeca Film Festival Review: No Future‘s simplistic script is overcome thanks to committed, nuanced performances

With a title like No Future and a narrative detailing the recovery of addicts and the potential grief and fear of relapsing that comes with that territory, Andrew Irvine and Mark Smoot‘s drama isn’t exactly reaching for subtlety. It’s a simplistic script that takes few risks in straying from the expected, but superb, committed performances…

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Tribeca Film Festival Review: Catch The Fair One is a vigilante tale of stark realism

Invoking notes of revenge thrillers like Death Wish and Taken, but adhering to a female edge that lends the film a more calculating temperament, Catch The Fair One is a gritty thriller that survives more on its emotional mindset rather than gratuitous violence. Headlined and anchored by real-life boxer Kali Reis (who also serves as…

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Tribeca Film Festival Review: God’s Waiting Room is alluring as it is ugly

There’s some magnetic performances and a dirty immersion to God’s Waiting Room that, at times, are strong enough for the film to overcome its narrative cliches and ultimate contrivance that put much of its good work at risk. As easy as it is to roll your eyes at the outline of the film being that…

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Tribeca Film Festival Review: Agnes is far too uneven to earn complete forgiveness

Starting on a blackly comic note and ending on a vastly different one of dramatic grit, Mickey Reece‘s Agnes is a truly confounding piece.  Inserting a narrative and tonal shift half-way through its proceedings, Reece has created a unique film without question, but it’s one that is likely to irk viewers who could respond so…

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Tribeca Now Showcase Review: In The Cards (Episode 1) makes a fine first impression in spite of its morally questionable characters

There’s something delightful in a comedy series basing itself around a person who’s, for lack of a better word, awful.  Maybe awful is too strong a word.  Let’s go with morally questionable.  Either way, In The Cards, from writer/director Colin Kane Healey, centres itself around a morally questionable type who most would agree deserves that…

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Tribeca Now Showcase Review: If I’m Alive Next Week… is a humorous (and short) snapshot into the lives of a perfectly dysfunctional family

The foul-mouthed, no-nonsense senior citizen can easily give itself way to presenting a caricature more than a character of organic standing.  Thankfully, in If I’m Alive Next Week… screenwriting duo Jennifer Morris and Robbie Sublett (who also serve as the series’ directors and creators) manage to create an 80-something who tells like it is without…

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Tribeca Film Festival Review: Shapeless‘ important message is undone by its minimalistic approach

Given that Shapeless is an incredibly personal film to lead actress and writer Kelly Murtagh, detailing a disorder that cripples many, it’s a somewhat painful experience to be framing a review in a negative light. There’s a dark, unforgiving movie in here somewhere, one that expresses no fear in manifesting her struggle with bulimia in…

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Film Review: Rogue Hostage is a joyless and predictable thriller

Despite actors amassing considerable acclaim over their careers with carefully calculated role choices, sometimes they just have to take a pay cheque because the work is there and the money is good.  Such is the case with John Malkovich and his latest effort, Rogue Hostage. The two-time Academy Award nominated actor has sporadically offset his…

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Interview: Eiza González about the importance of Spirit Untamed‘s hopeful message

With roles in a Golden Globe-winning comedy and a $400 million dollar blockbuster under her belt in the last year alone, now is a good time to be Eiza González.  After breaking out as Jon Hamm’s right-hand woman in the hit Baby Driver in 2017, the Mexican born singer-cum-actress has quickly become a sought after…

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Tribeca Film Festival Review: See For Me treads familiar ground with a welcome creativity

The elevator pitch narrative of “blind subject is targeted by home invaders” is one that’s been explored before in the cinematic realm.  The 2016 double offering of Don’t Breathe and Netflix’s Hush both utilised this logline to impressive effect, and though See For Me is treading familiar ground, it too is at least doing so…

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Interview: Ron’s Gone Wrong directors Sarah Smith and Jean-Philippe Vine on addressing social media and physical separation

To coincide with the trailer launch of Ron’s Gone Wrong, the latest animated comedy adventure from 20th Century Studios telling the story of a socially awkward middle-schooler and his digitally-connected, walking, talking “best friend” whose hilarious malfunctions set him apart in this digital age, Peter Gray chatted with the film’s directors, Sarah Smith and Jean-Philippe…

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Film Review: Spirit Untamed rides with a harmlessness that’s sweet and safe

Despite one of the more impressive voice casts assembled in recent years – Julianne Moore, Jake Gyllenhaal, Walton Goggins, and Isabela Merced, to name a few – Spirit Untamed is suitably middle-of-the-road fare.  It’s sweet and harmless, but it’s aimed so specifically at the young female demographic that its universal appeal feels ultimately limited. Playing…

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First Impressions: Marvel’s Loki delights in embracing the unexpected

Given how mischievous Loki (Tom Hiddleston) is as a character, it only makes sense that his namesake series follows suit.  A show that, from the first two episodes afforded to media ahead of its Disney+ debut, seems to absolutely delight in embracing the unexpected, Loki continues the more inventive, and oft-humorous, route that served the…

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German Film Festival Interview: I’m Your Man writer/director Maria Schrader on subverting the expected narrative

With the German Film Festival currently underway across all major Australian cities (even Melbourne is getting an extended season), our own Peter Gray was fortunate enough to sit in on a roundtable event with writer/director Maria Schrader about her comedic and contemplative feature I’m Your Man (read our review here), where she discussed the unique…

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Film Review: Dream Horse is exactly the type of syrupy underdog story you expect it to be

Exactly the type of film you expect it to be from its title, Dream Horse is a syrupy, stereotypically inspiring drama that embraces the underdog narrative – or should that be under-horse? – and runs (gallops) with it to no end. Set in the mid-2000’s in a sleepy Welsh country town, Dream Horse places its…

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The past and present collide for Hugh Jackman in first Reminiscence trailer

“Nothing is more addictive than the past” Westworld co-creator Lisa Joy marks her directorial debut with the upcoming Reminiscence, a science-fiction laced thriller that has unleashed its trailer ahead of its August release. Written and directed by Joy, the films follows Nick Bannister (Hugh Jackman, in a role specifically written for him), a rugged and…

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Film Review: The Conjuring: The Devil Made Me Do It relies on cheap scares instead of shadowy suspense

Having essentially built itself around the “based on a true story” hook, the Conjuring universe of films have been served well by a selling point that’s either something you buy into or simply accept as neat marketing. Whilst there’s no denying that Ed and Lorraine Warren did exist and built a name for themselves as…

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Film Review: Plan B takes a familiar genre on a fresh route

Although in the last 12 months we’ve had two films detailing the very subject that Natalie Morales navigates in her directorial debut, Plan B, it doesn’t mean that her efforts are by any means diminished.  The buddy comedy Unpregnant and the hauntingly realistic Never Rarely Sometimes Always both highlighted the difficulty of teen girls accessing…

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Jungle Cruise Australian release details revealed: When and where you can watch Disney’s next film

Dwayne Johnson and Emily Blunt are prepped for adventure in the new trailer for Jungle Cruise as it sets sail for a confirmed Australian theatrical date of July 29th and Disney+ with Premier Access* on July 30th, 2021. Inspired by the famous Disneyland theme park ride, Disney’s Jungle Cruise is an adventure-filled, rollicking thrill-ride down the Amazon with…

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Interview: My Name Is Gulpilil director Molly Reynolds on having unfiltered access to David Gulpilil’s life

Director Molly Reynolds has long had a history with the subject of her latest film.  Her partner, trailblazing filmmaker Rolf de Heer, has directed David Gulpilil in such critically acclaimed efforts as The Tracker and Charlie’s Country, whilst she has documented these collaborations with the companion pieces Twelve Canoes and Another Country. Her closeness and…

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Film Review: My Name Is Gulpilil is a strikingly emotional and bittersweet reflection of an Australian icon

Introducing My Name Is Gulpilil as “my story of my story”, subject David Gulpilil, along with director Molly Reynolds, is all too aware of the duality the film frames itself around – Gulpilil’s running life and that of his persona on-screen. As a performer, Gulpilil has that undeniable star quality, and this stunning film proudly…

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German Film Festival Review: I’m Your Man provides comedy and contemplation in equal measure

Given both our fascination and reliance on the support of technology, it only makes sense that the relationship between man and machine is one oft explored throughout the annals of cinema.  From John Connor’s correlation with Arnold Schwarzenegger’s Terminator to Joaquin Phoenix’s obsession with Scarlett Johansson’s voiced AI in Her, so often are these links…

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German Film Festival Review: The Audition presents a wavering narrative grounded by revelatory performances

If there’s one thing that’s concrete in the rather contradictory personality of The Audition‘s focal character – Nina Hoss‘s Anna – it’s that music is her only unwavering interest. Scenes of her championing a young musical student – a mentality that soon graduates to near chastising – showcase her evident passion for the art of…

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