Seasoned film critic. Gives a great interview. Penchant for horror. Unashamed fan of Michelle Pfeiffer and Jason Momoa.
Returning to the genre that arguably brought him to fruition, Gore Verbinski’s (The Ring) A Cure For Wellness is a decidedly morbid slice of cinema that revels in its own jarring weirdness. Here’s a film that has considerable monetary backing (something of a surprise for a particularly eerie horror experiment) yet comes off more like…
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Having made something of an underground name for himself in the horror genre with such European productions as Creep, Triangle, and Black Death, British filmmaker Christopher Smith opted out for a brief moment to helm some TV work and an out-of-character holiday-themed comedy; Get Santa with Jim Broadbent and Warwick Davis, for those playing along…
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Whilst animation in film has evolved immensely over the last 20 years, there’s something immediately charming about Phantom Boy‘s deliberately flat and simple palleted aesthetic. It may lack the emotional weight of the technically more refined Pixar offerings, but this film’s distinct look feels organically melded to its somber mentality. Coming courtesy of French directing…
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Based on a memoir by American writer James Lord and adapted for the screen by actor Stanley Tucci, Final Portrait is a concise passion project with committed performances and evident production care that sadly doesn’t overcome its bland setting. Anchored by a wonderful turn from Geoffrey Rush as eccentric painter Giacometti, this dramedy of sorts…
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Fans of off-kilter comedy should find something of value in Jeff Baena’s quirky spoof The Little Hours, a play on the 14th-century Giovanni Boccaccio novella The Decameron. With hefty doses of witchcraft, torture, and pan-sexuality peppered throughout the script, it’s not hard to see some viewers being confounded by Baena’s film just as much as those…
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Thoroughly engaging, immensely poignant, and remarkably evocative, Call Me By Your Name functions as both a coming-of-age tale and a love story, likely to surprise viewers as to where it travels on both accounts. Based on the novel by Andre Aciman, and co-penned for the screen by director Luca Guadagnino (A Bigger Splash), James Ivory…
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Having proven his worth as a screenwriter with both Hell or High Water and Sicario, Wind River serves as scribe Taylor Sheridan’s directorial debut. Arguably arriving with high expectations, Sheridan’s tight, often brutal thriller proves his workings with such professionals as David Mackenzie and Denis Villeneuve has paid off, showcasing an ease behind the lens…
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Based on the Nikolai Leskov novel Lady Macbeth of the Mtsensk District, itself inspired by the character in Shakespeare’s classic Macbeth, William Oldroyd‘s daring film is far from the period piece one might expect given its title. Tightly pieced together by Alice Birch‘s bold screenplay via a star-making performance from Florence Pugh, Lady Macbeth is a psycho-sexual thriller disguised…
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In 2014 it was believed that the Luke Evans-led Dracula Untold was going to launch Universal Studios’ proposed shared universe of classic movie monsters. Dubbed Dark Universe, the ambitious project akin to the connected phases of Marvel and DC films ultimately let that idea fall to the wayside when the aforementioned feature was hardly the…
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The 64th annual Sydney Film Festival shows no signs of slouching on the line-up front this year, with the announcement that star Steven Yuen (TV’s The Walking Dead), 2017 Cannes Palme d’Or contender Bong Joon-ho, and Australian actor Daniel Henshall (Snowtown) will attend for the premiere of their feature Okja, fresh from its controversial showing…
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In the second-to-last episode of season four, Orange is the New Black presented the death of one of the show’s main characters in a supremely upsetting, but flawlessly executed scene that referenced America’s senseless police brutality against African Americans. It was in stark contrast to the previous season’s more uplifting closer where the inmates of…
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After detailing his own father’s coming out at the age of 75 in the Oscar-winning 2010 outing Beginners, writer/director Mike Mills tackles the stories of his mother and sister in 20th Century Women, an exploratory tale of finding one’s own happiness. As Mills opts to create an individual snapshot for each of his female role…
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Assuredly disturbing and revelling in its ability to flip the conventions of the serial killer genre, Ben Young‘s debut feature Hounds of Love is one for those that appreciate their stories without gloss. Counterbalancing its Christmas setting with a tale unflinching in its disturbing nature, this Australian thriller manages to escape the confinements of the “torture porn”…
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After showcasing his worth as a filmmaker to keep an eye on with 2014’s The Skeleton Twins, Craig Johnson sadly suffers a sophomore slump with Wilson, an episodic dramedy that proves to be too far removed from Johnson’s directorial capabilities. It’s not that he is unable to guide dark material to fruition – something he…
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Whilst the general consensus is that the Marvel cinematic universe as a whole is one of the more consistent entities for audiences and critics alike, their track-record for delivering underwhelming sequels (at least compared to their predecessors) is hard to quarrel against. Iron Man 2, Thor: The Dark World, and Avengers: Age of Ultron are all…
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An impressively persistent beast of sorts, the Fast & Furious franchise has become one of the most lucrative commodities of today’s industry, despite an initial series of less-than sequels that threatened to burn the title out before it had a chance to properly compete. Whereas most sequels fail to maintain momentum (especially when dealing with the…
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After proving himself a competent director and screenwriter with the rather modest (at least in comparison) action/comedy Hit & Run in 2012, Dax Shepard unfortunately fails to pair the aforementioned genres together again with CHiPs, an extremely loose adaptation of the popular 1977 television series, which attempts to blend sordid humour with high-grade action and…
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More a celebration of drag culture than a heavy-handed expose, Divine Divas proves a fascinating watch as it allows a peak behind the curtains of one of Brazil’s first establishments to showcase men dressed as women. In 1960’s Rio de Janeiro, the Rival Theatre – under the forward thinking of Americo Leal – was one…
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Hot on the heels of the release of the new trailer for The Mummy comes news that Sydney will act as the first stop on a global tour headlined by the film’s star Tom Cruise. Cruise, alongside co-stars Russell Crowe, Annabelle Wallis, Sofia Boutella (who stars in the titular role) and director Alex Kurtzman, will…
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A bold colour palette expressing traditional Chinese imagery overlays both the personal and political difficulties filmmaker Jennifer Zhang has with her mother in Tough, a short student film that redefines the documentary genre tag. In the space of four short minutes, Zhang manages to convey an alarmingly detailed view of her relationship with her mother,…
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Given that Instagram has graduated from being a mere platform to showcase one’s selfie abilities, travel experience and meals in all their hashtag foodporn glory to a more interactive experience, thanks to live streaming and video stories, it seems almost odd that it has taken this long for someone to take full advantage of the…
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As eloquently described by Catherine Zeta Jones‘s portrayal of two-time Academy Award winning actress Olivia de Havilland, feuds are never about hate…they are about pain. And in the first season of Ryan Murphy‘s latest anthology series Feud, pain is running rampant for both Joan Crawford (Jessica Lange) and Bette Davis (Susan Sarandon), two legendary actresses…
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A delightfully nasty horror movie that draws on real-life inspiration, Lake Bodom hopes to be more than just a Friday The 13th-type slasher, in large part to its true crime connection, but ultimately can’t overcome its conventionality – not that there’s anything wrong with that. What still remains one of Europe’s greatest unsolved mysteries, the…
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Assuredly disturbing and revelling in its ability to flip the conventions of the serial killer genre, Ben Young‘s debut feature Hounds of Love is one for those that appreciate their stories without gloss. Counterbalancing its Christmas setting with a tale unflinching in its disturbing nature, this Australian thriller manages to escape the confinements of the “torture porn”…
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As the 28th annual Alliance Francaise French Film Festival makes its way across the major Australian states through March and April, the toast of French cinema will be at the ready for audiences seeking a sense of European style. One film sure to hold interest throughout the festival is Planetarium, a lush pre-war drama starring…
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After spending the better part of two years playing musical chairs with the release schedule, Rings arrives with a considerable thud to remind us how unnecessary certain sequels are. Presenting a messy storyline that wants to both adhere to the formula of Gore Verbinski‘s (supremely superior) 2002 original The Ring and place its own stamp on…
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Never forgive. Never forget. If there’s one mantra the characters of Big Little Lies live by, it’s that. Shrewdly written by TV veteran David E. Kelly, HBO’s new seven-arc mini-series is a deliciously wicked slice of suburban slaughter where it’s what’s on the outside that matters most. Based on Australian novelist Liane Moriarty’s best-selling prose,…
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A well-intentioned, though not entirely successful debut venture from Luke Scott (son of Alien director Ridley Scott, for those of you playing along at home) Morgan is more a shallow version of Ex-Machina than the slick sci-fi character study it so clearly desires to be. The titular Morgan (Anya Taylor-Joy, maintaining her genre score-card with this, The…
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“Kick some ass, get the girl, and try to look dope while doing it” That inane piece of dialogue is essentially what xXx: The Return of Xander Cage bases its existence on. Never a film that was going to be considered good, but at the very least could have been fun, this useless threequel comes…
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Similar to how the recently released Allied arrived in cinemas preempted by an action-heavy advertising campaign that proved somewhat misleading, Passengers is far from the grand space opera many will be expecting. Instead of a sci-fi outing that’s more brawn than brains, Morten Tyldum‘s intriguing film is surprisingly simple, personal, and (mostly) effective. As we…
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