Reviews

Theatre Review: Look Back in Anger – The Old Fitz, Sydney (Performances until 10 September)

Andrew Henry gives a tour de force performance in Red Line Productions’ well executed take on the British classic, Look Back in Anger. Henry plays Jimmy Porter, a disillusioned young Englishman living in near-poverty with his wife and their flatmate in a one-bedroom flat in the Midlands. Well-educated but devoutly loyal to his working-class upbringing,…

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Theatre Review: Fawlty Towers Live delivers a nostalgic and hilarious production to Sydney for its world premiere

After the Pythons re-united for a brief run of shows at the O2 in London in 2014, John Cleese and the team behind the show started thinking about what else might work on the stage. Cleese’s brilliant, all-too-short but totally classic series Fawlty Towers seemed to be the obvious choice, and they immediately began to…

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Theatre Review: I Do I Don’t – The Blue Room Theatre (Performances through to September 3rd)

Who Am I? Where did I come from? What was my family like? We’re all hit by these questions at some point in our lives, hit with that desire to find out more about those bits of life that have faded into half formed memories. It is this desire to find out more about her…

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Theatre Review: Endgame, QPAC Brisbane (performances until 20th August)

Samuel Beckett might have brushed up against your memory like a shifty cat quickly grazing past your leg before changing its mind and scampering off into the darkness. Or perhaps you’re very familiar with his work that planted him firmly at the forefront of absurdist theatre when it was at its peak of creation. Regardless…

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Theatre Review: Aladdin – Capitol Theatre, Sydney (performances until November 20th)

And just like that, the biggest show to open in Australia this year has blown the socks off audiences. Ever since it was announced to make its Australian debut, the hype surrounding Disney’s classic Aladdin has been immense, with industry professionals and theatre lovers alike counting down the days until opening night. Every childhood memory…

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Theatre Review: On Golden Pond – Pavilion Theatre, Castle Hill (Performances until 20th August 2016)

Most people are familiar with the story of On Golden Pond, with many having seen the 1981 film starring Henry and Jane Fonda and Katharine Hepburn. The story centres around relationships and families, in particular the dynamic which exists between Norman Thayer, JR (Dave Kirkman), his wife Ethel (Carole Grace) and his estranged daughter Chelsea…

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Theatre Review: The Hanging – Sydney Theatre Company, Wharf Theatre (performances until 10th September)

There’s an overwhelming urge amongst Australian societies to divulge themselves in to the case of missing people – particularly children. Stories that dominate the media also capture us. The case of Daniel Morcombe is a case in point, where the pubic followed it religiously for more than a decade until there was some sort of…

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Theatre Review: Three Sisters, Sport For Jove – Seymour Centre, Sydney (performances until 13th August)

Director Kevin Jackson freely admits Anton Chekhov’s Three Sisters is his favourite play of the last century and you can certainly feel the love in Sport For Jove’s production of the classic work, now playing at the Seymour Centre, Chippendale. The three sisters are Olga, Masha and Irina, who we follow over a period of five…

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Theatre Review: The Beast by Eddie Perfect – Drama Theatre, Sydney Opera House (performances until 21st August)

The Beast that is Eddie Perfect’s debut play had its premiere at the Sydney Opera House on Friday the 29th of July. The playwright joins the endowed cast of seven on stage, bringing to life a tale of three city-slicking partners and their journey through to the Yarra Valley after three mates and their skipper encounter…

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Theatre Review: Harry Potter and the Cursed Child – Palace Theatre, London (In Performances Now)

Well. Harry Potter and the Cursed Child is not going to be the easiest thing to review. Not only was the play itself a complete sensory overload, its plot was so intricate that I almost feel like I can’t reveal anything without giving the die hard fans a clue as to what happens. Suffice to…

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Theatre Review: Cinderella – The Pantomime – State Theatre, Sydney (performances until 17 July 2016)

Watching Cinderella – The Pantomime was like stepping into a wonderful world of magic where your inner child could run free. This panto is the third one to be brought to Australia by Bonnie Lythgoe Productions and it looks poised to follow in the success of Snow White and Aladdin. Cinderella was ultimately a light…

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Theatre Review: The Big Dry – Ensemble Theatre, Sydney (performances until July 2)

Set in a post apocalyptic wasteland in the not-too-distant future, The Big Dry leaves more questions than it attempts to answer. Firstly, it is a commentary on climate change and the dire options it potentially leaves our ancestors, but also is a discussion on the abilities of children if left to inherit the earth before…

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Theatre Review: The Addams Family: A New Musical Comedy – Theatre Works, St Kilda (Performances until 25 June)

A modern day Broadway classic is reimagined by Australia’s rising theatre talent in The Addams Family: A New Musical Comedy, now playing at Theatre Works in St Kilda. It is a perfect venue for the show, small, intimate and filled with dark corners for dark deeds. Telling a simple story set within the walls of…

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Theatre Review: Disgraced – Riverside Theatre, Parramatta (16.06.16)

Disgraced – Ayad Akhtar’s Pulitzer Prize-winning play is an enthralling experience for the audience lucky enough to find themselves in the Riverside Theatre of Parramatta. Director Sarah Goodes, along with designer Elizabeth Gadsby, expertly present the play and encapsulate audiences in a 90-minute sensation that stimulates thought, emotions, and further questions the notions of identity and belonging. Amir…

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Theatre Review: Flame Trees, The Depot Theatre, Sydney (Performances until 2 July)

You’ll be guaranteed to be singing the Cold Chisel classic after attending this production, but sadly the theatrical version doesn’t quite rise to the heights of its musical namesake. Written and produced by Aussie dramatist Wayne Tunks, Flame Trees is a story about the unforgiving nature of country towns. Past actions are not easily forgotten, as…

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Theatre Review: A Man With Five Children, Eternity Playhouse, Sydney (performances until June 26)

Filmmaker Gerry (Jeremy Waters) wants your children. More specifically, he wants to document the lives of five seven-year-old Australians, filming them for one day each year until they are 21. They are Roger (Jemwel Danao), Jessie (Chenoa Deemal), Susannah (Charlotte Hazzard), Zoe (Jody Kennedy) and Cameron (Taylor Wiese). We watch this unfold across two acts,…

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Theatre Review: The Happy Prince – St Mary’s Church, Brisbane (10.06.16)

Oscar Wilde’s story of The Happy Prince reads much like a beautiful parable. Perhaps, this is why it seemed only appropriate to host the first ever musical tale of story in a church. Simon Chan, composer and artistic director at The Other Production Company, has translated Wilde’s beautiful story telling into equally beautiful music. Sharing the…

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Theatre Review: The Heidi Chronicles, New Theatre (until 9 July)

The life and times story of an American woman experimenting with feminism in the 60s, 70s and 80s may not seem like it has much relevance on today’s Sydney stage. But in bringing Wendy Wasserstein’s The Heidi Chronicles to life, the team at the New Theatre have successfully highlighted the very long way women still…

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Theatre Review: Love, Loss, and What I Wore – Pavilion Theatre, Castle Hill (Performances until 25th June)

Love, Loss, and What I Wore, a play by Nora and Delia Ephron, is based on the 1995 book of the same name by Ilene Beckerman. We are introduced to five women who take it in turns presenting individual, and sometimes joint, monologues. These range from irreverent and funny to painful and heartbreaking, the common…

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Theatre Review: Hart – The Blue Room Theatre, Perth (performances through until June 11th)

In February 2008 Prime Minister Kevin Rudd publicly apologised to the Stolen Generations of Indigenous Australian’s. Eight years later on National Sorry Day, May 27th, Hart, a new play from She Said Theatre, celebrated it’s second night of a new season at Perth’s Blue Room Theatre. Hart, written by Ian Michael and Seanna van Helten,…

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Theatre Review: When The Rain Stops Falling, Judith Wright Centre (27.05.16)

In a very brief yet consuming experience, much like the turn of many events in our lives, Judith Wright Centre became the space for Andrew Bovell’s When The Rain Stops Falling for the weekend only. THAT Production Company based in Ipswich presented the show and made it through the challenge of capturing the fluidity of…

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Theatre review: The Taming of the Shrew – Sport for Jove, The Seymour Centre (Performances until 28 May 2016)

The Taming of the Shrew, Shakespeare’s tale of a woman “tamed” by a man, has seen many adaptations over the years, but perhaps none so clever as the latest offering from Sport for Jove. Set in Hollywood during the silent film era of the 1920s, a time of strong women – both on the silver…

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Theatre Review: The Sound of Music – Regent Theatre (performances until July 30)

Melbourne was alive with The Sound of Music on Thursday night as the who’s who of the social elite came out for the opening night. With the thought of Julie Andrews prancing through hills conjuring up beautiful memories in my mind, I sat down delighted to see this long running show. It was a packed…

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Theatre Review: The Glass Menagerie – Malthouse Theatre (Performances until June 5th)

Theatre lovers prepare yourselves for a truly exquisite piece work from the mastermind that is Tennessee Williams. This autobiographical play is an awakening to the internal struggles that both men and women faced in the early 1940s; a time when women longed to find a man and as well homosexuality being taboo. From the opening monologue…

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Theatre Review: Belated – Blue Room Theatre, Perth (Performances through May 28th)

To shamelessly borrow from a popular nineties sitcom It’s like you’re always stuck in second gear, When it hasn’t been your day, your week, your month, or even your year, (handclaps) So to it is with some of the characters in Maiden Voyage Theatre Company’s Belated. There are breakups, bust ups, bickering, and a tiny…

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Theatre Review: We Will Rock You, Sydney Lyric, Sydney (performances until June 26)

The Killer Queen (Casey Donovan) is, well, a Killer Queen – but she also likes Fat Bottomed Girls. Is one such girl, in fact. When she’s not indulging, she’s doing what she can to make sure that all the music on the iPlanet is Computer Recorded Autotune Pop (or CRAP). The last thing she wants…

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Theatre Review: Dirty People, The Depot Theatre, Sydney (performances until 8 May)

In this period of YouTube celebrities, reality TV starlets and Kardashians, it can be challenging to relate to theatrical characters. Audiences are regularly plated-up a plethora of classics, complete with over-the-top performances and melodious, fruity language contrasted against edgy, overly dark interpretations of long-lost fables. Presented on stark stages that we struggle to comprehend (but…

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Theatre Review: Belleville, Old Fitz Theatre, Sydney (performances until May 7)

Before any actor graces the stage, the apartment is full of stories. The cracks on the wall tell us it was built-to-last a long time ago. The beaded curtains in the doorway are permanently drawn to the side; while charming, they quickly became a nuisance. By the red corduroy couch, there’s a pair of boots…

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Theatre Review: VELVET, Cremorne Theatre, QPAC (performances to 15th May)

After a successful run at the Brisbane Powerhouse during last year’s Brisbane Festival, raucous disco cabaret VELVET made a triumphant return to the River City, taking over the Cremorne Theatre at QPAC. Once a huge fan of the standard cabaret fare, the borderline offensive humour and the sexy-but-kinda-weird acts offered by shows like Club Swizzle, Absinthe, and La…

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Theatre review: Blonde Poison – Sydney Opera House (Performances until 12 May 2016)

Directed by Jennifer Hagan and presented by Strange Duck Productions, Blonde Poison is a gripping tale of betrayal, war and the high price of survival. Based on a true story, Stella Goldschlag is preparing to be interviewed in her home by an old childhood friend, now a successful journalist. As she becomes increasingly anxious about…

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