Given that the trailer for We Live in Time very much informs audiences that it will be a tale of potential emotional manipulation, with the Nick Payne-penned script basing itself around a family dealing with late-stage cancer, it proves worth the screentime as Brooklyn director John Crowley breathes a certain life into proceedings, aware that…
Read More
Given the imaginative manner he has expressed in his previous work, it makes sense that Nacho Vigalondo (Colossal) would create something like Daniela Forever, a romantic science-fiction tale that adds layer upon layer of artistry to itself that it practically (and unfortunately) comes undone. A little Eternal Sunshine of the Spotless Mind, a little Inception,…
Read More
At the centre of Gia Coppola‘s The Last Showgirl is Shelley (Pamela Anderson), a 57-year old (though she’ll initially tell you otherwise) Vegas all-girl revue performer whose 30+ years in the Razzle Dazzle show are coming to an abrupt end. But just as Shelley’s tenure is closing, and the uncertainty of life sets in, Anderson’s…
Read More
Not to be confused with Denzel Washington’s 2010 runaway train thriller – or the lesser known 2004 outing from Wesley Snipes – Unstoppable, which marks the directorial debut of editor William Goldenberg, whose credits include such titles as Coyote Ugly, Miami Vice and Air, is a by-the-numbers sports drama that lives by its inspirational hook. …
Read More
Much like how his 2018 psychological thriller Unsane was elevated by it being shot entirely on an iPhone 7 Plus, Steven Soderbergh is implementing another technological gimmick of sorts in Presence, a ghost story that’s filmed entirely from the point of view of the haunting figure lurking within the walls of a sprawling suburban residence….
Read More
The idea of wanting to be younger and create a more perfect aesthetic version of one’s self is a thought many (if not all) of us have conjured at one point or another. And so often do the two go hand-in-hand, despite the fact that being younger and looking better aren’t always reliant on the…
Read More
Behind every great man is a great woman. Especially if that man is as shrouded in mystery and as reclusive as post-impressionist French painter and printmaker Pierre Bonnard. Bonnard, Pierre & Marthe is as much a character study as it is a love story about the decade-spanning romance between famed painter Pierre Bonnard (Vincent Macaigne)…
Read More
At over 2 hours long, with performances that are predominantly uninspired, and a script that doesn’t delve beyond setting up a narrative solely to off its variety of stock-standard characters, Michael Leavy‘s slasher Stream leaves a lot to be desired. In the same breath, it’s so gloriously gory and committed to not taking itself seriously…
Read More
Though it leans into the action/thriller genre with a supreme wink, Thelma, Josh Margolin‘s frequently hilarious, always poignant ode to his own grandmother (and, clearly, a love of the action genre), is never spoofing the films it so evidently is earning its laughs from; and it’s that sweetness and keen sense of reinvention that helps…
Read More
On July 13th, 2024, Thomas Matthew Crooks, a 20-year-old loner from Pennsylvania, attempted to assassinate former U.S. President – and current Presidential nominee – Donald Trump. Failing in his intended mission by only wounding Trump, though he did fatally strike one rally attendee before being killed by the Secret Service Counter Sniper Team, the still-unexplained…
Read More
A far deeper, more important film than many may be expecting from what is being sold on the surface, Rich Peppiatt‘s Kneecap speaks to the importance of language preservation within the fictionalised biopic framing of its titular rap group. There’s an undeniable energy to Peppiatt’s direction as he throws an array of substances at the…
Read More
The ocean is already a wild, unbridled space for those of us that can see its dangerous beauty. Such intensity would only be exacerbated when removing the sense of sight, but for Australian surfing athlete Matt Formston it’s his reality, and one that he’s more than willing to exist within. Formston’s impressive athleticism and against-the-odds…
Read More
Between The Beekeeper, Thelma and now The G, older women haven’t had the greatest luck in cinema when it comes to scams of some sort as of late Whilst financial abuse via a scam phone call collective was at the centre of the formers – which resulted in Jason Statham and June Squibb, respectively, trolling…
Read More
A narrative throughline present in Zoë Kravitz‘s daring debut directorial feature is that “Forgetting is a gift.” Given the trauma and suffering many of the characters are holding onto in Blink Twice, it would appear a wise coping mechanism, but Kravitz’s script – written alongside one of her High Fidelity television scribes, E.T. Feigenbaum –…
Read More
It’s never the easiest realisation to have when it comes to facing one’s own mortality, but if any situation over the last few years pushed such a mentality to the forefront, it was the pandemic. Whether it was wrapped up in regrettable decisions, the roads not travelled, or the relationships we formed or lost, life…
Read More
Whilst Alien: Romulus is the seventh in the line of Alien features – ninth if you count the Alien Vs Predator movies (and it’s okay if you don’t, because…choices) – Fede Alvarez‘s nasty, carnivorous entry is a stand-alone sequel placed between Ridley Scott’s defining original, 1979’s Alien, and James Cameron’s continuation, 1986’s Aliens; Alvarez and…
Read More
For the global press conference for Jackpot!, director Paul Feig mentioned that he ultimately took on the film because it was the “Jackie Chan movie (he) always wanted to make.” And it’s in that spirit that this comedic actioner is best viewed, where the two genres co-exist as one and the same and the silliness…
Read More
Whilst by no means is Justin Baldoni‘s It Ends with Us making light of its central domestic violence thematic, Christy Hall‘s script adaptation of Colleen Hoover‘s novel is unable to entirely find the momentum needed to keep such a story emotionally engaging across its testing 130 minutes. With its Pinterest-like lens on romanticising its Boston…
Read More
We’ve seen buddy heist comedies before, especially when the perpetrators are a fair bit on the amateur side, but that doesn’t make them necessarily less enjoyable. There is a beauty to the comfort of familiarity, and not every film needs to have something profound to say or gut-wrench you to emotional oblivion, especially in this…
Read More
Whilst Detained can’t always escape its low budget, B-movie atmosphere, props must be given to co-writer/director Felipe Mucci for having a clear destination in mind to guide his film whenever it threatens to write itself into a corner. Co-written with Jeremy Palmer, Detained banks a lot of its narrative on coincidence, and it certainly asks…
Read More
Continuing his directorial trajectory where every other film is one that doesn’t quite land with the masses, Trap, despite an intriguing set up and some delicious work from a committed Josh Hartnett, isn’t the top-tier M. Night Shyamalan that some might be expecting. Whilst he has certain films throughout his career that are either universally…
Read More
Reuniting some 20+ plus years after their critically mauled, much forgotten, product-of-its-time comedic thriller Head Over Heels, Freddie Prinze Jr. and Monica Potter, both actors who never really maintained their late 90s, early 2000s hype, topline another comedic thriller of sorts in The Girl in the Pool; except, the comedy here is presumably unintentional. Breaking…
Read More
Looking at a film like In A Violent Nature from the surface, it’s easy to link Chris Nash‘s slasher to something like the Friday the 13th series. His creation here – the non-verbal, physically imposing Johnny – is akin to Jason Vorhees in his stature and seeming penchant for walking after his victims over a…
Read More
Continuing his run of releasing movies at a breakneck speed – his fourth directorial effort in three years, with another in post-production – Guy Ritchie‘s The Ministry of Ungentlemanly Warfare very much sits in his wheelhouse, for better or worse. Though a tighter focus on its narrative would’ve ultimately benefitted this brash “based on a…
Read More
Going into something like Deadpool & Wolverine, it’s difficult to not have a certain expectation as to how it will both stand on its own accord and play as part of the Marvel Cinematic Universe’s Phase Five, which, so far, has been a considerably mixed bag; Ant-Man and the Wasp: Quantumania and The Marvels both…
Read More
The type of dialogue-driven feature that would make screenwriter Aaron Sorkin beam with pride, The Way We Speak is a talky, compelling drama that speaks to the power of one’s conviction in their beliefs and, more importantly, respecting another’s differing opinion. Written and directed by Ian Ebright, the film centres itself around Simon Harrington (Patrick…
Read More
On the surface there’s a certain Silence of the Lambs-ness to Osgood Perkins‘ wildly unnerving Longlegs. But the more this serial killer thriller reveals, religious undertones spring forth to announce itself as a film, and with a haunting central figure, that’s far enough removed from Jonathan Demme’s aforementioned genre classic to earn its own personality….
Read More
Given that Jim Weir and Jack Clark‘s frighteningly uncomfortable Birdeater is an Australian chiller set in the outback (at least for the majority of its running time), audiences are justified in thinking it could fall in line with other brutality-in-the-bush titles like Picnic at Hanging Rock or even Wolf Creek. The more accurate comparison though…
Read More
Given the ambition he showed with his Mad Max-meets-Dawn of the Dead B-grade genre piece Wyrmwood (and its respective sequel), it makes sense that Australian director Kiah Roache-Turner would continue his genre mash-ups for his follow-up. What proves surprising, however, is that for Sting, an ode to the creature feature (and, fittingly, Australia’s fear of…
Read More
As Yorgos Lanthimos built up his profile with more mainstream-inclined audiences over the years – blending his unique storytelling vision with noticeable, A-list talent – the filmmaker viscerally tells them to essentially f*ck off with Kinds of Kindness, a 164-minute blackly comic, absurdist, and boundary-pushing surrealist drama that makes his previous oddity, last year’s award-winning…
Read More
