There’s both a sense of adhering to the temperaments of action films gone by and embracing the current and future state of the genre present in Jalmari Helander‘s Sisu. Matching its dark sense of humour (and I mean dark) with a violently bloody mentality (and I mean bloody!), Sisu manages to present the simplest of…
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Another slice of media that feeds into our obsession with true crime, Susie Searches is a quirky comedy/thriller that can’t altogether escape the trappings of its by-the-book structure, but an engaging performance from the always watchable Kiersey Clemons, a few neat twists and turns throughout, and one hell of an ending is sure to leave…
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Whilst it’s fair to be tired of the “elevated horror” tag that so many genre pieces aim for nowadays, and the attachment of the-little-studio-that-could A24 only fans the fire, one needn’t worry with Talk To Me, an Australian-made horror effort that was acquired by the aforementioned studio for US distribution following wild reactions out of…
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You have to hand it to Christopher Nolan for convincing a major studio to spend $100m (USD) on a 3-hour long drama detailing the development of the atomic bomb and releasing it in the prime film season that is the US summer. Whilst the film itself will prove drastic counter-programming to its fellow ambitious release…
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Undoubtedly 2023’s most anticipated – and most aggressively marketed – filmic event, Barbie has finally arrived in cinemas for the masses to ingest in droves. It’s understandable though that some audiences still are unsure as to how it’ll taste as a whole, as despite its candy-coated aesthetic, pitch-perfect casting, and amusing, if ambiguous trailers, there’s still a…
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Though the title of Benjamin Millepied‘s feature directorial debut Carmen – the dancer-turned filmmaker having cut his teeth on short films and music videos – suggests a connection to Georges Bizet‘s French opera of the same name, his script – co-written with Alexander Dinelaris Jr. and Loïc Barrere – only mildly references its narrative mentality and…
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When it’s said that Tom Cruise saved cinema in 2022, it isn’t a statement made lightly or with any false sincerity. Top Gun: Maverick was the invitation needed to truly bring audiences out of the comfort of their home after almost 2 years of enforced hibernation and the ease of the streaming services. Had the…
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After a genuinely scary first offering in James Wan‘s Insidious (2010), the Leigh Whannell-created series has failed to make good on any of the unnerving potential with its sequels (and prequels) going forward. As each subsequent film seems to earn less and less favourable word from critics and audiences, there’s an almost immediate sense of…
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The themes tackled throughout Warwick Thornton‘s The New Boy are presented with symbolic, almost-magical and allegorical physicality. And though its 1940’s Australian setting lends interesting conversation to its religious outlay and the clashing of beliefs at the time, the film itself doesn’t quite contain the spark needed to earn true impact; though it’s not for…
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With No Hard Feelings reminding audiences that, yes, adult-aimed comedies do in fact belong on a big screen, and the streaming model doesn’t have to be a singular option now that we have shifted primarily out of the pandemic mentality, Adele Lim‘s raunchy Joy Ride continues that temperament that the big screen will always benefit…
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The impact of drugs, violence and racism has always gripped the hearts and minds of audiences the world over. It’s quite a refreshing coat of paint to see that in your own Aussie backyard helmed by a writer-director with unquestionable lived experience in the matter: Ronnie S Riskalla. Yet after I left the Orpheum world…
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Described as a “verbatim description” of what happened to Reality Winner (yes, that’s an actual name), an American Air Force veteran, who was suspected of leaking classified government information to the media while she was working as a translator with top-secret security clearance in June 0f 2017, Tina Satter‘s stage play “Is This A Room”…
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There’ll always be a certain excitement in seeing Harrison Ford don a fedora and crack the whip when embodying one Indiana Jones. After a tight, though not always flawless, original trilogy across the 1980’s (Raiders of the Lost Ark in 1981, Temple of Doom in 1984, and Last Crusade in 1989), many believed the magic…
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Continuing from the toned-down sexualism that 2018’s Bumblebee adopted – the first Transformers sequel that was directed by someone other than series staple Michael Bay – which, coincidentally, earned the franchise its highest praise from collective critics, Steven Caple Jr.‘s Transformers: Rise of the Beasts is a similarly wholesome, Saturday morning popcorn flick that is…
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Whilst Jennifer Lawrence has lightly flexed her comedic muscle over the years – her Golden Globe-winning turn in 2013’s American Hustle probably the closest she’s come to being the comedienne she so clearly is – No Hard Feelings finally allows the supremely charismatic and comedically capable performer to embrace the genre with all the shamelessness…
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There are few films as meditative and rhythmic as what Wim Wenders managed to achieve here with Perfect Days. Known for his past documentaries and dramas, this German auteur presents a celebration of living a beautifully present life that is fresh out of Cannes and was selected to compete for the Palme d’Or, where it…
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Originally conceived as a long short by director Angus McDonald, Freedom Is Beautiful is a timely documentary about the refugee experience in Australia, the cruciality of human rights, and the value in equality for all citizens living under the same rule. Shining a necessary light on the brutal processing regime that takes place on the…
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The fifth directorial effort from actor Steve Buscemi, and his first since 2007’s Interview, The Listener is an intensely quiet film, one that hones a sobering nature that can’t help but speak to its prime pandemic nature. COVID-19 is never specifically stated across the film’s sensitive 96 minutes, but the loneliness in the story’s set-up…
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There’s an utterly fascinating (and still unsolved) murder case at the centre of Maggie Moore(s), the second directorial feature from Mad Men alum John Slattery, which aims for Coen Brothers-esque comedic darkness, but unfortunately falls short of Fargo greatness. The real case at hand was a dual assassination of sorts in 2000 Texas, where two…
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From the opening shot of Barnaby Clay‘s The Seeding there’s a sense that nothing will be as it initially appears. There’s an immediate knowing that hell will break loose over the 94 minutes that are to come when we see the imagery of a baby chewing on human flesh in quite the most casual of…
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Conjuring a metropolis that separates the elements – fire, water, earth and air – as if they were diverse ethnicities, Elemental, in the guise of a romantic comedy, operates as a metaphor for the opposing views of race and class. For a Pixar movie it all may seem a little heavy-handed, but Peter Sohn‘s delightful…
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An eco-terrorism thriller where the bombers are the good guys, Daniel Goldhaber‘s How To Blow Up A Pipeline is structured as if it’s playing to a heist movie temperament, but it’s layered with a topical, current commentary that lends the film a young freshness; very much a movie of the “now”. Relying on ideas realised…
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Described as a “verbatim description” of what happened to Reality Winner (yes, that’s an actual name), an American Air Force veteran, who was suspected of leaking classified government information to the media while she was working as a translator with top-secret security clearance in June 0f 2017, Tina Satter‘s stage play “Is This A Room”…
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A historical figure whose achievements are all the more remarkable due to the obstacles faced as the son of a white father and black mother, Joseph Bologne, Chevalier de Saint-Georges, is highlighted, but not quite as richly celebrated in Stephen Williams‘s Chevalier. And given the extraordinary details of his life story, it’s a shame that…
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There’s a palpable sense of unrest that litters the core of Catching Dust, Stuart Gatt‘s feature debut that speaks to one woman’s sense of autonomy and choosing between the devil she knows and that she doesn’t. The woman in question is Geena (Erin Moriarty), whose isolated Texas desert locale is the result of her violent…
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The themes tackled throughout Warwick Thornton‘s The New Boy are presented with symbolic, almost-magical and allegorical physicality. And though its 1940’s Australian setting lends interesting conversation to its religious outlay and the clashing of beliefs at the time, the film itself doesn’t quite contain the spark needed to earn true impact; though it’s not for…
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Despite the simple premise of Celine Song‘s Past Lives and its romantic comedy connotations, the film is anything but. Burning slow and composing its emotions until it knows when to release them in a flood of responsive passion, Song’s impeccable debut is a drama of humanism and quiet complexity. Set over the span of 24…
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Whilst the breakdown of a marriage and the impending custody battle that will take place as to whose time favours the child in question has been a reliable staple for cinematic drama over the years – most recently displayed in Noah Baumbach’s Marriage Story and perhaps most famously in 1979’s Kramer vs. Kramer – queer…
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In this era of streaming taking priority (unfortunately), there’s a whole generation of movie watchers – if they aren’t on their phone during said watch – who are unaware of just how special a time the video store truly was. I Like Movies indulges in that time. Set amongst the backdrop of teen angst, Blockbuster…
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There’s both a sense of adhering to the temperaments of action films gone by and embracing the current and future state of the genre present in Jalmari Helander‘s Sisu. Matching its dark sense of humour (and I mean dark) with a violently bloody mentality (and I mean bloody!), Sisu manages to present the simplest of…
Read More
