Reviews

Film Review: Mafia Mamma is tonally jarring and decidedly unfunny

There are certain films that, as an audience member, you can tell were an absolute blast to film.  You imagine the on-set atmosphere was one of joy and gaiety, quite often enhanced if said film is being shot on location.  Mafia Mamma feels like one of those productions.  It’s just a shame the presumed fun…

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Film Review: Evil Dead Rise is a relentless and beautifully horrific addition to the long-running franchise

Enhancing the punishing and graphically gory nature of Fede Álvarez’s 2013 “reimagined” Evil Dead and the more comedic inclination of Sam Raimi’s Evil Dead 2 (1987), Lee Cronin‘s Evil Dead Rise is a manic, at-times disgusting horror treat that proves there’s still a whole lotta (after) life left in this franchise. Given that Cronin seems…

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Film Review: Chrissy Judy embraces its own queer personality with a raw, occasionally unlikeable edge

The release of Chrissy Judy feels rather aptly timed at the given moment considering the unnecessary controversy around the artform that is drag.  Its history has never been tied to sex or sexuality, so it’s incredibly ironic that anti-LGBTQIA+ conservatives have peddled their agenda against the art and have positioned themselves as “protecting” children from…

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Film Review: Despite Russell Crowe’s camp commitment, The Pope’s Exorcist is never the horror romp we pray for

Remember the uproar there was regarding Jared Leto’s Italian accent in House of Gucci?  Prepare to have a field day with whatever Russell Crowe is attempting in The Pope’s Exorcist. And not only is it the vocal inflection of good ole’ Rusty, but his whole general demeanour throughout Julius Avery’s horror romp, where he swigs…

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Film Review: Allelujah is too insulting and manipulative to ever earn the titular praise it hopes to elicit

Judging a film by its poster art is never the safest thing to do (what’s that old judging book cover quote?), but in the case of Allelujah it’s a safe assumption that anyone who even remotely glanced at the colourful, rainbow-adorned title and collective cast ensemble on display would have an idea of the film’s…

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Film Review: The Super Mario Bros. Movie is a safe, shiny, optimistic vehicle that will “level up” for families these school holidays

We’ll address the elephant in the room first.  Yes, Chris Pratt does indeed adopt a stereotypical Italian accent for his voice work as Mario in The Super Mario Bros. Movie.  No, it’s actually not as offensive or as wince-inducing as you may be anticipating because, quite ingeniously, the film makes a joke out of the…

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Film Review: Ben Affleck’s Air; Yes, it’s cliché to say, but it’s a slam dunk!

Telling a story with an ending we’re already aware of and centred around a subject that could be considered mundane to many, Ben Affleck‘s strength as a director – and enthusiastic support player – is on full display in Air, an immensely humorous, consistently riveting and passionate drama about the basketball league’s greatest ever player…

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Film Review: Tetris is a far more thrilling tale than audiences will expect about the game’s creation

As we’re seeing superhero films flounder under audience fatigue, there’s a new subsect of IP being explored in a particularly exciting fashion; and it has nothing to do with sequels either! (Although, given how well received Creed III, Scream VI, and John Wick: Chapter 4 have all been, sometimes following through on existing titles isn’t…

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Scrap is an honest dramedy that finds purpose in its message without succumbing to preachiness: Phoenix Film Festival Review

The unlikeable, but relatable, protagonist rings strong in Vivian Kerr‘s Scrap, a feature-length adaptation of her own similarly-named 2018 short film that she fronted as lead and writer.  For her filmic go-around, Kerr has assigned herself directorial duties as well, assuring that her character (Beth) is presented in a way that holds authenticity; whether we…

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Second Opinion: Why John Wick – Chapter 4 is a five star slice of nirvana for fans of action cinema

Following on from Peter’s review earlier this week, our own Harris Dang tells us why the latest installment in the John Wick series is a five star slice of nirvana for fans of action cinema… John Wick – Chapter 4 continues the story of our titular anti-hero (Keanu Reeves), who is currently at his lowest…

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Film Review: John Wick: Chapter 4 continues to push the boundaries of the action genre’s capabilities with a grand, operatic manus

It’s hard to believe that, at one point, 2014’s John Wick was practically considered dead on arrival.  A combination of unproven directors (eventual franchise mainstay Chad Stahelski and uncredited “co-director” David Leitch), a screenwriter with only a duo of barely-registered titles under him (Derek Kolstad), and a lead actor with a slew of underperforming box…

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Film Review: Boston Strangler is a fascinating, yet familiar, true crime drama anchored by Keira Knightley

There’s a formula adhered to and a lack of mould breaking throughout Matt Ruskin‘s Boston Strangler, but that doesn’t mean it still isn’t an effective take on an establish genre, with his script executing compelling narrative arcs and supplying the always-watchable Keira Knightley a role with sense and purpose. She stars as Loretta McLaughlin, a…

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Film Review: Melissa Barrera is hauntingly captivating in All the World Is Sleeping, a harrowing drama on addiction and generational abuse

A harrowing tale of addiction, psychological instability, and the humanising of substance abuse, All the World Is Sleeping is a generational drama that provides no easy answers within.  Inspired by the true stories of Carly Hicks, Patricia Marez, Jade Sanchez, Myra Salazar, Kayleigh Smith, Malissa Trujillo, and Doralee Urban, a collective of New Mexico women…

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Film Review: Dungeons & Dragons: Honour Among Thieves is a journey of fantastical and comedic riches

23 years after Hollywood first attempted to adapt the Dungeons & Dragons phenomenon with an entirely forgettable fantasy that starred Jimmy Olsen from TV’s Lois & Clark, and had Marlon Wayans setting back racial stereotypes by a good few decades, the (studio) powers that be have opted to re-polish the IP, rolling the dice on…

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Film Review: Living is an understated piece of beauty about the importance of existence

Based on Akira Kurosawa’s 1952 Japanese film Ikiru, which in itself was inspired by the 1886 Russian novella The Death of Ivan Ilyich by Leo Tolstoy, Oliver Hermanus’s Living is an understated take on one of life’s most complicated musings: What does it mean to truly live? It’s a big question, but in the hands…

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Film review: Of an Age is a beautifully crafted film, powered by a magnetic romance

When we spend so much time consuming global entertainment, it feels extra special to watch a beautifully told Australian story—a film that’s rich with nostalgia yet doesn’t shy away from truth. Of an Age is a stirring, gorgeously filmed queer romance, set in Melbourne during 1999. The movie follows 18-year-old amateur ballroom dancer Kol (Elias…

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Film Review: Shazam! Fury of the Gods is a crowd-pleasing continuation of DC’s most enthusiastic superhero

Similar to how Henry Cavill’s (re)appearance as Superman was all but confirmed prior to the release of Black Adam (and then, you know, leaked in its entirety through supposed bootleg footage), which in itself was viewed as a desperate ploy to drum up interest for the Dwayne Johnson-led superhero flick, there’s a similar air of…

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Bloody Hell is a queer-laced, coming-of-age dramedy that transforms personal trauma into relatable storytelling: SXSW Film & TV Festival Review

Described as a “traumedy” and navigating a narrative I have no personal connection to – or even a right to comment on in all honesty – Molly McGlynn‘s Bloody Hell has the same footprints as a coming-of-age comedy, but laces such with a queer mentality and the potential dehumanising reality of when your body “rejects”…

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Until Branches Bend is an intricate drama enhanced by its disturbing, topical personality: SXSW Film & TV Festival Review

The parallels between an invasive parasite and an unwanted pregnancy are navigated with intricate delicacy and subtle terror throughout Until Branches Bend, Sophie Jarvis‘s disturbing drama that offsets its small physicality with a growingly unnerving mentality. At the centre of both converging narratives is Robin (Grace Glowicki, incredible), a fruit packing plant line worker who…

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Cora Bora is a beautiful showcase for the comedic and dramatic sensibilities of star Megan Stalter: SXSW Film & TV Festival Review

Whilst there’s no doubt that Megan Stalter is a talented comedienne (“Hi Gay!”, anyone?), the type of social-media-sketch-performer-turned-feature-actress trajectory isn’t always a guaranteed translation for both their respective humour and an audience’s positive reaction.  Thankfully, her starring role in Cora Bora is a more dramatic transition for the actress, displaying a more vulnerable, shaded, even…

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Brooklyn 45 is an unbalanced, but no less enveloping supernatural thriller: SXSW Film & TV Festival Review

Supernatural terror and deep-seated personal revelations come to light in the tonally unbalanced, but no less interesting Brooklyn 45. Written and directed by Ted Geoghegan, Brooklyn 45 gradually unravels over the course of its 90 minutes as it centres around a group of battle-hardened friends and their overdue rendezvous in a Brooklyn brownstone.  Set between…

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Satan Wants You is a chilling, disturbing insight into the “Satanic Panic” cult of the 1980’s: SXSW Film & TV Festival Review

Even though one of the experts interviewed in Satan Wants You expresses that the 1980’s phenomenon known as “Satanic Panic” is seen as something of a joke through the eyes of today, there’s nothing particularly funny about the accusations that were being thrown around at the time.  Perhaps it’s something of an absurdity when looking…

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Late Night With the Devil melds modern horror sensibilities with the boldness of genre pieces gone by: SXSW Film & TV Festival Review

“Before we continue I’d like to apologize to anyone who might be upset or offended by what you saw before the break. It’s not every day you see a demonic possession on live television.” Not the most typical sentence you’d expect to hear from a late night host, but such is the statement made by…

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National Anthem is an exquisite, organic drama celebrating the queer rodeo collective: SXSW Film & TV Festival Review

There’s a moment in the first half of Luke Gilford‘s exquisite looking drama National Anthem where 21-year-old construction worker Dylan (Charlie Plummer) seems perplexed that an outside group of queer rodeo performers and ranchers would find him interesting; “You haven’t met your people yet”, is the open, telling response from the captivating Sky (Eve Lindley),…

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Only the Good Survive is a nonsensical, genre-blending fever dream bursting with creativity: SXSW Film & TV Festival Review

Only the Good Survive is the type of film that delights in the fact that it never follows the genre path you think it should.  At one point the question is even asked if the story being relayed is “a horror or a comedy?”, and writer/director Dutch Southern, in the most nonsensical, unpredictable fashion, makes…

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Film Review: To Leslie; Is Andrea Riseborough’s shock Oscar nomination justified?

In the lead up to the Best Actress nominations at this year’s Oscars, Andrea Riseborough was not a name oft-thrown around.  That’s not to say she didn’t deserve to be in the chatter, but after Cate Blanchett (Tár) and Michelle Yeoh (Everything Everywhere All At Once) continued to trade winning speeches throughout each major precursor…

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Film Review: Danielle Deadwyler commands the emotional and infuriating Till

The murder of Emmett Till in 1955, Mississippi, still stands as one of America’s most shocking (and shameful) moments, even now almost 7 decades later.  If you’re unaware – like myself going into this stirring drama – the 14-year-old Till (Jalyn Hall) was visiting family in Mississippi, the first time he had ever really been…

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Film Review: Scream VI is the finest and freshest the series has felt since the original

Given how meta and self-referential the Scream series has become, there’s something kind of brilliant in the familiar Ghostface vocal (again brought to sadistic life by Roger L. Jackson) exclaiming “Who gives a fuck about movies?” as he slices down on his latest victim prior to the Scream VI title card.  The answer, it would…

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Film Review: Champions travels familiar territory but still lands welcome comedic shots

There was a period between the mid-to-late 90’s and into the early 2010’s that filmmaking brothers Bobby and Peter Farrelly had something of a hold on the gross-out subsect of the comedy genre.  After 1994’s Dumb & Dumber (which was actually directed by a solo Peter Farrelly) their films almost became something of an event,…

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Dreamer looks at immigration and human trafficking in a brutal, emotional manner: Mammoth Film Festival Review

The opening scrawl of Mohit Ramchandani‘s Dreamer states the horrifying statistic that there are 40 million people enslaved around the world today, and that this is more than any other time in history.  Each of those people had a dream and a destiny, and it’s Dreamer that highlights just one of those stories. Now, given…

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