Seasoned film critic. Gives a great interview. Penchant for horror. Unashamed fan of Michelle Pfeiffer and Jason Momoa.
A film that’s as uplifting and positive as it is dark and shockingly violent (at times), Paul Dood’s Deadly Lunch Break is a quintessentially British black comedy that roots for the underdog, even when he perhaps doesn’t deserve it. The titular Paul Dood (Tom Meeten) is a bit of a pathetic character, but one who’s…
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A devastatingly topical drama surrounding a school shooting and the emotional and psychological damage such a tragedy can cause for its survivors, The Fallout takes a quieter, more intimate look at the unseen faces – those that aren’t framed in the media as “a survivor”, merely fellow students who are unsure how to navigate their…
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There’s that old chestnut saying that truth is stranger than fiction, and it would appear that no one knows this more than writer/director Wes Hurley. An autobiographical tale of growing up queer in the USSR in the 1980’s, Potato Dreams of America is an often bizarre, occasionally sad, but completely unique feature that, however trite…
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A multi-faceted drama designed in a manner not unlike Steven Soderbergh’s acclaimed, layered Traffic, Crisis‘ own multiple-strand approach to storytelling is understandable, but also can’t help but highlight the fact that director Nicholas Jarecki‘s ambition outweighs his ability to smoothly execute. There’s much to be discussed here, with Jarecki commenting on the many facets of…
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Creepy children are always good fodder for horror-leaning films, and Here Before, whilst more psychological thriller than all-out horror, is no exception with writer/director Stacey Gregg utilising the premise and twisting it just so. Andrea Riseborough leads the charge as Laura in this small, gradual thriller that focuses on young Megan, a seemingly friendly school…
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A comedy both made during and about the pandemic that has forever altered the landscape of the world, Recovery adds as much levity as it can to the most devastating of situations. Written, directed and headlined by the relatable comedy duo of Mallory Everton and Whitney Call (Everton serving as director and co-writer, Call as…
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Literally adopting the phrase “Go back to where you came from” and structuring a thriller-leaning narrative around it, Lazaro Ramos‘s Executive Order is an often infuriating and incredibly timely film given the racial prejudice that has framed the last 12 months. Set in a near-dystopian future in Rio de Janeiro, the film starts on the…
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Immediately telling from its title, Jan Van Dyck’s The Nipple Whisperer is a bizarre offering, but it’s one that maintains a genuine sense of heart amongst its odd temperament. If you weren’t already privy to the title you’d think Van Dyck’s film was taking on a much more serious subject, with the film’s titular character…
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A film that takes pride in its conversational awareness of both the LGBTIQA+ and deaf and/or hard of hearing communities, Unsound may not always hit the right notes but there’s plenty of charm in the melody along the way. Centred around deaf Sydney-sider Finn (Yiana Pandelis), a transgender man navigating the complexities of being trans…
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As 2021 slowly finds its footing in navigating the pandemic, there appears to be no better time than now for a celebration of unity. Dropping a beautifully colourful trailer in the lead-up to its June release, In The Heights, from director Jon M. Chu (Crazy Rich Asians), promises an honouring of all Latinx culture in…
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Arriving March 16th in the US on demand and digital, SAS: Red Notice (read our review here) is a slick actioner led by Australian actress Ruby Rose. In the lead-up to the film’s debut, Peter Gray chatted with Rose and her co-star, Black Sails actor Tom Hopper, about the comforts of the action genre and…
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Perhaps something of an unofficial audition for the next post on the 007 roster – or maybe that’s second audition, given he was a name suggested around the same time as Daniel Craig secured the role – Sam Heughan does his best secret agent impression in SAS: Red Notice, a disposable but supremely entertaining actioner…
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Given how authentic this “based on real events” tale proves to be, it’s safe to assume that writer/director/actor Matthew Fifer is baring a healthy portion of his soul and experiences in Cicada. Likely to ring true with queer audiences – especially gay men – the film tackles uncomfortable subjects and presents promiscuous sex in an…
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The framing of My Fiona‘s opening scene is laced with a certain tension that very much clues the audience in on the fact that the film’s protagonist, Jeanette Maus‘s Jane, is about to have her life horrifically shattered. It’s an emotional, painful way for us to bond with a character, but it immediately establishes a…
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The type of indie horror flick that has a lot of promising-enough elements for it to earn audience investment, Come True may ultimately culminate in disappointment – in fact, it’s downright frustrating – but an atmospheric dread and hauntingly effective score keep Anthony Scott Burns‘s intense feature on a more upward trajectory overall. At the…
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After proving a formidable plot point in last year’s The Trial of the Chicago 7 – however secondary it may have been – the killing of Black Panther chairman Fred Hampton in 1969, at the age of only 21 years, is given the right, timely treatment in Shaka King‘s equally impactful (perhaps even more so)…
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Taking last year’s criticism on board for its predominant exclusion of people of colour and women in the majority of its categories, the British Academy of Film and Television Arts (BAFTA) has overhauled its 2021 voting process with a far more inclusive mindset. Continuing to throw the eventual Oscar nominations into chaos, this year’s BAFTA…
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Towards the beginning of French Exit, Azazel Jacobs‘s at once tragic and surreal comedy, Michelle Pfeiffer‘s initially icy New York socialite Frances Price seemingly mocks the romantic uncertainty of her adult son, Malcolm (Lucas Hedges). “Menstruating?”, she asks when he refuses to divulge any type of answer to his sullenness, confirming screenwriter Patrick deWitt‘s penchant…
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Opening with one of the most violently stunning set pieces witnessed in cinema in recent memory, Possessor suggests something of a techno-thriller is to follow in the 100-or-so minutes. But, almost to be expected given it has the Cronenberg name attached to it, the rug is more than swept out from underneath us as the…
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The opening of Chloe Zhao’s Nomadland opens with a sobering statistic. In Nevada, a small town – Empire – has essentially become a ghost town due to the local Gypsum plant closing down amid the recession. The Empire residents, most of whom lived in company-owned homes, had to vacate in masses, deactivating the town’s zip…
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As season 3 of Wellington Paranormal arrives on screens (February 24th at 8:30pm on SBS VICELAND), we chatted with writer and producer (and all around funny girl) Melanie Bracewell to discuss the process of pitching outlines for such a show and how no idea is ever too crazy. The episodes I caught were hilarious, I…
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After a successful Summer Season at the State Theatre and a sold-out Wong Kar Wai retrospective, Sydney Film Festival is excited to announce the 68th edition will take place 18-29 August 2021. The shift will allow the Festival to continue to include films from major international festivals (in addition to Australia’s best new feature films…
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With The Dry fast approaching the $20 million mark at the Australian box office – now one of the most successful Australian films of all time – the appetite for local material is at an all-time high. Looking to emulate that success, The Dry director Robert Connolly is reuniting with leading man Eric Bana for…
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As Alex Winter’s acclaimed documentary Zappa arrives in cinemas (read our review here) to both introduce and re-establish Frank Zappa as one of the music industry’s late, great geniuses, the musician’s son – and Zappa producer – Ahmet Zappa is talking about the labour of love that is the film. Peter Gray spoke with Ahmet…
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The 2021 SXSW Film Festival has revealed its full line up for its 28th edition for SXSW Online, running March 16th-20th, 2021. The previously announced Demi Lovato: Dancing with the Devil, a hard-hitting documentary covering the personal and professional life of the pop star, including her fatal near-overdose, will serve as the festival’s opener, whilst…
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Given just how maliciously magnetic she was in Gone Girl, it makes sense that devoted fans would be awaiting another Rosamund Pike performance that allows the actress to delight in all the dark ambition so evident in her Oscar-nominated turn. That’s certainly not to say she hasn’t been delivering the goods in the years since,…
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You’d be forgiven for reading the plot outline for Another Round and assuming wacky comedic hijinks would ensue. Based around a surprisingly real theory put forward by Norwegian psychiatrist Finn Skårderud, who suggested that humans could operate at their best with a consistent blood alcohol level of .05%, Thomas Vinterberg‘s dramedy is occasionally humorous as…
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The tried and true formula of the “time loop” sub-genre in film has been adopted many a time; the Happy Death Day films, Edge of Tomorrow, the recent Palm Springs, and the seminal Groundhog Day being arguably the prototype for such offerings. For Long Story Short, the sophomore effort from Australian writer/director/actor Josh Lawson (The…
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A science fiction film dealing with the powers of telekinesis and virtual reality, and starring Owen Wilson and Salma Hayek for good measure, Bliss is heavy on ideas but light on execution as Mike Cahill‘s ambitious outing takes only mere minutes to fall apart at its artificial seams. Wilson headlines as Greg, a supposed biggish…
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When it was known that Gerard Butler would be reuniting with his Angel Has Fallen director Ric Roman Waugh for a disaster movie, I think we all had an idea of what type of movie it could be. Guaranteed, Greenland would not have been the outcome in anyone’s frontal cortex. Shifting focus away from the…
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