Reviews

After the Fire is an infuriating, though necessary piece of cinematic storytelling: TIFF 2023 Review

A parallel between the systematic racism towards the Arab community in Europe and the fatalities experienced across the United States during the Black Lives Matter movement, Mehdii Fikri‘s After the Fire is an affective drama that commands conversation. Though a fictional story, the film’s credits take note that this is “based on the real struggle…

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Film Review: Blue Beetle succeeds as a film about family first and being a superhero second

It’s rare these days for the “superhero origin story” to deviate from a familiar path.  It’s what is done within and around said path that manages to make even the most tested of narratives somewhat exciting. Blue Beetle is another case of been there, done that, with its story centring around a symbiote that transforms…

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Film Review: A Haunting In Venice; Humour and light horror abound in Kenneth Branagh’s effective murder mystery

After the lush, star-studded class of Murder on the Orient Express (2017) and the campier inclinations of 2022’s Death on the Nile, it makes sense that Kenneth Branagh would again change the temperament of his latest Hercule Poirot mystery.  Adhering to a darker, more supernaturally-infused mentality, A Haunting In Venice is the most unsettling of…

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Film Review: Outpost is a promising, if divisive, debut feature from prominent comedic actor Joe Lo Truglio

It’s not uncommon for predominant comedic personalities to flex their talent in opposing genres.  We’ve seen the likes of Jordan Peele and Zoe Lister-Jones move from situational humour to helming their own horror works (the former with Get Out, Us, and Nope, the latter behind The Craft: Legacy) to varying degrees of success, furthering the…

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Film Review: The Nun II; Atmospheric sequel is a step-up from the scare-less original

If you, like I was, are hesitant in seeing The Nun II off the back of the original film failing to make good on the character’s horrific potential or because director Michael Chaves hasn’t exactly got the strongest track record in directing genre films under the Conjuring Universe banner – he helmed 2019’s largely forgotten…

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Film Review: The placid humour of My Big Fat Greek Wedding 3 makes this one event you don’t need to RSVP for

Nia Vardalos truly caught lightning in a bottle when it came to My Big Fat Greek Wedding in 2002.  Produced on a miniscule $5m budget, it garnered favourable reviews from critics and audiences alike, eventually grossing over $365m globally; to this day it remains the highest grossing romantic comedy and, adjusted for inflation, the highest…

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Film Review: Biosphere; the less you know the better for this wonderfully strange tale

Whilst it’s a general rule of thumb that the less you know going into any movie is for the better, it must be said that it absolutely must be practiced when it comes to Biosphere. A wonderfully strange film, Mel Eslyn‘s two hander focuses on the friendship between Ray (Sterling K. Brown) and Billy (Mark…

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Film Review: Theater Camp is an affectionate, occasionally salty satire

“You guys are so talented.  So unbelievable.  This will break you.  This will fully destroy you.” Not exactly the type of words you expect to hear from the head of a theater camp said to a collection of young, eager pupils, but such is the way of creative existence at AdirondACTS Theater Camp where camp…

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Film Review: Teenage Mutant Ninja Turtles: Mutant Mayhem excites with its coming-of-age narrative, visually arresting animation, and relatable humour

Since their creation some almost-40-years ago, the Teenage Mutant Ninja Turtles have seen their brand of comedic, family-aimed action spread across six feature films (in three separate timelines) and countless television, comic book and video games.  Despite all this, and each respective creative honing their own spin, the younger, more appropriately teen-aged years of the…

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Film Review: The Equalizer 3 sends off a commanding Denzel Washington in an uneven manner

With The Equalizer 3 promoting itself as “the final chapter” of a movie series I think many of us were surprised made it past the 2014 original, there’s an understandable sense of expectation when it comes to the packaged deal of star Denzel Washington, director Antoine Fuqua and screenwriter Richard Wenk. Whilst the first two…

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Film Review: Haunted Mansion is disappointingly (un)dead on arrival

Unlike Pirates of the Caribbean and Jungle Cruise, The Haunted Mansion is one such Disney theme park ride that actually has a decent jumping point for a filmic incarnation.  But unlike the Pirates of the Caribbean and Jungle Cruise films we saw defy the odds and turn the most basic of premises into larger-than-life adventure…

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Film Review: That’s A Wrap; Gory, self-aware slasher commits to the kill, but succumbs to silliness

Leaning into a meta self-awareness that even the knowing winks of such slashers as Scream would deem a little too overt, Marcel Walz‘s That’s A Wrap perhaps works with a few too many layers of knowingness. It starts off with enough of a sense of humour though as a horror-inclined actress, lamenting to her manager…

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Film Review: Past Lives burns slow and composes its emotion as it floods in a sea of responsive passion

Despite the simple premise of Celine Song‘s Past Lives and its romantic comedy connotations, the film is anything but.  Burning slow and composing its emotions until it knows when to release them in a flood of responsive passion, Song’s impeccable debut is a drama of humanism and quiet complexity. Set over the span of 24…

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Big Easy Queens takes pride in its midnight movie mentality: Austin Gay and Lesbian International Film Festival Review

A truly bizarre melting pot of a film that takes pride in its giallo-inspired-horror-melded-with-camp-musical-comedy mentality, Big Easy Queens in an intentionally ridiculous, over-the-top experiment that, for the right audience, will prove a bloody wild ride. Set in a mob-run criminal underworld of sorts, Erynn Dalton‘s genre-mash of a movie has been primarily made for the…

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Film Review: Sound of Freedom; True story child trafficking drama fails to match its controversial reputation

Before I get into my review of Sound of Freedom, I will briefly touch on the fact that its release has been shrouded in understandable controversy.  Overall, I am looking at Alejandro Monteverde‘s true story-inspired thriller as a film on its own accord, and not the QAnon/conservative power-endorsed creature it will ultimately be remembered as….

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Theater Camp is a biting, self-aware mockumentary: Melbourne International Film Festival Review

“You guys are so talented.  So unbelievable.  This will break you.  This will fully destroy you.” Not exactly the type of words you expect to hear from the head of a theater camp said to a collection of young, eager pupils, but such is the way of creative existence at AdirondACTS Theater Camp where camp…

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Film Review: Strays delights in its own absurd, unapologetic nature

Despite the fact that screenwriter Dan Perrault is a fan of such canine-centric cinema as Homeward Bound and 101 Dalmatians, his Strays is far from the family-friendly temperament those aforementioned titles adhere to.  But that’s also not to say that Strays doesn’t love the four-legged furries at its core – if ever there was a…

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Film Review: Red, White & Royal Blue is a must watch comedic romance about two powerful men

Two powerful families unite through their son’s misunderstanding. A tale of enemies to lovers. Red, White & Royal Blue, based off the book by Casey McQuiston, is a romantic comedy directed by Matthew Lopez, produced by Amazon Studios and Berlanti-Schecter Films. The central characters are sons from two powerful families in the western world; Alex…

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Scrapper is a winning comedic blend of sarcasm and sweetness: Melbourne International Film Festival Review

Whilst it’s easy to pick how Scrapper – Charlotte Regan‘s impossibly charming comedy/drama – will end when all is said and done, the central performances from newcomer Lola Campbell and Harris Dickinson as a feisty, self-reliant 12-year-old and her man-child father, respectively, are what keeps the quirky narrative continually engaging. It’s one of those “message”…

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Film Review: Dracula: The Last Voyage of the Demeter is a serviceable scarer that leans into its genre possibilities with a straightforward brutality

It seems only fitting that a character as undead as Dracula has an immortal lifespan when it comes to big screen adaptations.  It was only a few months ago we had Nicolas Cage’s iteration in the blackly comic Renfield, and now, in a complete mood shift from his camp goriness, we have Dracula: The Last…

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Film Review: Gran Turismo is confident at the wheel when enhancing its video game origins

Though there are the occasional exceptions, movies based off video games don’t have the greatest reputation when it comes down to it.  So it makes sense that, perhaps, there’s a certain sense of trepidation when going into Gran Turismo.  Despite the calibre of the creatives both behind and in front of the camera – it’s…

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Film Review: Asteroid City is typical, twee Wes Anderson – whether you like it or not!

Another Wes Anderson creation, where the sheer cast alone is unfathomable in their collective talent and the twee is as twee as can be, Asteroid City, with its distinct colour pallet and deadpan performances, won’t convert any viewers over to the Wes way of watching, but those that have stuck with the auteur through his…

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How To Blow Up A Pipeline is an eco-thriller designed to disrupt people’s way of thinking: Melbourne International Film Festival Review

An eco-terrorism thriller where the bombers are the good guys, Daniel Goldhaber‘s How To Blow Up A Pipeline is structured as if it’s playing to a heist movie temperament, but it’s layered with a topical, current commentary that lends the film a young freshness; very much a movie of the “now”. Relying on ideas realised…

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Past Lives is a graceful, masterful navigation through one’s own emotional outlay: Melbourne International Film Festival

Despite the simple premise of Celine Song‘s Past Lives and its romantic comedy connotations, the film is anything but.  Burning slow and composing its emotions until it knows when to release them in a flood of responsive passion, Song’s impeccable debut is a drama of humanism and quiet complexity. Set over the span of 24…

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Series Review: Heartstopper Season 2 continues to represent minority groups on television

Heartstopper Season 2 continues to explore the importance of representation. Not only in the LGBTQIA+ community, but through families, relationships, friendships, and abilities. The heartfelt romantic tv drama series aired on Netflix on the 3rd of August, produced by See-Saw Productions, written by Alice Oseman, and directed by Euros Lyn.  Based on Oseman’s webcomic and…

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Late Night With the Devil is a healthy twist on the “found footage” subsect of horror: Melbourne International Film Festival Review

“Before we continue I’d like to apologize to anyone who might be upset or offended by what you saw before the break. It’s not every day you see a demonic possession on live television.” Not the most typical sentence you’d expect to hear from a late night host, but such is the statement made by…

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Film Review: Meg 2: The Trench is just shy of being shark bait thanks to a self awareness of its own stupidity

For a film that sold itself on the premise of action staple Jason Statham facing off against a giant, prehistoric shark – and grossed over $500 million globally in the process – it was a particular let-down that 2018’s The Meg had, well, very little of Statham v shark to speak of.  A creature feature…

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Film Review: River Wild reimagines the classic Meryl Streep thriller with a more violent, survivalist layering

Branding itself as a reimagining rather than a traditional remake – and this is one of those cases where that wording does actually tie into the overall mentality – River Wild takes the basic premise of Curtis Hanson’s 1994 thriller The River Wild, a Hitchcock-in-the-great-outdoors chiller that raised its own profile through the inclusion of…

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Film Review: Despite a dollop of Irish charm, The Miracle Club can’t overcome its own maudlin personality

Despite some satisfactory performances, a clear bout of good intentions, and a dollop of Irish charm, Thaddeus O’Sullivan‘s The Miracle Club can’t overcome its rather maudlin dialogue and sporadic meanness to earn a recommendation as the joyous Sunday afternoon viewing it so clearly wants to be. Set in 1967 in a small Irish village, the…

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Film Review: Kelvin Harrison Jr’s central performance in Chevalier uplifts its formulaic narrative

A historical figure whose achievements are all the more remarkable due to the obstacles faced as the son of a white father and black mother, Joseph Bologne, Chevalier de Saint-Georges, is highlighted, but not quite as richly celebrated in Stephen Williams‘s Chevalier. And given the extraordinary details of his life story, it’s a shame that…

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