Album Reviews

Album Review: Ocean Grove – ODDWORLD (2024 LP)

Beloved nu-metal Melbournians, Ocean Grove, dropped their fourth studio album, ODDWORLD, this past Friday, and it’s been well-received by fans and critics alike. After the departure of vocalist Luke Holmes in 2019 and his subsequent return for this record, the band has embraced a decidedly eclectic sound. This album, true to its name, feels like…

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Album Review: Bec Sykes’ Pepperpot Magic is thoughtful and assured, vulnerable and intimate

Hailing from the outer suburbs of Naarm/Melbourne, self-described emo-folk artist Bec Sykes has been steadily crafting a discography of lo-fi indie gems, from 2020’s breakout Edithvale to 2021’s Getaway and 2022’s At Least. Each release has sharpened her ability to deliver immediately endearing tunes, building quiet anticipation for a full-length project that could expand on…

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State Champs’ self-titled album is everything you could want in a pop-punk record

New York pop-punkers State Champs have been making waves since 2010 and on Friday, they finally released their much-anticipated fifth studio album. For a group that’s been churning out anthemic, sing-along tracks since their debut The Finer Things, this self-titled record feels like a natural progression. It’s a blend of looking back to their roots…

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Annie Hamilton

Review: Annie Hamilton’s Stop and Smell the Lightning sits as one of the finest albums of the year

You just love seeing artists make massive leaps forward from one album to the next. Here on her second album Stop and Smell the Lightning, Annie Hamilton has done just that. An album filled with vast arrays of whirling sounds and samples, both human and not, Stop and Smell the Lightning is hard to describe,…

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Album Review: Keelan Mak – Boy’s In Love (2024 EP)

With the release of the much-anticipated EP Boy’s In Love, Melbourne/Naarm’s Keelan Mak returns to the forefront of Australian pop armed with a fresh brand of club-ready pop tunes primed for summer listening. Proving a worthy successor to 2022s Brave Face EP, the strong introductions from singles “Drift” and “Straight with Me” were excellent showcases…

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Album Review: Soccer Mommy – Evergreen (2024 LP)

Every so often, an artist emerges that makes you wonder if your Spotify Discover knows you at all. For me this week, that’s Soccer Mommy; the Swiss-born, Nashville-raised moniker of artist Sophie Allison. Releasing her fourth album Evergreen this week, I find myself baffled that her sweetly melancholic indie sound has somehow evaded my radar…

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Album Review: A. Swayze & the Ghosts – Let’s Live a Life Better Than This (2024 LP)

Four years after their stellar debut album Paid Salvation in 2020, Hobart-based A. Swayze & the Ghosts return this Friday with their sophomore album Let’s Live A Life Better Than This. The ten track album is a wonderful evolution, combining the elements of the band’s self described kraut-rock, garage rock, modern psych, and folk influenced…

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Album Review: Hayley Mary – Roman XS (2024 LP)

When you find out one of Australia’s best vocalists is about to drop a new album, you drop everything and do whatever you can to listen to their songs. When this artist has been responsible for some of your favourite songs over the past 15 years, it makes it that much more exciting. Here, on…

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The Last Martyr share a vision of the apocalypse with new EP Requiem

Naarm/Melbourne’s The Last Martyr have just dropped EP Requiem, packed with soaring, soul-stirring metal. Mixed by Chris Lalic (Windwaker, Days Like These), it’s an explosive collection, an apocalyptic exploration of what happens when we disrespect and disregard Mother Nature. Frontwoman Monica Strut explains: “The Requiem EP is about the human species’ journey towards, throughout and…

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Alt-emo duo Those Who Dream release new EP Therapy Machine

Alternative-emo outfit Those Who Dream (siblings Josh and Hazel Meyer) have just dropped their latest EP, Therapy Machine. Mixed in house by vocalist Josh, whose past credits include The Amity Affliction, AViVA, and Chez), and mastered by Ted Jensen (Green Day, Deftness, and Post Malone), Therapy Machine is exactly what we’ve come to expect from…

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Phantogram’s Memory Of A Day is a dreamy blend of electronic-pop and cinematic soundscapes

Sarah Barthel and Josh Carter met way back in preschool with their paths crossing again in 2007, when the two joined forces and started making music under the name Charlie Everywhere. In 2009, they found their own unique sound- a mix of electronic rock and dream pop, blending gritty beats with atmospheric melodies, and changed…

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Album Review: Porridge Radio – Clouds in the Sky They Will Always Be There for Me (2024 LP)

Two years after their last release, the UK’s own Porridge Radio return with Clouds in the Sky They Will Always Be There for Me; an introspective and emotionally charged offering that demonstrates the band’s growth both lyrically and sonically. The album, out this Friday, is as much a testament to Dana Margolin’s evolution as a songwriter…

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Album Review: Touché Amoré – Spiral In A Straight Line (2024 LP)

With Lament crowned Pitchfork’s Best New Album in 2020, Touché Amoré set the bar high for their upcoming release, Spiral in a Straight Line. Forming in 2007, the post-hardcore group has consistently made waves in the scene, earning critical acclaim for each of their four previous studio albums. While they re-recorded and re-released their debut…

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Kasey Chambers

Track by Track Review: Kasey Chambers – Backbone (2024 LP)

Like most, I was introduced to Kasey Chambers through her breakthrough second album Barricades and Brickwalls and the inescapable single of 2001, “Not Pretty Enough.” Fast forward nearly two decades, and Chambers stands atop a mountain of achievements: five number-one albums on the ARIA Albums Chart, 14 ARIA Music Awards (including nine for Best Country…

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Album Review: Belle Haven Return Transfigured with New EP something new

Change is both uncomfortable and necessary, which is why it’s such a touchy but relatable subject in contemporary music. There comes a point in every band’s career where they must decide whether to continue doing what they know and their fans enjoy, or instead follow their instincts and pursue their own style. Naarm/Melbourne-based alt-rock act…

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CERES

Ceres are back after five years, with Magic Mountain (1996-2022) and it’s a work of art

After five years, Ceres have made a triumphant return with the release of their sixth studio album, Magic Mountain (1996-2022). Although it appeared the band had taken a hiatus, they were, in fact, working on this double album in various forms over the past five years. Spanning a massive twenty-five tracks, this record is a…

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Drug Church’s fifth studio album PRUDE is 28 minutes of post-hardcore bliss

Post-hardcore band Drug Church drop their fifth studio album today. PRUDE is an electrifying 28-minute record full of bangers, with a blend of punk rock, post-hardcore and alternative rock. It’s short and sweet, with each track packing a punch. Drug Church’s sound has evolved over the last thirteen years, and I’m confident that PRUDE is…

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The Rions have your summer playlist sorted with new EP Happiness in a Place it Shouldn’t Be

This past week, Australian indie-pop/rock sensations The Rions dropped their much-anticipated second EP, Happiness in a Place It Shouldn’t Be. The six-track offering arrives just in time for summer, destined to carry on the breeze and dominate airwaves all season long. It’s an energetic, heart-filled collection of groovers, set to become the soundtrack of festivals…

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Maximo Park’s Stream of Life delivers an oxymoron of fresh nostalgia and high-art pop rock goodness

This week English alternative rock stalwarts Maxïmo Park release their eighth studio album Stream of Life via Lower Third Records. Despite logging 20 years in the industry and an impressive eight album discography, Maxïmo Park have crafted a release still brimming with energy. Rooted firmly in the sounds of the late ’90s and early 2000s,…

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Track by Track Review: Elana Stone – Married to the Sound (2024 LP)

Elana Stone has been a professional musician for over 20 years, with the multi-instrumentalist and singer-songwriter’s résumé suggesting she’s vying for the top spot as Australia’s busiest musician. When she isn’t winning ARIA Awards with All Our Exes Live in Texas, lending her talent to Missy Higgins’ touring band, producing, podcasting, writing a musical, or…

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Track by Track Review: Bright Eyes – Five Dice, All Threes (2024 LP)

As I dive into Bright Eyes’ latest offering Five Dice, All Threes released this week, I must admit the band — and its frontman, Conor Oberst — has long eluded my musical radar. Picking up a Bright Eyes album does feel like starting at the end of a long-running series, three decades in the making….

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Review: St South charges ahead with her introspective, soul bearing EP Big Sads

Following her acclaimed 2020 album Get Well Soon, Perth-based singer-songwriter St South (Olivia Gavranich) returns with an introspective, soul bearing five-track EP Big Sads. Known for her more sleek bedroom pop sound, Gavranich’s previous releases blended moments of shimmering, danceable pop with the occasional heartbreaker. With Big Sads, she’s peeled back the layers producing something…

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Album Review: GIFT – Illuminator (2024 LP)

With the release of their sophomore album Illuminator, American psychedelic rock quintet GIFT showcases a bold evolution in their sound and direction. The band brings together nostalgic electronic pop-rock elements with expansive, synth-heavy production, resulting in a sound that feels drawn from the wells of bygone eras but equally modern and current. Following their 2020…

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Album Review: Rex Orange County – The Alexander Technique (2024 LP)

The music of English singer-songwriter Alexander James O’Connor, better known as Rex Orange County, has always felt like a taste test: love at first listen or not for you at all. The 26-year-old musician’s indefinable genre fusion, best described by Google as jazz, hip hop, bedroom pop, indie rock and lo-fi soft rock is arguably…

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Boston Manor

Boston Manor outdo themselves with their latest release Sundiver

Boston Manor‘s fifth studio album, Sundiver drops this Friday, September 6th and serves as the follow-up to their 2022 release, Datura. Sundiver, produced by Larry Hibbitt and engineer Alex O’Donovan, represents a clear departure from its predecessor, with a refreshing evolution in sound and style. “Datura (Dawn)” opens the album with a serene ambiance, featuring…

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Album Review: Enumclaw – Home In Another Life (2024 LP)

This week, American indie rockers Enumclaw released their second full-length album, Home In Another Life. Hailing from Tacoma, Washington, the band’s name references the small town of 12,000 people located about 45 minutes east of Tacoma. But beyond the census details of small-town America, “Enumclaw” is a Native American word meaning “thundering noise,” a fitting…

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Album Review: Teenage Dads – MajorDomo (2024 LP)

Since their debut EP Wett Weather in 2017, Teenage Dads have been captivating audiences far and wide. Their 2018 debut album, Potpourri Lake, quickly established the Victorian quartet as a force to be reckoned with, delivering an iconic sound that truly sets them apart in the indie music scene. Not ones to rest on their…

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Album Review: Yours Truly – TOXIC (2024 LP)

There’s no gentle easing into the second studio album from Sydney pop punk trio, Yours Truly. TOXIC bursts forth from the speakers, delivering a swift smack in the ears with opener “Back 2 U”, and then it’s full speed ahead for the rest of the album. Strap yourselves in, kids. Given this is a new line-up,…

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JPEGMAFIA

Album Review: JPEGMAFIA opens new conversations on I LAY DOWN MY LIFE FOR YOU

There has been a long and keen wait for JPEGMAFIA’s latest album. Currently, he is at his peak of popularity following 2023’s SCARING THE HOES a collab album with Danny Brown. Fans have known that this album was coming and each of its many delays have only intensified the desire to hear it. With each…

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Album Review: Fanning Dempsey National Park The Deluge (2024 LP)

What do you get when you combine two iconic, era-defining front men who together account for nine number-one albums, millions of record sales and a staggering 38 songs in Triple J’s Hottest 100? Well, mostly the answer is a question: Why didn’t this happen sooner? The real answer to that question though, is Fanning Dempsey…

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