Reviews

Theatre Review: The Book of Mormon will make you laugh til it hurts even if you feel you shouldn’t (Sydney Lyric Theatre)

What do you get when you combine a much-maligned American religion, Disney-movie songs and the writers of a politically incorrect adult cartoon? A ridiculously so-wrong-it’s-right musical called The Book of Mormon. As close to Broadway as you’re likely to see on the Australian stage, this show is an all-singing, all-dancing, joke-filled tribute to American musical theatre….

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Theatre Review: Esther Hannaford Shines in Beautiful: The Carole King Musical (Performances until June 24th)

When news first broke of Beautiful: The Carole King Musical making its way to Australia, the buzz was high. But who would play the coveted role of Carole King? In what has to be one of the best casting triumphs in Australian musical theatre history, Esther Hannaford was the prized winner. It’s safe to say…

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Theatre Review: Single Asian Female is a celebration of all of us (Sydney’s Belvoir Theatre to 25 March)

The Chinese restaurant is a bastion of our urban culture. Birthdays in the suburbs spent with red lanterns, lazy susans and honey chicken dot our collective memory. While contemporary Australia’s lust for foodie culture and an ever refining palette may have moved away from the Red/Golden Phoenix/Centuries in the 00s, they still form culinary centres…

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Theatre Review: Mamma Mia! – here we go again (at Sydney’s Capitol Theatre)

In Muriel’s Wedding, Muriel wishes that her life was as good as an ABBA song. Presumably, that life looks a lot like Mamma Mia – a glittering Greek Island paradise where beautiful young men and women burst into song and dance at the drop of a hat, fall in love, have a wedding and live…

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Theatre Review: American Idiot‘s Adelaide debut proves to be as much rock show as it is theatre

From the very first riff at the beginning of the title track, American Idiot sounded different. Even in 2004 – when baggy jeans were still cool and I was still using a CD Walkman (because iPods were too expensive) – I knew this was going to be huge. Not being old enough to have experienced…

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Theatre Review: The Unbelievables is a magical, modern spectacle

Seeing is believing. Especially when you are watching a theatre show like, The Unbelievables. This variety show comes from the producers of The Illusionists and Circus 1903 and promises to be the “greatest” one on earth. The finished product is a grand assortment of different treats and tricks, with performers from multiple disciplines and presentations…

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Theatre Review: Love / Hate Actually at the Brisbane Powerhouse

Love, Actually is one of those Christmas films that had a significant impact on me the first time I saw it. I’ve since seen it more than once, and each time it has elicited a similar set of emotions within me that have confounded many. I absolutely detested the film and felt it was a…

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Theatre Review: Secret House’s The Seagull is beautiful, edgy and raw (at The Depot Theatre until 16 December)

The Depot Theatre and Secret House have once again worked their magic on a classic, this time bringing Anton Chekov’s The Seagull into the modern era. Stripped back to its heart, this is a compelling tale of the frailty of the mind. Cleverly adapted, beautifully designed and expertly cast, there is nothing to fear from…

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Theatre Review: Muriel’s Wedding: The Musical is a neon-coloured explosion through our culture

A question commonly asked in arts circles is where all the new Australian musicals are. Surely, they do exist, but grand-scale, blockbuster song-and-dance shows isn’t something we’re generally known for. Hot Shoe Shuffle – arguably Australia’s first hit musical – premiered only 24 years ago, and since then only Pricilla and Strictly Ballroom have made…

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Theatre Review: There are more than a few laughs to be had with Violent Extremism and Other Adult Party Games (until 25 November)

With a title like Violent Extremism and Other Adult Party Games you can’t help but expect a few controversial laughs. But this new play by Sydney-based writer Richie Black is a cut above and a genuinely funny piece of work. Supported by a very good cast and strong production values, this is yet another triumph…

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Theatre Review: Silent Night brings an early dose of Christmas cheer (until 10th December)

What is Christmas like with your family? I can guarantee it’s not nearly as dysfunctional as the one depicted in Mary Rachel Brown’s new play, Silent Night. Chock-full of jokes and characters that have to be seen to be believed, this is a play that makes the final rush to the supermarket on Christmas Eve…

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Theatre Review: She Rode Horses Like the Stock Exchange is a biting take on gender and power through the GFC

The GFC hit 10 years ago, yet it’s wave still lingers on. In a post GFC world, wages are stagnant, jobs are threatened, house prices skyrocket and global warming’s dark cloud hangs in concert. 10 years on, we’re still asking questions; how did this happen? Can it happen again? And, if so, who’s best equipped…

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Theatre Review: Belvoir’s Atlantis is a quirky comedy about love, climate change and psychics

To some people, “Atlantis” is a utopian city lost underneath a wall of water. For Lally Katz it’s a semi-autobiographical play about her mid-30s trip home to America as a newly-single girl. The results are like Bridget Jones played by Kathy Lette. With a panther thrown into the mix. Because you can. Katz is no…

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Theatre Review: Bell Shakespeare’s The Merchant of Venice gets a little lost at sea (at the SOH Playhouse until 26th November)

Bell Shakespeare Company’s latest production of The Merchant of Venice has a few high points. But overall Director Anne-Louise Sarks has played it pretty safe and as a result there’s nothing about this show that really stands out. Listed among Shakespeare’s comedies, The Merchant of Venice contains some of Shakespeare’s most well-known characters. First, there’s…

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Theatre Review: The Big Meal is a satisfying event (playing until 4th November)

In an average restaurant, somewhere in America, a guy and girl meet. What follows is a familiar story, told in a not so average way; a lifetime condensed into just over an hour. The Depot Theatre’s latest production, The Big Meal, is an epic tale shrunk to fit a tiny stage. It is big on…

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Theatre Review: Miracle City is a colourful & spirited musical about some kooky televangelists (Sydney Opera House until Oct 29th)

Miracle City is not your typical musical. The show’s director even dubbed it an anti-musical. It’s what you get when the shiny veneer of a Christian family of televangelists implode, live on air. The results are something that are ironic, funny and tragic in almost equal measure. This show first premiered at Sydney Theatre in…

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Theatre Review: Beautiful is so much more than the Carole King musical (now playing at Sydney Lyric)

If you enjoyed Jersey Boys then you’re sure to love the latest jukebox musical to hit Aussie shores: Beautiful – The Carole King Musical. Starring the sublime Esther Hannaford and featuring an incredible collection of hits, Beautiful is slickly produced and expertly performed. It’s a guaranteed good night out for all. Billed as a musical…

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Theatre Review: Sondheim’s Assassins is locked and loaded in good hands (Hayes Theatre, Sydney until 22nd October)

Sondheim, as always, has to make things difficult. If it’s not in his chords then it’s the subject matter of his musicals. However Assassins, one of the more rarely performed of the Sondheim repertoire, finds itself locked and loaded in good hands with Dean Bryant at this latest production at the Hayes. Superb casting all…

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Theatre Review: Diving for Pearls creatively captures the Wollongong coast (Griffin Theatre until 28th October)

Over thirty years old, Diving for Pearls still has resonance for today’s audience. It paints a bleak picture of the future of manufacturing in Australia, which has been on a steady decline since the 1980s and 90s, when this play was written. It is a very Australian story, and the images the text and set…

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Theatre Review: Bram Stroker’s Dracula is reinvented by Shake and Stir (Performances in Adelaide to 16th September)

Bram Stoker’s Dracula has been interpreted many times over the years on stage and screen. This time, Queensland based Shake and Stir Theatre Company have breathed new life into the ageless classic. A single lit window on a darkened stage is the only clue to what is to come. There are shocks a plenty –…

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Theatre Review: The Bluebird Mechanicals is marvellously nervewracking (Performances in Brisbane to 16th September)

Be they flocking or fleeing, birds are always a sign of impending danger. Hell, if you grew up in Brisbane, the clicking sound of a magpie’s beak and the beat of black wings are a certain sign of danger. The Bluebird Mechanicals is no less than this. A neat artist’s palate of danger organised, devised…

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Theatre Review: Plunge by Kate Shearer is innovative poolside entertainment (Gold Coast Aquatic Centre to Sept 2nd)

Plunge is innovative theatre at its best. What an extraordinary experience to be able to be a part of a production where you follow the actors across various locations of The Gold Coast Aquatic Centre, soon to be centre pieced for the 2018 Commonwealth Games. The audience are provided with headphones where a mixture of…

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Theatre Review: KHON: Exquisite Masked Dance Drama of Thailand is artwork come to life

Khon is a genre of dance drama from Thailand that combines several forms – dance, music, painting and crafts. Traditionally performed exclusively at the court and for royal functions, the masked dance is created for the Devine King with scenes from the Ramakien. On this night at the Sydney Opera House, KHON: Exquisite Masked Dance…

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Theatre Review: Sydney’s encore of My Fair Lady‘s Diamond Jubilee production is a grand old time

In 2016, My Fair Lady celebrated its Diamond Jubilee with a series of stunning shows around Australia, including a run at the Sydney Opera House. An encore season at the Capitol Theatre with most of the same principal cast and crew returns in 2017 and it still dazzles like a rare diamond. It is a reminder…

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Theatre Review: Modern Jesus is a real conversation starter (at the Depot Theatre until 2nd September)

Modern Jesus is an intriguing new play that reminds us that you only need a tiny spark to start a raging inferno. It is thought-provoking look at what it means to be 20-something in Australia today, although the themes would resonate with audiences anywhere in the West. But a couple of things hold it back…

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Theatre Review: STC’s The Father could not be in better hands than those of John Bell (Performances to 21st August)

Dementia is a truly terrifying condition, one that attacks the very sense of self. It affects not only the sufferer but also those closest to them in the most distressing of ways. In Sydney Theatre Company’s production of The Father this distress is both portrayed and felt keenly, even when the play itself deliberately makes…

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Theatre Review: Melba lifts the veil by celebrating Australia’s great dame (at Sydney’s Hayes Theatre to September 9th)

From little things big things grow. Paul Kelly could have sung this about Australia’s very own, Dame Nellie Melba. This famous soprano grew up with rather modest beginnings before she forged her own fabulous career. She eventually took the world by storm and become a renowned opera diva. The Hayes Theatre are playing host to…

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Theatre Review: Sink your teeth into shake & stir’s bloody brilliant adaption of Dracula (At Brisbane’s QPAC to September 2nd)

Jonathan Harker has been sent to deepest, darkest Transylvania, to do business with the mysterious Count Dracula, who wishes to move to England. But the Count has goals far more sinister than merely purchasing property in Victorian London. Trapping Jonathan in his castle, he reveals himself to be a vampire, plotting to make England his…

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Theatre Review: After the Dance lacks a strong message for modern audiences (at Sydney’s New Theatre until 9 September)

The characters in Terence Rattigan’s After the Dance spend a lot of the play complaining about people they consider boring. But sadly for the New Theatre, the biggest bore in this production is the play itself. Despite some commendable performances by key members of the cast, this play just doesn’t seem to have anything to…

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Theatre Review: The Hamlet Apocalypse returns to Brisbane to offer a gut wrenching countdown to the end of the world (Until August 19th)

The world is ending. On the eve of the apocalypse, seven actors come together to stage Shakespeare’s Hamlet, that infamous tale of crippling indecision, madness real and feigned, and murder most foul. Over the course of the production, the lines between fiction and reality begin to blur, as the cast try to come to terms…

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