Five Australian authors have had their work recognised in the 2023 Dublin Literary Award Longlist; an award that saw 84 libraries across 31 countries nominate worthy recipients. With a prize of €100,000 for the winner, the award is the world’s most valuable annual prize for a single work of fiction published in English.
The last time an Australian won the award was for the very first award back in 1996, with Aussie author David Malouf taking the prize for his stellar novel Remembering Babylon.
Will one of the five nominated Australian novels below take out the top prize this year?
Here are the nominees:
After Story by Larissa Behrendt, published by University of Queensland Press and nominated by Libraries Tasmania, Australia
When Indigenous lawyer Jasmine decides to take her mother, Della, on a tour of England’s most revered literary sites, Jasmine hopes it will bring them closer together and help them reconcile the past.
Twenty-five years earlier the disappearance of Jasmine’s older sister devastated their tight-knit community. This tragedy returns to haunt Jasmine and Della when another child mysteriously goes missing on Hampstead Heath. As Jasmine immerses herself in the world of her literary idols – including Jane Austen, the Brontë sisters and Virginia Woolf – Della is inspired to rediscover the wisdom of her own culture and storytelling. But sometimes the stories that are not told can become too great to bear.
Ambitious and engrossing, After Story celebrates the extraordinary power of words and the quiet spaces between. We can be ready to listen, but are we ready to hear?
Bodies of Light by Jennifer Down, published by Text Publishing and nominated by State Library of Victoria, Australia
So by the grace of a photograph that had inexplicably gone viral, Tony had found me. Or: he’d found Maggie.
I had no way of knowing whether he was nuts or not; whether he might go to the cops. Maybe that sounds paranoid, but I don’t think it’s so ridiculous. People have gone to prison for much lesser things than accusations of child-killing.
A quiet, small-town existence. An unexpected Facebook message, jolting her back to the past. A history she’s reluctant to revisit: dark memories and unspoken trauma, bruised thighs and warning knocks on bedroom walls, unfathomable loss.
She became a new person a long time ago. What happens when buried stories are dragged into the light?
Bone Memories by Sally Piper, published by University of Queensland Press and nominated by State Library of Queensland, Australia
Even though sixteen years have passed, Billie will never recover from the murder of her daughter, Jess, and clings to her memory — and the site of her death — like a life raft. Daniel, who was a toddler when his mother was killed, can recall little of what happened but knows if he’s to have any chance of a better future he needs to move on from that defining event – if only his grandmother would let him. Meanwhile Daniel’s stepmother, Carla, also feels trapped by Jess’s legacy but has a plan that she believes will help everyone to escape from the long shadow of the past.
Deeply human, evocative and beautifully written, Bone Memories explores themes of human connection and the memorialisation of place.
Cold Enough for Snow by Jessica Au, published by Giramondo Publishing and nominated by The National Library of Australia
A young woman has arranged a holiday with her mother in Japan. They travel by train, visit galleries and churches chosen for their art and architecture, eat together in small cafés and restaurants and walk along the canals at night, on guard against the autumn rain and the prospect of snow. All the while, they talk, or seem to talk: about the weather, horoscopes, clothes and objects; about the mother’s family in Hong Kong, and the daughter’s own formative experiences. But uncertainties abound. How much is spoken between them, how much is thought but unspoken? Cold Enough for Snow is a reckoning and an elegy: with extraordinary skill, Au creates an enveloping atmosphere that expresses both the tenderness between mother and daughter, and the distance between them.
Devotion by Hannah Kent, published by Pan Macmillan and nominated by Veria Central Public Library, Greece
Prussia, 1836
Hanne Nussbaum is a child of nature – she would rather run wild in the forest than conform to the limitations of womanhood. In her village of Kay, Hanne is friendless and considered an oddity . . . until she meets Thea.
Ocean, 1838
The Nussbaums are Old Lutherans, bound by God’s law and at odds with their King’s order for reform. Forced to flee religious persecution the families of Kay board a crowded, disease-riddled ship bound for the new colony of South Australia. In the face of brutal hardship, the beauty of whale song enters Hanne’s heart, along with the miracle of her love for Thea. Theirs is a bond that nothing can break.
The whale passed. The music faded.
South Australia, 1838
A new start in an old land. God, society and nature itself decree Hanne and Thea cannot be together. But within the impossible . . . is devotion.
You can check out the full longlist HERE. The winner of the award will be announced on 25 May.
