Reviews

Asteroid City; Wes Anderson’s visually lush comedy is heavy on star wattage, but light on substance: Sydney Film Festival Review

Another Wes Anderson creation, where the sheer cast alone is unfathomable in their collective talent and the twee is as twee as can be, Asteroid City, with its distinct colour pallet and deadpan performances, won’t convert any viewers over to the Wes way of watching, but those that have stuck with the auteur through his…

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Scrapper is an impossibly charming dramedy made all the more so by its central performances: Sydney Film Festival Review

Whilst it’s easy to pick how Scrapper – Charlotte Regan‘s impossibly charming comedy/drama – will end when all is said and done, the central performances from newcomer Lola Campbell and Harris Dickinson as a feisty, self-reliant 12-year-old and her man-child father, respectively, are what keeps the quirky narrative continually engaging. It’s one of those “message”…

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Late Night With the Devil has occasionally nasty, always unbridled fun with the “found footage” horror genre: Sydney Film Festival Review

“Before we continue I’d like to apologize to anyone who might be upset or offended by what you saw before the break. It’s not every day you see a demonic possession on live television.” Not the most typical sentence you’d expect to hear from a late night host, but such is the statement made by…

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Carmen is a haunting and isolated tale that will entrance with its unconventional tempo: Sydney Film Festival Review

Though the title of Benjamin Millepied‘s feature directorial debut Carmen – the dancer-turned filmmaker having cut his teeth on short films and music videos – suggests a connection to Georges Bizet‘s French opera of the same name, his script – co-written with Alexander Dinelaris Jr. and Loïc Barrere – only mildly references its narrative mentality and…

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Film Review: The Flash conjures awe, emotion and humour as it speeds to the upper echelons of its genre

The wants and needs of comic book fans is something of a tall order when it comes to successfully executing a story that has a certain level of lore attached to it.  In terms of The Flash, there’s perhaps an even stronger necessity for the film to prove its worth off the back of certain…

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Film Review: We Were Once Kids is a look at those infamous skater teens after they grew up

In the mid-90s a little film named Kids was released. It became a phenomenon that catapulted its stars into the mainstream consciousness. We Were Once Kids is a documentary that looks behind the scenes at the original filmmaking process, while also asking the question, “Where are they now?” Eddie Martin directs this film, which is…

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Film Review: The Roundup: No Way Out manoeuvres the beats of the action genre with a welcome unpredictability

Despite being the third film in the respective Crime City series – preceded by The Outlaws (2017) and The Roundup (2022) – The Roundup: No Way Out very much operates on its own.  Sure, it helps to have seen the other films, but Lee Sang-yong‘s enthusiastic actioner transmits a joy and an individuality that doesn’t…

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Film Review: Padre Pio; Shia LaBeouf’s committed performance can’t be faulted in uneven faith-driven drama

Whilst it’s fair to say that not every respective project of director Abel Ferrera and actor Shia LaBeouf is successful in their individual execution, you can’t deny the absolute dedication they both have regarding their craft.  Ferrara, whose varied career has seen him helm such divisive works as King of New York, Harvey Keitel’s lauded…

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Film Review: Spider-Man: Across the Spider-Verse is bombastically ambitious, beautifully imaginative and emotionally rich

Expanding everything that made 2018’s revolutionary Spider-Man: Into the Spider-Verse work so wonderfully, Spider-Man: Across the Spider-Verse is bombastically ambitious, beautifully imaginative and emotionally rich.  It’s also drastically complicated for anyone not (Spider)versed in the ways of its animated predecessor, so – like many comic book movies that are specifically intertwined with their own franchise…

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Film Review: The Machine; Bert Kreischer fans are likely to enthusiastically gel with exaggerated comedy actioner

Bert Kreischer is not a personality I’m familiar with.  And having no idea as to who he was in a professional capacity meant The Machine – a star vehicle centred around his most famous  stand-up story – was a film I entered with zero expectations. Perhaps that was what ultimately got me over the line…

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Film Review: With its bouts of ultraviolence, hard-hitting dark humour and an unruly Lulu Wilson, beware The Wrath of Becky!

The Wrath of Becky continues the story of its titular character, played by Lulu Wilson, who reprises her role from the 2020 film, Becky. Two years on, she has moved on from foster parent to foster parent after the loss of her real parents in the events from the first film while keeping up with…

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Film Review: Halle Bailey rules the uneven ocean of The Little Mermaid

Whilst, for the most part, there’s a certain unnecessary mentality that comes along with Disney and their incessant need to live-action-update their animated back catalogue, some of these efforts have given way to adaptations that are inherently interesting (Jon Favreau’s 2016 take on The Jungle Book), undeniably charming (Kenneth Branagh’s Cinderella from 2015) or have…

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Film Review: Maybe I Do is a little too safe for audiences to embrace its proposal

When you have a film led by such reliable talent as Richard Gere, Diane Keaton, Susan Sarandon and William H. Macy, it’s understandable to believe that the hands you’re in will guide you to a safe destination.  And perhaps that’s the problem.  Maybe I Do is entirely too safe to make any lasting impression beyond…

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Film Review: Renfield; Nicolas Cage sinks his teeth into goofy, gory vampire flick

If ever there was a role Nicolas Cage was going to sink his teeth into, it’s that of Dracula.  And the eccentric character actor is undoubtedly Renfield‘s biggest asset, but, despite top billing, this isn’t the Count’s movie – though it’s not for a lack of trying. The titular Renfield is R.M. Renfield (the film’s…

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Film Review: John Farnham: Finding the Voice is a warm reminder of one of Australia’s leading talents

Given how attached John Farnham is to the song “You’re The Voice”, it’s hard to believe that it almost didn’t make the cut for his 1986 signature record, “Whispering Jack”.  His 12th album at the time, “Whispering Jack” reignited Farnham’s solo career, and off the back of the aforementioned single, it drove itself to 25…

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Film Review: Fast X; Forget family. Furious 10 is all about the flamboyant Jason Momoa

The Fast & Furious films live in the ridiculous – or, at least they have predominantly for the last decade or so – and, at this point, that’s practically a compliment to call so.  Whether you think they have evolved or devolved over time from their humble 2001 beginnings of car-jackings and street races is…

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Film Review: Marlowe; Liam Neeson’s detective feels tired in fizzling thriller

There’s a distinct lack of energy and unfortunate fizzle present throughout Neil Jordan‘s Marlowe.  It’s stylish, has an impeccable cast, and certainly isn’t lost on narrative potential, but the titular character as played by Liam Neeson – based off Raymond Chandler‘s famous detective – feels like they’d much rather be sipping a cuppa than solving…

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Film Review: Plane embraces genre simplicity and delivers on B-grade popcorn thrills

With Gerard Butler‘s name attached, and the most simplistic of titles on hand, you’d be right in thinking such a film as Plane is going to deliver on the bare minimum; It’ll be big, loud, non-sensical, heavy on testosterone and light on narrative. And whilst aspect of those expectations aren’t far off the mark, Jean-François…

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Film Review: Hypnotic is an enjoyable throwback thriller that embraces its genre nonsense

Watching Hypnotic and noting its mid-2000 mentality makes all the more sense when you know that Robert Rodriguez wrote the screenplay back in 2002, with the filmmaker calling it one of his favourite stories that he’s created.  It may have been written in 2002 but the film very much lives in the shadow of Christopher…

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Film Review: Love Again is everything that is expected from a rom-com that is all coming back to us now, for better or worse

Love Again tells the story of two intrepid, lovelorn strangers who find themselves back into the spotlight of love. Mira (Priyanka Chopra Jonas) is a talented children’s author/illustrator who is undergoing a time of grief after the untimely passing of her loving fiancé John (Arinze Kene). She becomes inconsolable that her grief affects her work…

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Film Review: Infinity Pool indulges in body horror and sexual imagery as it pushes past its social commentary

The wealthy whites and their easy skewering is a narrative mentality that we have been witness to in a variety of practices as of late.  But unlike The White Lotus and The Menu, two of the most recent examples of such a temperament, Brandon Cronenberg‘s Infinity Pool pushes further past being just a little wicked…

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Film Review: Eldritch, USA is a weird and wonderful genre piece that wears its make-shift mentality with a gleefulness

Eldritch, USA wears its miniscule budget and make-shift mentality with a gleeful pride over the course of its 108 minutes.  Its limitations are obvious, but there’s a certain scrappy charm to it all that you can’t help but be a little taken by its ambition and camp B-movie mindset; there’s a certain Little Shop of…

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Film Review: Book Club: The Next Chapter turns pages as it lifts up the power and beauty of female friendship

Only a few weeks after Jane Fonda navigated pedestrian, older-skewered comedy in 80 For Brady, the legendary actress is working with similar, though admittedly better material in Book Club: The Next Chapter, an unnecessary, but serviceable laugher that reunites Fonda, Diane Keaton, Candice Bergen and Mary Steenburgen for another round of mostly safe, occasionally suggestive…

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Film Review: Johnny & Clyde sadly shoots blanks in its overly wild attempt at rebranding a familiar tale

Even though the title of Johnny & Clyde may indicate that writer/director Tom DeNucci has gender-flipped the classic criminal couple of Bonnie & Clyde – which could actually be quite a fun, progressive angle – audiences are in for no such change; at least from a gender point of view. DeNucci, unfortunately adopting an “everything…

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Film Review: Guardians of the Galaxy Vol. 3 is an emotional send-off to the MCU’s most endearing outlaws

Since Avengers: Endgame – arguably the last great Marvel movie to be created – the cinematic universe of Kevin Feige‘s box office-conquering superheroes has been creatively rocky.  Sure, they’re still bringing in considerable bank, but the audience enthusiasm has seriously waned in the wake of too many cooks in the kitchen, and their served dishes…

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Film Review: Judy Blume Forever is a fitting tribute to an author who’s never played by the book

Teenage girls the world over would be familiar with author, Judy Blume. The Jewish-American writer has published 29 books and sold over 82 million copies. This includes the famous, Are You There God? It’s Me, Margaret, which has recently been adapted for the big screen and winning fans some fifty-plus years since its release. Blume…

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Film Review: Polite Society is a manic, unpredictable comedy that’s as sweet as it is sinister

You have to hand it to writer/director Nida Manzoor for mashing up genres so bombastically in Polite Society and still managing it to make sense when our lead heroine finally lands with her feet planted on the ground. And that’s meant quite literally, as Polite Society‘s lead energy charge – Priya Kansara‘s Ria – has a…

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Film Review: 80 For Brady; Kind intentions and a good heart does not always a good movie make

Given the absolute decorative nature given to the four leading ladies of 80 For Brady – there’s 5 Oscar wins between them for starters – it’s a shame that such a throwaway, consistently silly comedy is what has brought together the powerhouse quartet that is Lily Tomlin, Jane Fonda, Rita Moreno and Sally Field. It’s…

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Film Review: Beau is Afraid is the gallows humour comedy of the year

Beau is Afraid tells the story of Beau Wassermann (Joaquin Phoenix), a taciturn, socially-awkward middle-aged man who is the son of renowned and wealthy businesswoman Mona (Patti LuPone). He currently lives a broken existence, with a dilapidated apartment, constant therapy sessions (led by Stephen McKinley Henderson) and sleepless nights due to the barrage of sounds…

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Film Review: Backwards Faces is a science-fiction fuelled comedy that revels in its own complexities

Just as confusing as it is fascinating, Backwards Faces, a science-fiction fuelled comedy from writer/director Chris Aresco, seems as if it’ll run the risk of being a little too smart for its own good. It all starts straightforward enough, with a post-one night stand scenario setting up the dynamic between Ken (Andrew Morra, also serving…

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