In the early 2000’s the premise of The Donor Party probably would’ve flown, and most likely would have secured a healthy box office too, but in 2023, there’s something incredibly backwards – and, dare I say, predatory – about Thom Harp‘s comedy that clearly wants to display some type of positive message about the unconventionality…
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If X was Ti West‘s homage to classic 70’s horror effort The Texas Chainsaw Massacre, then Pearl could almost be aligned with The Wizard of Oz, just with, you know, a lot more blood and dry-humping scarecrows. The fact that X was an initial singular success story was enough of a win for independent horror…
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You have to hand it to Michael B. Jordan for even attempting to take on a project like Creed III as his directorial debut. Considering it’s the third film in a proven franchise – itself an offshoot from a six-strong film series – and it’s coming off the back of offerings from both Ryan Coogler…
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Informing us that the film is based on fact more than fiction, Daughter has a certain familiarity about it when it initially begins, horrifying us with the imagery of a woman being bludgeoned by an unknown assailant. It’s a suitable start for Corey Deshon‘s horror-leaning effort that successfully navigates mostly a singular location, a small…
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The plot for Aftersun is one that we have seen countless times before in one form or another: Adult reflects on a childhood trip with a parent that was often laced with memorable experiences. It’s how writer/director Charlotte Wells chooses to frame such a story though – almost like a faded memory – that transforms…
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Whilst I can see the charm that audiences fell for regarding the original Fisherman’s Friends, a 2019 “feel-good” true story dramedy about the unlikely musical success of the titular Cornish fishermen, who signed with Universal Records and garnered a Top 10 placing album with their sea shanty renditions, none of that is remotely present in…
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When the cat’s away, the mice will play. But what happens if the cat doesn’t come home? Such is the question posed by directing duo Will Merrick and Nicholas D. Johnson in Missing, a spiritual sequel to 2018’s technologically-inclined thriller Searching; which, wouldn’t you know it, happened to be edited by Merrick and Johnson, both…
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They often say that truth can be stranger than fiction, and in the case of Cocaine Bear, the truth is wild, high, very bloody, darkly funny, and doesn’t play well with others. Of course, this is only an “inspired by” truth, the type of truth that gets gloriously twisted for the sake of bombastic entertainment. …
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You’ve really got to hand it to writer/director Craig Boreham for embracing queer eroticism and all that entails in Lonesome, a movie that revels in filth but is at its most uncomfortable when it simply lets its lead characters exist. Casey (Josh Lavery) is the embodiment of the titular state, a cowboy who has escaped…
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Based on Miriam Toews‘s 2018 novel of the same name, Women Talking is a complicated, multi-faceted look at religion and the complexity of abuse response. The easiest thing to ask someone – specifically a woman – when they mention abuse within a relationship is why they haven’t left. It’s an outside perspective that is never…
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After an incredibly disjointed Phase Four, all eyes are indeed on Ant-Man and the Wasp: Quantumania (or Quantumania, as we will be noting for short throughout this review) to see how this particular threequel will set a precedent for the forthcoming Phase Five of the continued Marvel Cinematic Universe. If this is anything to go…
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Given the shared enormity that was living through the pandemic at its seeming peak throughout 2020 and 2021, it’s a surprise that few films have actually addressed it in a manner that’s relatable for audiences. Whilst films are an escape, it’s a reality that can’t forever be ignored, and co-writer/director/star Jesús Lloveras manages to infuse…
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Despite its enchanting title, there’s not a lot to love about She Is Love, an experimental drama from writer/director Jamie Adams. Adhering to a spontaneity that Adams bestowed upon her cast, She Is Love has potential in its premise and lead trio – Haley Bennett, Sam Riley and Marisa Abela – but there’s ultimately only…
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Authenticity and artificiality battle with equal gusto throughout A Bit of Light, a filmic adaptation of Rebecca Callard‘s award-winning stage production. The theatrical origins are difficult to entirely dismiss throughout Stephen Moyer‘s drama though, with the True Blood alum not always proving steady in his narrative navigation. Anna Paquin – coincidentally Moyer’s wife in real-life…
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Few films have shocked me in the manner of Gaspar Noé’s Irreversible. Released in cinemas some 20 years ago, it arrived off the back of its storming Cannes controversy, thrusting the relatively unknown (at least to anyone who didn’t consider themselves a “cinephile”) Noé into somewhat-mainstream relevance. The film’s storyline, or more correctly its treatment…
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Boasting a truly spectacular ensemble cast and detailing both the American legal system and the “blind eye” mentality that often accompanies accusations of sexual assault, Miranda’s Victim is an occasionally shaky, but always captivating true story drama. Despite its 1960’s setting, Michelle Danner‘s film feels all too relevant in this current climate; no doubt in…
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That classic romantic comedy genre trope of big-city-girl-returns-to-small-home-town is one that, initially, writer/director Dave Franco and writer/star Alison Brie utilise to almost expected potential in Somebody I Used To Know, a more human dramedy than romcom romp that cements the notion that you can never truly go home again. People and places change, and no…
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When watching Mean Spirited I couldn’t help but wonder why Jeff Ryan isn’t a household name. As a director he has worked within a duo of spaces that have well been tested – the mockumentary comedy and the found footage subsect of horror – but both this and his previous effort (YouthMin) prove he has…
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The claustrophobic and emotional resonance Florian Zeller created with 2020’s The Father is unfortunately nowhere to be found in The Son, a prequel of sorts based off another of Zeller’s stage plays. A chamber piece on the subject of dementia that rightfully won Anthony Hopkins his second Best Actor Academy Award, The Father expressed subtlety…
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In 2012’s Magic Mike, Channing Tatum‘s titular performer lamented that he didn’t want to be a “40 year old stripper”. The irony isn’t lost some decade on where Tatum’s Mike, having seemingly failed at his planned custom furniture business, has to fall back on his expert set of skills. And, as we would expect, the…
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Telegraphed in both its title and opening sequence, Spoiler Alert braces its audience for an unhappy ending from the get-go. But, as much as Michael Showalter‘s handkerchief-ready drama adheres to a familiar structure within the “terminal illness romance” genre – ala The Fault in Our Stars or Holding the Man – the film thankfully isn’t…
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Darren Aronofsky has always been one to push the extremities of his characters’ limit throughout his career. Whether it be physical or psychological, they have all suffered past their breaking point – often to their own demise – and The Whale similarly submits to this trend, looking at an eating addiction spurned from depression. From…
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Polite Society tells the story of two Pakistani-Muslim sisters in London; plucky Ria (Priya Kansara), who dreams of being a stuntwoman, and Lena (Ritu Arya), her world-weary older sister who wants to be an artist. With Lena recently returned home after dropping out of art school, Ria constantly goads her into helping her make YouTube…
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If the horror genre has taught us anything it’s that cabins are never going to be the cosy, safe getaway that each inhabiting character tends to think it will be. But even in the realms of the horror genre, Knock at the Cabin, the latest from genre auteur M. Night Shyamalan, has a few tricks…
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Director John Swab, a gritty aesthetic, and the gruff likeability of Frank Grillo have proven a welcome parcel over the last few years, and following on from both Body Brokers and Ida Red is Little Dixie, a formulaic but no-less investing thriller that exists in a rough, dirty reality. Though there’s plenty of genre tropes…
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Set in present day Seneca-Cayuga Reservation in Oklahoma, Fancy Dance follows Jax (Lily Gladstone), a Native American swindler who hustles for a living while caring for her niece Roki (Isabel Deroy-Olson), taken in following the sudden disappearance of her mother. With every spare moment spent trying to find the missing parent, time is running out…
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Vampirism has often been utilised in genre features as a metaphor for an addiction of sorts. In Brad Anderson‘s Blood, screenwriter Will Honley (Escape Room: Tournament of Champions) furthers not only the addiction thematic, but blends it with the notion of chronic illness, what that can do to the afflicted’s caretaker, and a mother’s instinct…
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Whilst it’s fair to be tired of the “elevated horror” tag that so many genre pieces aim for nowadays, and the attachment of the-little-studio-that-could A24 only fans the fire, one needn’t worry with Talk To Me, an Australian-made horror effort that’s been acquired by the aforementioned studio for US distribution following wild reactions out of…
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There’s complexity within the rather simplistic narrative of Other People’s Children, Rebecca Zlotowski‘s affecting French drama about a certain definition of motherhood. Headlined by a captivating Virginie Efira, last seen dominating Paul Verhoeven’s controversial Benedetta, Other People’s Children focuses on her Rachel, a 40-year-old teacher – single and childless – whose blossoming relationship with Ali…
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When you have a film led by such reliable talent as Richard Gere, Diane Keaton, Susan Sarandon and William H. Macy, it’s understandable to believe that the hands you’re in will guide you to a safe destination. And perhaps that’s the problem. Maybe I Do is entirely too safe to make any lasting impression beyond…
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