Seasoned film critic. Gives a great interview. Penchant for horror. Unashamed fan of Michelle Pfeiffer and Jason Momoa.
In the second-to-last episode of season four, Orange is the New Black presented the death of one of the show’s main characters in a supremely upsetting, but flawlessly executed scene that referenced America’s senseless police brutality against African Americans. It was in stark contrast to the previous season’s more uplifting closer where the inmates of…
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After detailing his own father’s coming out at the age of 75 in the Oscar-winning 2010 outing Beginners, writer/director Mike Mills tackles the stories of his mother and sister in 20th Century Women, an exploratory tale of finding one’s own happiness. As Mills opts to create an individual snapshot for each of his female role…
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Assuredly disturbing and revelling in its ability to flip the conventions of the serial killer genre, Ben Young‘s debut feature Hounds of Love is one for those that appreciate their stories without gloss. Counterbalancing its Christmas setting with a tale unflinching in its disturbing nature, this Australian thriller manages to escape the confinements of the “torture porn”…
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After showcasing his worth as a filmmaker to keep an eye on with 2014’s The Skeleton Twins, Craig Johnson sadly suffers a sophomore slump with Wilson, an episodic dramedy that proves to be too far removed from Johnson’s directorial capabilities. It’s not that he is unable to guide dark material to fruition – something he…
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Whilst the general consensus is that the Marvel cinematic universe as a whole is one of the more consistent entities for audiences and critics alike, their track-record for delivering underwhelming sequels (at least compared to their predecessors) is hard to quarrel against. Iron Man 2, Thor: The Dark World, and Avengers: Age of Ultron are all…
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An impressively persistent beast of sorts, the Fast & Furious franchise has become one of the most lucrative commodities of today’s industry, despite an initial series of less-than sequels that threatened to burn the title out before it had a chance to properly compete. Whereas most sequels fail to maintain momentum (especially when dealing with the…
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After proving himself a competent director and screenwriter with the rather modest (at least in comparison) action/comedy Hit & Run in 2012, Dax Shepard unfortunately fails to pair the aforementioned genres together again with CHiPs, an extremely loose adaptation of the popular 1977 television series, which attempts to blend sordid humour with high-grade action and…
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More a celebration of drag culture than a heavy-handed expose, Divine Divas proves a fascinating watch as it allows a peak behind the curtains of one of Brazil’s first establishments to showcase men dressed as women. In 1960’s Rio de Janeiro, the Rival Theatre – under the forward thinking of Americo Leal – was one…
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Hot on the heels of the release of the new trailer for The Mummy comes news that Sydney will act as the first stop on a global tour headlined by the film’s star Tom Cruise. Cruise, alongside co-stars Russell Crowe, Annabelle Wallis, Sofia Boutella (who stars in the titular role) and director Alex Kurtzman, will…
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A bold colour palette expressing traditional Chinese imagery overlays both the personal and political difficulties filmmaker Jennifer Zhang has with her mother in Tough, a short student film that redefines the documentary genre tag. In the space of four short minutes, Zhang manages to convey an alarmingly detailed view of her relationship with her mother,…
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Given that Instagram has graduated from being a mere platform to showcase one’s selfie abilities, travel experience and meals in all their hashtag foodporn glory to a more interactive experience, thanks to live streaming and video stories, it seems almost odd that it has taken this long for someone to take full advantage of the…
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As eloquently described by Catherine Zeta Jones‘s portrayal of two-time Academy Award winning actress Olivia de Havilland, feuds are never about hate…they are about pain. And in the first season of Ryan Murphy‘s latest anthology series Feud, pain is running rampant for both Joan Crawford (Jessica Lange) and Bette Davis (Susan Sarandon), two legendary actresses…
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A delightfully nasty horror movie that draws on real-life inspiration, Lake Bodom hopes to be more than just a Friday The 13th-type slasher, in large part to its true crime connection, but ultimately can’t overcome its conventionality – not that there’s anything wrong with that. What still remains one of Europe’s greatest unsolved mysteries, the…
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Assuredly disturbing and revelling in its ability to flip the conventions of the serial killer genre, Ben Young‘s debut feature Hounds of Love is one for those that appreciate their stories without gloss. Counterbalancing its Christmas setting with a tale unflinching in its disturbing nature, this Australian thriller manages to escape the confinements of the “torture porn”…
Read More
As the 28th annual Alliance Francaise French Film Festival makes its way across the major Australian states through March and April, the toast of French cinema will be at the ready for audiences seeking a sense of European style. One film sure to hold interest throughout the festival is Planetarium, a lush pre-war drama starring…
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After spending the better part of two years playing musical chairs with the release schedule, Rings arrives with a considerable thud to remind us how unnecessary certain sequels are. Presenting a messy storyline that wants to both adhere to the formula of Gore Verbinski‘s (supremely superior) 2002 original The Ring and place its own stamp on…
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Never forgive. Never forget. If there’s one mantra the characters of Big Little Lies live by, it’s that. Shrewdly written by TV veteran David E. Kelly, HBO’s new seven-arc mini-series is a deliciously wicked slice of suburban slaughter where it’s what’s on the outside that matters most. Based on Australian novelist Liane Moriarty’s best-selling prose,…
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A well-intentioned, though not entirely successful debut venture from Luke Scott (son of Alien director Ridley Scott, for those of you playing along at home) Morgan is more a shallow version of Ex-Machina than the slick sci-fi character study it so clearly desires to be. The titular Morgan (Anya Taylor-Joy, maintaining her genre score-card with this, The…
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“Kick some ass, get the girl, and try to look dope while doing it” That inane piece of dialogue is essentially what xXx: The Return of Xander Cage bases its existence on. Never a film that was going to be considered good, but at the very least could have been fun, this useless threequel comes…
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Similar to how the recently released Allied arrived in cinemas preempted by an action-heavy advertising campaign that proved somewhat misleading, Passengers is far from the grand space opera many will be expecting. Instead of a sci-fi outing that’s more brawn than brains, Morten Tyldum‘s intriguing film is surprisingly simple, personal, and (mostly) effective. As we…
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Just as emotionally manipulative as the 2011 original Red Dog but less successful in its execution, Red Dog: True Blue looks to merely survive on a superficial level as the “aww shucks” cuteness of the titular canine appears to be the sole reasoning behind this sequel/prequel hybrid coming to fruition. The stunning harsh red dirt…
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Stacking itself plentiful with a heft of pop songs ranging from the classic sounds of Lennon & McCartney to the modern screech of Lady GaGa, Sing is a jukebox musical of sorts that’s suitably bold and bright. Seemingly content not reaching for critical acclaim in the same vein as recent animated offerings like Zootopia, this…
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The kind of film that benefits from its titular character being portrayed as less of an impression and more as a fully realised character, Barry is at once thoughtful, intelligent and particularly entertaining. Though he is introduced to us as Barry, we’re all aware of the Barack Obama he ultimately will become (so to speak),…
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Similar to how director Ira Sachs‘ previous effort Love Is Strange commented on the increasing rate of renting in New York City, Little Men showcases how a simple financial squabble can become someone’s undoing. A relationship-based drama that survives mainly on the simplistic but natural performances of its cast, Little Men focuses on young Jake…
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Likely to come as a surprise to many that The Founder is less a success story regarding the origins of McDonalds, but more a tale on greed and the value of real estate, John Lee Hancock‘s engaging drama benefits from its stellar central performance from Michael Keaton, continuing the run he so assuredly began with…
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Grounded by Amy Adams’ breathtaking performance, Arrival is a departure of sorts for director Denis Villeneuve, opting to showcase the lighter sound of humanity here as opposed to the more pessimistic tones he showcased with Prisoners and Sicario. A film that feels both personal and grand, Arrival intertwines the beginnings and endings of time, creating…
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Taking its outlandish concept and maintaining a balance of wit and intelligence, Gavin O’Connor illustrates a sense of faith for his audience with The Accountant, allowing the film to entertain them without pandering in the process. With its sense of humour in check the film utilises Ben Affleck’s stone-cold gaze and considerable physique to the…
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Better known as one of the world’s greatest fashion designers, Tom Ford proves himself every inch the competent filmmaker with Nocturnal Animals. Verifying his debut feature A Single Man was no flash in the pan either, Ford juxtaposes a relationship drama feature with a violent revenge tale in such an effortless fashion you’d swear you…
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Proving that his script work on Sicario was no fluke, screenwriter Taylor Sheridan has taught an old dog some new tricks with Hell Or High Water, a should-be predictable crime tale that’s peppered with so many nuances and perceptive characters that it rises above its genre simplicities. Despite director David Mackenzie (Starred Up, Young Adam)…
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When “based on a true story” flashes across the screen in the beginning moments of Masterminds, you can’t help but think that it’s trying to squeeze an easy laugh out of its audience. Somehow, whether you believe it or not, Jared Hess’s comedy adopts its premise from an actual robbery that took place in the…
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