Album Reviews

Album Review: RedHook – Postcard from a Living Hell (2023 LP)

Eora/Sydney alt-rock giants RedHook are sending their best for their debut album Postcard from a Living Hell, out today. The 11-track project is an impressive offering of contemporary pop-punk with nu-metal nostalgia at its core. Featuring the singles “Low Budget Horror”, “Jabberwocky” and “SAY”, Postcard from a Living Hell showcases everything RedHook has to offer…

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Album Review: Headwreck – Reflection Room (2023 EP)

Brisbane metalcore upstarts Headwreck have today released their sophomore EP Reflection Room, a six-track project exploring human connection. Featuring the singles “Let It Feel” and “Shiver”, the EP demonstrates the band’s ambition and cements them as a creative force to be reckoned with. Produced, mixed and mastered by guitarist/vocalist Jamo Benadie, Reflection Room is a…

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Album Review: Archetypes Collide – Archetypes Collide (2023 LP)

Melodic hardcore upstarts Archetypes Collide have proven they are ready for the big stage with their self-titled debut album, out today via Fearless Records. The Arizona five-piece blend breakdowns and fierce screams with electronics and soaring hooks for a catchy, dynamic offering. With a unique sound influenced by the likes of Linkin Park, Beartooth and…

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Album Review: sunbleached – Delicate Places We Hide (2023 EP)

Brisbane emo quartet sunbleached have returned with their sophomore EP Delicate Places We Hide, out today. The band released singles “Spinning Around” and “Toyfriend” last year with accompanying videos before teasing the new EP with “Heavy Turn” in February. After cutting their teeth in the live circuit this past year, the band have supported the…

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Album Review: Sarah Yagki – I Love You, I Lied (2023 EP)

Sydney/Eora indie-pop artist Sarah Yagki has today returned with her sophomore EP I Love You, I Lied just a year on from her debut EP A Love, That’s Dying. Intimate storytelling and infectious melodies navigate themes of love and loss across five personal tracks, including the heartfelt title single. This emotive songwriting process is a…

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Album Review: HEAVENSGATE – AND ALL I LOVED, I LOVED ALONE (2023 EP)

Melbourne metalcore outfit HEAVENSGATE are breaking down doors with their debut EP AND ALL I LOVED, I LOVED ALONE, out today via Greyscale Records/1126 Records. The six-track project was two years in the making and the three singles “CHEMICAL HEAVEN”, “GINSICK” AND “SHEMOVESLIKETHUNDER” are distinctly relevant. With the help of Joshua Ang (Pincer+) – a…

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Album Review: Pierce the Veil – The Jaws of Life (2023 LP)

California punk-rock trio Pierce the Veil have returned with their awaited fifth studio album The Jaws of Life, out today via Fearless Records. The 12-track project comes seven years after their 2016 record Misadventures, the first new music since the Today I Saw the Whole World EP in 2017. Featuring the singles “Pass the Nirvana”,…

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Album Review: The Smith Street Band go back to their roots for mature new album Life After Football

Melbourne rockers The Smith Street Band have today shared their sixth studio album Life After Football via their own label Pool House Records. Featuring the singles “I Don’t Wanna Do Nothing Forever”, “Everyone is Lying to You for Money” and the title track, the new record has something for all fans to enjoy. Life After…

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Album Review: Sick Visor have fun being weird on new EP For Wise People Who Appreciate Quality

Melbourne/Naarm indie-punk duo Sick Visor have today dropped their energetic debut EP For Wise People Who Appreciate Quality and it’s sure to brighten your shittiest of days. Comprised of vocalist/guitarist Alex Moses (Columbus) and vocalist/drummer Katie Lovelock (Baby Shower), the five-track project is a celebration of the simpler things in life. The EP was produced…

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Album Review: The Comfort take us on an emotional and enlightening journey with Experience Everything. Live and Die.

  One of the greatest things about music is its ability to transport us to another time and place in the world or our lives and see things through another’s perspective. Brisbane alternative rock quartet The Comfort have boldly stated their intention in the title of their sophomore record Experience Everything. Live and Die. –…

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Album Review: Devin Townsend is strange and striking on new solo album Lightwork

Canadian metal icon Devin Townsend has returned with a mighty genre-bending opus in the form of new studio album Lightwork, released 4 Nov via Inside Out Music/Sony Music Australia. The 20-track deluxe project was written during times of great change personally and its manic sound is a reflection of that period. After three decades of…

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Album Review: Slowly Slowly are in their purest form on the epic and emotive Daisy Chain

Adored Melbourne rock quartet Slowly Slowly have today released their awaited fourth album Daisy Chain via UNFD. Featuring the singles “Blueprint”, “Nothing On”, “Forget You”, “Longshot” and its title track, the twelve-track project is the band in their purest form. It’s big, fun, sad, deep and demonstrates their expansive new sound. Opening the album is…

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Album Review: Press Club encapsulate modern life in Australia with new album Endless Motion

Melbourne punk quartet Press Club have never been afraid to say what they mean and their third album Endless Motion – released 14 October – is no different, but with a twist. The self-produced 10-track project is aptly named for its theme of momentum as the energetic songs chronicle the experience of life going too…

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Album Review: Eat Your Heart Out are matured and ambitious on awaited second LP Can’t Stay Forever

Newcastle emo-punk quartet Eat Your Heart Out have returned with their highly anticipated sophomore record Can’t Stay Forever, out today via Fearless Records. It’s the band’s first new music in three years as a result of lockdowns and a more independent approach, but the album was well worth the wait. Opener “Forget Me” begins with…

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Album Review: WAAX get rowdy on poignant sophomore record At Least I’m Free

Stop what you’re doing because Brisbane rock group WAAX have today released their poignant sophomore album At Least I’m Free via Dew Process. Produced by Bernard Fanning (Powderfinger) and Grammy Award-winner Nick DiDia (Bruce Springsteen), the 11-track project is a leap forward from their 2019 debut Big Grief. Featuring the singles “Read Receipts”, “Most Hated…

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Album Review: liveconformdie break trends with second EP Vol. II: Music For Living Failures

Perth nu-metalcore five-piece liveconfirmdie (AKA Conform) have today unleashed their second EP Vol. II: Music For Living Failures. This follows on from the eclectic quintet’s debut album Circa ’94 in 2018 and predecessor EP Vol. I: Cigarette Lullaby in 2016. Featuring the singles “Terrorwave” and “Help Yourself”, the seven-track project blends 90s and 2000s nu-metal…

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Album Review: Spacey Jane’s second LP Here Comes Everybody is a brilliant continuation of Sunlight

After the band’s 2020 debut album Sunlight, which skyrocketed Spacey Jane to the stratosphere of the Australian music industry, it was hard to think that their follow up LP would hit the same notes. Yet, they’ve managed to capture the strength of their previous releases, and on Here Comes Everybody – out today – even…

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Album of the Week: Johnny Hunter – Want (2022 LP)

Slowly building their sound over the past 4 years, Sydney lords Johnny Hunter are here with their debut album Want – and it’s everything you could have hoped for from the band. For the uninitiated, Johnny Hunter have been slogging away since emerging from the shadows of Sydney’s grim (read non-exist) nightlife in ’18/’19. They…

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Album Review: Otherness is Alexisonfire evolved and more cohesive; a record worth the wait

Alexisonfire have become somewhat of a household name in the global punk scene, their explosive career taking off in the early 2000s with big hits like “44. Caliber Love Letter”, “Accidents” and “This Could Be Anywhere in the World”. Today, the Canadian post-hardcore quintet has released their fifth studio album Otherness – their first in…

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Album of the Week: Foals’ Life is Yours is a pop laden masterpiece

Almost 15 years since the release of their debut album Antidotes, English legends Foals are back with LP 7, the incredibly dance and groove heavy Life Is Yours and I’m here to tell you it’s a pop laden masterpiece. One of the best bands to ever do it in a studio and on a dance…

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Album Review: Joyce Manor – 40 Oz. To Fresno (2022 LP)

After originally intending to take a short break, LA pop-punk trio Joyce Manor have returned with their sixth studio album, 40 Oz. To Fresno – released 10 June via Epitaph Records. The strangely fitting title – taken from an auto-corrected text message about Sublime – sets the mood for the happy accidents that comprise the…

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Review: Jack Panther – why don’t you come over? (2022 EP)

Friday saw Auckland-based queer alt-pop artist Jack Panther release his new EP: why don’t you come over? The EP, his second, confirms Panther’s position as one to watch; and one of Antipodean Alt Pop heirs apparent. Delivered in style, with a wonderful boldness, the sophomore releases features a captivating mixture of candid lyricism and lush,…

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Jaguar Jonze sits

Album of the Week: Jaguar Jonze’s debut Bunny Mode gives us what we wanted, plus a little extra

After a long line of single releases since her Antihero EP last year, Jaguar Jonze has finally released her debut album, Bunny Mode. The album is full of spice and emotion, with thrilling vocal runs and powerful messaging that seep through the album. Known for exciting costuming, great lyrics and energetic live performances, Jaguar Jonze has…

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Album of the Week: Ball Park Music – Weirder & Weirder (2022 LP)

You know that TikTok that says something along the lines of ‘things in my x that just make sense’? Well that’s sort of like listening to a Ball Park Music album; everything in it just makes sense. It must be hard being Australia’s loveliest band. Not only do you have to worry about releasing album…

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Review: Kendrick Lamar moves beyond being your saviour on Mr Morale & The Big Steppers

Kendrick Lamar is a virtuoso of rap. His music often takes on a dramatic form that unfurls itself into so many branches of spectacle. West Coast greats like Snoop Dogg and Dr Dre have vocalised adamant support for Lamar, for keeping alive a pure form of hip-hop that exemplifies the characteristics that built the genre….

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Album of the Week: Annie Hamilton – the future is here but it feels kinda like the past (2022 LP)

It’s been close to a decade since I first heard of Annie Hamilton. Since her time in Little May, there’s been a gradual smattering of treats from Hamilton as she developed her sound. Having worked and played with a myriad of artists in recent years, including Jack River and The National’s Aaron Dessner, Hamilton has…

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Album of the Week: Mallrat’s Butterfly Blue may just be the pop record of 2022

What feels like a million years in the making, Mallrat‘s debut album is here and it’s ready to win over everyone willing to be won over. Coming six years after her debut EP and a plethora of massive singles, Butterfly Blue has been worth the wait for Mallrat fans and music lovers alike. After slowly…

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Fontaines D.C.

Album of the Week: Fontaines D.C. – Skinty Fia (2022 LP)

The third album has always seemingly been the make or break album for a lot of bands. Often garnering some love on the first album after a string of successful EPs and singles, a band might follow up with the fabled sophomore slump or recycle reliable sounds from their first album and release as new…

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Album of the Week: Wet Leg’s self-titled debut well and truly delivers

Wet Leg feels like a band that would have absolutely dominated that teen blog/ tumblr period of 2007-2012. Maybe it’s because I was at the peak of my awkward teen powers in that period, but having listened through the self-titled debut album from The Isle of Wight act a couple of times now, their sound…

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Camp Cope

Album of the Week: Camp Cope – Running with the Hurricane (2022 LP)

Camp Cope recently covered Sam Fender’s track “Seventeen Going Under”. There’s a line in the song that’s gone TikTok viral, but also equally represents the progression of Camp Cope pretty well. ‘That’s the thing with anger/ it begs to stick around’. It’s poignant and pertinent but easily highlights the longevity and mentality of the Melbourne…

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