Tom Stoppard’s plays are just so damn entertaining and clever. They always give off such a vibe of established sophistication that he easily fits into the most respected playwrights of history, but his writing remains relevant and modern. And when one gets to experience his plays in such a production as Sydney Theatre Company’s latest…
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Tooth and Sinew in association with bAKEHOUSE Theatre present Year of the Family, written by Anthony Neilson. This production is an incredibly dark comedy that had me laughing at what could arguably be described as rather inappropriate circumstances. Highlighting how truly dysfunctional families can be, the play follows the relationships of half-sisters Fliss and Claire as…
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Even if you haven’t yet seen a production of West Side Story, chances are you a probably familiar with one of its very recognisable tunes or melodies. From “Something’s Coming” to “Tonight” to “Somewhere” to even the very “Overture”, you’ll recognize something (eh). But really, seeing them all together in their original setting is the…
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Based on the classic Robert Louis Stevensen novel and adapted by Ken Ludwig, Treasure Island is a tale of pirates, adventure, treasure and family. Our narrator and protagonist is Jim Hawkins (Jonathon Burt) who, by chance, finds himself in possession of a map and becomes embroiled in a plot to discover hidden treasure. Of course, a…
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Alfred Hitchcock’s classic thriller film North by Northwest has become a stage sensation, and its return season has confirmed just how extraordinary this theatrical reimagining is. Given the technicalities of film it really begged the question: how were they going to put this onto the stage? Well, I’m not going to tell you. This is…
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What are labels? They’re the words we use to define ourselves, to define others; and how we are ourselves defined. They are the words that make us categorised, grouped and understood. Of course context is key. These labels can often be quite innocuous, even positive. But there are also those times when they can be…
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“To sleep perchance to dream,” said Hamlet. Well not if you’re a “guest” at the Dream Motel, a sleep clinic that forms the backdrop of Ian Sinclair and Renee Newman’s latest work Sleeping Beauty a contemporary re-telling of the classic fairy tale. Sinclair and Newman have stripped back the whimsy, removed all traces of cute…
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When a story is told and retold and adapted in so many different ways you know there’s something special about it. This is of course the case with Puccini’s La Bohème, which has been adapted into popular modern musical RENT and used as inspiration for Baz Luhrmann’s Moulin Rouge just to name a few. In…
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I have wanted to see Mozart’s The Magic Flute for so long. The “happy” opera, full of playfulness, colour and magic, a welcome change from my more recent (brilliant) but tragic La Bohemes and Don Carlos’. And boy was everyone correct! The Magic Flute is absolutely the happy opera. The first thing I noticed about…
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Whether your faith is a God, the community or a Seers shopping catalogue sometimes we don’t ask the higher powers for something but he gives it to us anyway. Was there a riot demanding the 1988 cult classic Heathers be revamped into a musical? Probably not. But Off-Broadway is one of those whimsical places that…
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Bright flashes beckoned us towards Melbourne’s Princess Theatre on Tuesday night as a myriad of celebrities sashayed along the red carpet. It was the opening night of Fiddler on the Roof and it seemed the entire city had come out to enjoy this long awaited spectacle. Long gowns brushed the floor, and champagne glasses clinked…
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As I entered the Arts Centre’s State Theatre with a hoard of people old and young, I could imagine a time long past where the magicians, illusionists, and freaks of the world held centre stage as they shocked and tantalised their audiences worldwide. A time without t.v or internet, where the prime form of entertainment…
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Sport for Jove’s The Importance of Being Earnest opens with perhaps one of the most perfectly choreographed scenes in theatre. Staged within an elaborate house and performed to “Le amour est un oiseux rebelle” from George Bizet’s opera Carmen, we see Algernon Moncrieff (Aaron Tsindos) after a long night of revelry, emerge and move about…
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Back in August 2003, We Will Rock You first opened in Australia at Melbourne’s Regent Theatre. Written by Ben Elton (The Young Ones, Blackadder) and featuring no less than 24 songs from classic rock group Queen, the show was a huge success, with over 15 million theatregoers in 17 countries having since experienced the stage…
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Before you all start to fantasize about Nicholas Cage and Meg Ryan, I must tell you; this musical is not the stage adaptation of the 1998 film of the same name. But, I can assure you it is just as juicy, just as sexy and just as heartfelt. City of Angels is all about the…
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Photo by Jon Green The Cockatoos is the latest work from writer and director Andrew Hale of Happy Dagger Theatre. Adapted from Nobel Prize winning author Patrick White’s short story The Cockatoos follows the goings on a suburban street in Australia; where under the surface of respectability there are plenty of secrets and dark goings…
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Benjamin & Me is the latest work from writer, director, performer and purveyor of the ukulele, Mark Storen. It’s also the debut show for his new production company Whiskey + Boots. Benjamin & Me is quite simply a feat of storytelling and imagination. A show that is quirky, a little bit silly, but packed full…
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Red Stitch is one of Melbourne’s leading theatre company’s and the fact I had not yet seen one of their shows is unacceptable. Well, I must say, the standard has now been set. Jurassica was my first taste of what sort of work this company can produce and it blew me away. There was really…
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RENT is just one of those musicals that everyone knows. Perhaps it’s due to the success of the film, or perhaps just because it’s story and characters are so resonating, but it has clearly become a mainstay staple in musical theatre 101s. For whatever reason it is also a musical that I had actually never…
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Between Solar Systems is the latest work from emerging Perth theatre group Second Chance Theatre. Written and directed by Scott McArdle the play centres on the actions of Vincent, the sole survivor of Earth’s cataclysmic sea level rise, or is he? I’m going to try and get through this review without giving away too many…
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Ahead of the launch of his latest play Between Solar Systems, we caught up with writer and director Scott McArdle to find out a little bit more about the new play from his company Second Chance Theatre; and we couldn’t resist asking Scott for his favourite Science Fiction films or shows whilst we were at…
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Latitudes is the new play from emerging Perth theatre group The Lost Boys, and marks the debut theatrical work from acclaimed screenwriter, film maker and musician Mark Walsh. Directed by Mikala Westall it is a work suffused with ideas of memory and of forgetting. An at times clever, meditative and mesmerising piece Latitudes has ensured…
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Refugees, asylum seekers and broader immigration have long dominated headlines and political slogans from all parties within Australia, and more recently abroad in Europe and the UK. For many people it is a polarising issue, for Perth theatre group The Last Great Hunt it provided the starting point for new work All That Glitters. A…
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Of all of Shakespeare’s works, Hamlet is perhaps his most oft-performed and perhaps most recognised (of the tragedies at least). Indeed as I write this review; a version of the play with Benedict Cumberbatch playing the titular anti-hero is in previews and dominating news headlines back in the UK and beyond. Hamlet is also my…
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Songbird, presented as part of NAIDOC week, is the sophomore production from local theatre group Imprint Productions, and the final production in the current season at Perth’s Blue Room Theatre. Written by Shakara Walley, directed by Ian Wilkes and featuring live music, Songbird tells the story, of three young indigenous people and their fracturing relationships….
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Fracture, the penultimate work in the current season at Perth’s Blue Room Theatre, is the first work from emerging playwright and WAAPA student Lucy Clements. Directed by the ubiquitous Joe Lui, Fracture examines the aftermath of familial trauma and the isolation that can result from grief. It’s been roughly twenty-four hours since I stepped out…
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He’s not the Messiah, he’s a very naughty boy! Or rather more accurately in this case, he’s a neurotic actor, with just the right sized nose and a slight drinking problem; tasked by the Ancient Israeli equivalent of Don Draper, with spreading the word of this new fangled religion – Christianity. If you haven’t already…
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Photo Credit: Jon Green The Song Was Wrong is the third production in Perth Theatre Company’s 2015 season and sees Artistic Director Melissa Cantwell take on both writing and directorial duties. The Song Was Wrong, the story of a love-struck Australian musician Christian and his French muse Cecile, is an utterly beautifully pensive and poetic…
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Ahead of the tragically limited run of The Epic at The Blue Room Theatre we caught up with writer, storyteller and performer Finn O’Branagáin to find out more about the show, what audiences can expect; and just how important storytelling is! Click through for the full interview. How did the idea for the “The Epic”…
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Under this Sun is the debut work from Perth’s latest budding theatre company, The Emergence Co. Directed by Warwick Doddrell, Under This Sun follows the escapades of three young twenty somethings as they, each for their own reasons (some more misguided than others), make their way into the unforgiving landscape of the Australian outback. I…
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