Reviews

Theatre Review: The Maids – The Depot Theatre (Performances until 30 April)

It’s hard to be critical of non-professional productions, because they are the training ground for so many working in the industry. Certainly, newcomers should be congratulated for sticking out their proverbial necks and adding to Sydney’s ever-expanding theatrical quilt. But unfortunately, some productions just don’t work, no matter how much effort the creatives put in….

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Theatre Review: The Mars Project – The Blue Room Theatre, Perth (Performances through May 7th)

The Mars Project is the new work from writer Will O’Mahony and The Skeletal System, the team behind the acclaimed Great White. The Mars Project tells the story of Wren and Sam, Sister and Brother, detailing their diverging lives, as one tries to reach Mars and one struggles to speak – Sam has autism. The…

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Theatre Review: Selkie – The Blue Room Theatre, Perth (Performances until April 30th)

The April – July Season at Perth’s Blue Room Theatre kicked off last week with Renegade Productions’ Selkie the new work from writer Finn O’Branagáin, and directed by Joe Lui. Selkie is a contemporary reimagining of the old myth; stripped of the romanticism and whimsy; an exploration of the darker themes at play. I was…

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Theatre review: Hay Fever – Sydney Theatre Company (Performances to 21 May 2016)

And you thought your family was bad. Meet the Blisses. Mother Judith (Heather Mitchell) is a retired stage actress, her husband David (Tony Llewellyn-Jones) is a novelist and their two grown children, Simon (Tom Conroy) and Sorel (Harriet Dyer) still live at home. Hay Fever opens with the siblings exchanging insults and generally talking around…

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Theatre Review: Night Sings Its Songs – La Mama Theatre, Melbourne

On a cold Wednesday night in Melbourne a small selection of ‘in the know’ theatre goers headed down to La Mama Theatre in Carlton, Melbourne for the opening night of esteemed Norwegian play Night Sings Its Songs. Patrons mingled in the outside courtyard, anticipation growing with every passing moment, wondering just what they were in…

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Theatre Review: Savages – Darlinghurst Theatre Company, Eternity Playhouse

The subject of masculinity and what it means to be a man in today’s Australia are skillfully explored in Darlinghurst Theatre Company’s production of Savages, written by Patricia Cornelius. Opening with a blast of light and sound, we meet four thirty-something Aussie men, about to embark on the ‘trip of a lifetime’ aboard a cruise…

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Theatre review: The Game’s Afoot; or Holmes for the Holidays – Pavilion Theatre, Castle Hill (Performances until 30 April 2016)

As the curtain opens you would be forgiven for thinking you had stumbled into the wrong theatre. On stage we see Sherlock Holmes concluding a murder investigation and catching his killer – but how can that be when we are only three minutes in? Here, at the start of the Pavilion Theatre’s The Game’s Afoot;…

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Theatre Review: Wuthering Heights – Riverside Theatre, Parramatta (22.03.16)

Love will tear us apart. This song lyric by the late Ian Curtis of Joy Division seems an appropriate way to sum up the gothic romance tale, Wuthering Heights. Queensland’s shake & stir theatre co. have produced a rather faithful and intense adaptation of Emily Brontë’s story, but it also manages to add a few…

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Theatre Review: The Tiger Lillies perform Hamlet – Regal Theatre, Perth (18.02.16)

I probably say this every time I review a production of the play, but Hamlet is my favourite Shakespeare play. I’ve seen the oft-performed revenge tragedy many times, both here in Australia and in the UK. I have, however, never seen a Hamlet quite like the one presented by The Tiger Lillies and Theatre Republique…

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Theatre Review: 심청 ‹Shimchong›: Daughter Overboard! (performances until Feb 23)

Shimchong: Daughter Overboard! is the latest production by Motherboard Productions. Its story is both rooted in old Korean tales, and tales anew painted by the tumultuous state of Australian affairs. It begins in a far away land of another time where Shimchong, daughter of a blind man sacrifices herself by leaping overboard and sinking down…

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Theatre Review: The Ballad of Frank Allen – Blue Room Theatre, Perth (performances through to 20th Feb)

Well Shane Adamczak has done it again. His latest production with Weeping Spoon Productions, The Ballad of Frank Allen has just opened at Perth’s Fringe World. A strange and comic tale about a man who lives in another man’s beard; The Ballad of Frank Allen is a wonderfully funny and utterly charming work that will…

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Theatre Review: Ladies Day – Griffin Theatre Company (performances to 26th March)

Griffin Theatre Company proudly supports and presents all new Australian works, a fitting program for their stables-turned-theatre venue. “Australian” and “new” means that the work can often hit a little closer to home in terms of language, setting and relevance. In their latest production, Ladies Day, nothing is more fitting then describing it as hitting,…

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Theatre Review: All My Love – Riverside Theatre, Parramatta (performances to 20 February)

Henry Lawson and Dame Mary Gilmore (nee Cameron) are famous Australian authors who appeared on Australia’s old paper $10 note. They’re also the subject of an intense period drama and romantic play called All My Love. It’s a story that asks a number of “What if?” style questions and hints at what could have been a great…

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Theatre Review: Ludwig – The Shambles, Perth Fringe World (performances until 21st Feb)

Did you know? Ludwig II of Bavaria was known as the Swan King or the Fairy Tale King? No? How about that Ludwig II was a massive fan of Wagner and decked out his palaces in homage to Wagner’s operas? Me neither. That was until I saw Ludwig – a one-man operetta – presented by…

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Theatre Review: Sky-hi & So-lo – The Stables, Fringe World Perth (performances until Feb 21st)

Sky-hi & So-lo is the first one-man show from Viktor Griffioen, formerly of music theatre group The Sadists. It’s been 24 hours and quite frankly I’m still not entirely sure what to make of it. It’s chaotic, wilfully absurd – but utterly entertaining and hilarious (if you don’t mind your humour a bit dark and…

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Theatre Review: Arcadia – Sydney Theatre Company, Sydney Opera House (performances to 2nd April)

Tom Stoppard’s plays are just so damn entertaining and clever. They always give off such a vibe of established sophistication that he easily fits into the most respected playwrights of history, but his writing remains relevant and modern. And when one gets to experience his plays in such a production as Sydney Theatre Company’s latest…

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The joy of experiencing Sleep No More in New York City for the first time

The idea of the interactive theatre experience is nothing new. From “whodunit” dinner parties to whatever it is people get up to at those Rocky Horror screenings, there’s always been a market for those of us who want to feel a part of the action. Even sitting front row at a comedy show brings out…

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Theatre Review: Year of the Family – Kings Cross Theatre (Performances until 20th February)

Tooth and Sinew in association with bAKEHOUSE Theatre present Year of the Family, written by Anthony Neilson. This production is an incredibly dark comedy that had me laughing at what could arguably be described as rather inappropriate circumstances. Highlighting how truly dysfunctional families can be, the play follows the relationships of half-sisters Fliss and Claire as…

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Theatre Review: West Side Story – Riverside Theatre (performances until 20th Feb)

Even if you haven’t yet seen a production of West Side Story, chances are you a probably familiar with one of its very recognisable tunes or melodies. From “Something’s Coming” to “Tonight” to “Somewhere” to even the very “Overture”, you’ll recognize something (eh). But really, seeing them all together in their original setting is the…

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Theatre Review: Treasure Island – Pavilion Theatre, Castle Hill (performances until 27th February 2016)

Based on the classic Robert Louis Stevensen novel and adapted by Ken Ludwig, Treasure Island is a tale of pirates, adventure, treasure and family. Our narrator and protagonist is Jim Hawkins (Jonathon Burt) who, by chance, finds himself in possession of a map and becomes embroiled in a plot to discover hidden treasure. Of course, a…

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Theatre Review: North By Northwest – Arts Centre Melbourne (performances until February 13)

Alfred Hitchcock’s classic thriller film North by Northwest has become a stage sensation, and its return season has confirmed just how extraordinary this theatrical reimagining is. Given the technicalities of film it really begged the question: how were they going to put this onto the stage? Well, I’m not going to tell you. This is…

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Theatre Review: Labels – Blue Room Theatre, Perth (performances through to 6th February)

What are labels? They’re the words we use to define ourselves, to define others; and how we are ourselves defined. They are the words that make us categorised, grouped and understood. Of course context is key. These labels can often be quite innocuous, even positive. But there are also those times when they can be…

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Theatre Review: Sleeping Beauty – PICA, Perth (performances through to 6th February)

“To sleep perchance to dream,” said Hamlet. Well not if you’re a “guest” at the Dream Motel, a sleep clinic that forms the backdrop of Ian Sinclair and Renee Newman’s latest work Sleeping Beauty a contemporary re-telling of the classic fairy tale. Sinclair and Newman have stripped back the whimsy, removed all traces of cute…

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Theatre Review: Opera Australia’s La Boheme – Sydney Opera House (Performances through to March 23rd)

When a story is told and retold and adapted in so many different ways you know there’s something special about it. This is of course the case with Puccini’s La Bohème, which has been adapted into popular modern musical RENT and used as inspiration for Baz Luhrmann’s Moulin Rouge just to name a few. In…

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Theatre Review: Opera Australia’s The Magic Flute – Sydney Opera House (Performances through to January 16th)

I have wanted to see Mozart’s The Magic Flute for so long. The “happy” opera, full of playfulness, colour and magic, a welcome change from my more recent (brilliant) but tragic La Bohemes and Don Carlos’. And boy was everyone correct! The Magic Flute is absolutely the happy opera. The first thing I noticed about…

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Theatre Review: Heathers: The Musical – Brisbane QPAC (Performances through to January 17th)

Whether your faith is a God, the community or a Seers shopping catalogue sometimes we don’t ask the higher powers for something but he gives it to us anyway. Was there a riot demanding the 1988 cult classic Heathers be revamped into a musical? Probably not. But Off-Broadway is one of those whimsical places that…

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Theatre Review: Fiddler On The Roof – Princess Theatre, Melbourne (Performances through to February 27th)

Bright flashes beckoned us towards Melbourne’s Princess Theatre on Tuesday night as a myriad of celebrities sashayed along the red carpet. It was the opening night of Fiddler on the Roof and it seemed the entire city had come out to enjoy this long awaited spectacle. Long gowns brushed the floor, and champagne glasses clinked…

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Theatre Review: The Illusionists 1903 – Arts Centre State Theatre, Melbourne (02.01.15)

As I entered the Arts Centre’s State Theatre with a hoard of people old and young, I could imagine a time long past where the magicians, illusionists, and freaks of the world held centre stage as they shocked and tantalised their audiences worldwide. A time without t.v or internet, where the prime form of entertainment…

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Theatre Review: The Importance Of Being Earnest – Bella Vista Farm, Sydney (Performances through to Dec 30th)

Sport for Jove’s The Importance of Being Earnest opens with perhaps one of the most perfectly choreographed scenes in theatre. Staged within an elaborate house and performed to “Le amour est un oiseux rebelle” from George Bizet’s opera Carmen, we see Algernon Moncrieff (Aaron Tsindos) after a long night of revelry, emerge and move about…

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Theatre Review: City of Angels – Life Like Company – Arts Centre Melbourne (Performances to November 8th)

Before you all start to fantasize about Nicholas Cage and Meg Ryan, I must tell you; this musical is not the stage adaptation of the 1998 film of the same name. But, I can assure you it is just as juicy, just as sexy and just as heartfelt. City of Angels is all about the…

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