Given the ambition he showed with his Mad Max-meets-Dawn of the Dead B-grade genre piece Wyrmwood (and its respective sequel), it makes sense that Australian director Kiah Roache-Turner would continue his genre mash-ups for his follow-up. What proves surprising, however, is that for Sting, an ode to the creature feature (and, fittingly, Australia’s fear of…
Read More
As Yorgos Lanthimos built up his profile with more mainstream-inclined audiences over the years – blending his unique storytelling vision with noticeable, A-list talent – the filmmaker viscerally tells them to essentially f*ck off with Kinds of Kindness, a 164-minute blackly comic, absurdist, and boundary-pushing surrealist drama that makes his previous oddity, last year’s award-winning…
Read More
The natural disaster film received something of an elevation back in 1996 with the release of Twister. With a high-calibre collection of talent on hand, both behind the scenes (it was produced by Steven Spielberg, directed by Jan de Bont, off a screenplay penned by Jurassic Park scribe Michael Crichton) and in front of the…
Read More
The authenticity of the moon landing has always been something that’s long plagued history. And whilst a straightforward narrative around the Apollo 11 project would undoubtedly be intriguing, it’s an entirely safer bet to allude to such a longstanding conspiracy with a surrounding story, rather than court controversy with anything direct. And it’s with such…
Read More
Back in March of 2022, Ti West birthed a horror trilogy the genre didn’t know it needed. X, a 1970s-set porn shoot-turned-massacre tale, indulged in its dirty aesthetic, before its 1918-set prequel, Pearl, arrived mere months later, similarly revelling in its own unique temperament, one that came across like The Wizard of Oz on a…
Read More
After tarnishing the one-two punch of 1984’s Beverly Hills Cop and it’s 1987 sequel with the 1994 threequel – one that even the film’s stars have turned against over the years – the Eddie Murphy-led franchise seemed permanently laid to rest. Though there’s been considerable chatter in the three decades since its release, the third…
Read More
Inspired by Danny Lyon‘s 1967 photo book The Bikeriders, Jeff Nichols‘ name-same drama revels in both the greasy masculinity and surprising vulnerability of its titular collective – a motorcycle club known as The Vandals – tracking their rise and evolution between 1965 and 1973. Lyon’s idea for the book was to “record and glorify the…
Read More
Given that Rachel House so consistently makes an impression on screen with her oft-deadpan delivery, it stands to reason that her move behind the camera garner significant interest too. Though the regular Taika Waititi collaborator has a slew of short films under her belt, The Mountain stands as her debut in feature filmmaking, with the…
Read More
“Live Free or Die” So says the state motto of New Hampshire, something that some people take a little too seriously, especially those within the realms of Nate Dushku‘s Birder, a grisly, queer thriller centred around an enigmatic serial killer and the nudist camp he preys upon. The “birder” of the title introduces himself as…
Read More
Thanks to the rise of cryptocurrency – and the emphasis that anyone’s voice can now be heard through a variety of social media outlets – scammers have a platform and a mainstream presence. They were never exactly a hidden, unknown collective, but there’s perhaps a prominence surrounding them now, and as the opening title card…
Read More
Pablo Picasso is an undisputed icon of modern art. The co-founder of the cubist movement, his legacy stretches to thousands of paintings. Now, a new docufilm, Picasso: A Rebel in Paris, offers a portrait of a complex artist that is told in a straight-forward and linear way. Simona Risi directs, and Iranian actress, Mina Kavani of…
Read More
When Ally (Rachel Paulson) excitedly calls her bestie, Jess (Capri Campeau), in the morning-after scenario of a pinch-me like hook-up, she can’t quite believe herself when she announces that in her bed is a bona fide rockstar. Better than hooking up with the high-school teacher she was obsessed with, and “gayer than Rihanna”, Ally’s bed…
Read More
The basic narrative at the core of Restless – asking how far one would go to maintain peace in your own home – is perhaps one of the most relatable, and it’s because of that potential familiarity that Jed Hart‘s dread-drenched thriller is all the more chilling. Whether it’s happened directly to us or we…
Read More
There’s a subtlety and quietness to Darkest Miriam that continually laces this sad, yet captivating drama, with Britt Lower‘s haunting central performance adding a poetry to proceedings that beautifully captures those watching. In a Toronto neighbourhood, Miriam (Lower) lives a quiet life as a librarian, seemingly content with her daily routine of shuffling through the…
Read More
Whilst there’s no doubt that Megan Stalter is a talented comedienne (“Hi Gay!”, anyone?), the type of social-media-sketch-performer-turned-feature-actress trajectory isn’t always a guaranteed translation for both their respective humour and an audience’s positive reaction. Thankfully, her starring role in Cora Bora is a more dramatic transition for the actress, displaying a vulnerable, shaded, even confidence-lacking…
Read More
As much as Vincent Grashaw‘s Bang Bang revels in the alpha masculinity that oft dominates the boxing industry and the men it produces, this hard drama laces its narrative with a sadness and humanity that consistently brings the film above its gruff exterior. And much of that belongs to the impeccable Tim Blake Nelson, leading…
Read More
A character losing themself to nature in order to find solitude or correct the course of their life is not a road seldom travelled on screen. And in the case of The Outrun, it’s the windswept Orkney Islands off the northeastern coast of Scotland that serve as a place of rejuvenation for Rona (Saoirse Ronan,…
Read More
The prospect of being stuck in a cab for 90 minutes with a driver that isn’t afraid to wax lyrical about the dynamics of men and women doesn’t exactly sound like the most pleasant experience. And whilst that it is the entire premise of Christy Hall‘s conversation-provoking Daddio, audiences pre-empting their annoyance at such a…
Read More
Whilst it’s understandable that audiences may assume The Exorcism is somehow related to last year’s The Pope’s Exorcist – and given both their closeness in title and sharing of Russell Crowe, you can see why – but Joshua John Miller‘s genre entrant is more a dramatic character study, with many of the horrific elements feeling…
Read More
The idea of wearing a mask – physical or metaphorical – can so often be used to uncover a psyche within the realms of dark storytelling, and for Aaron Schimberg‘s chaotic A Different Man a literal representation is at the core. There’s an undeniably captivating and thought-provoking narrative at play, but the execution feels ultimately…
Read More
Though there is a high-concept present in the narrative forming of My Old Ass – shroom induced time travel could be the easiest elevator pitch summary (so, a high-concept if ever there was one) – Megan Park‘s deliriously sweet, always charming, oft-hilarious venture is, at its core, an uncomplicated affair that simply wants to make…
Read More
There’s a sense of too many eggs in one basket present in Problemista, a loaded-with-ideas, absurdist comedy from comedian Julio Torres who treats his first-time feature as if he may not get the chance to do a second. And there’s nothing inherently wrong with the ideas that Torres – a former Saturday Night Live scribe,…
Read More
As Yorgos Lanthimos built up his profile with more mainstream-inclined audiences over the years – blending his unique storytelling vision with noticeable, A-list talent – the filmmaker viscerally tells them to essentially f*ck off with Kinds of Kindness, a 164-minute blackly comic, absurdist, and boundary-pushing surrealist drama that makes his previous oddity, last year’s award-winning…
Read More
Men behaving badly is at the core of Annick Blanc‘s Hunting Daze, a surreal visualisation of toxic masculinity that refuses to ever pigeonhole itself into one category. It’s horrific without ever devoting itself entirely to that genre. It’s blackly funny, though never satirical. And it’s always engaging, even if the extreme manner in which Blanc…
Read More
Though it leans into the action/thriller genre with a supreme wink, Thelma, Josh Margolin‘s frequently hilarious, always poignant ode to his own grandmother (and, clearly, a love of the action genre), is never spoofing the films it so evidently is earning its laughs from; and it’s that sweetness and keen sense of reinvention that helps…
Read More
The controversial historical treatment of Australia’s native people by white settlers and the continuing generational trauma within the Indigenous communities weigh heavy on the narrative themes of Jon Bell‘s The Moogai. There’s a ripe premise to lean into horror genre sensibilities – “moogai” is the Bundjalung language for a malevolent child-stealing entity that is the…
Read More
The blending of genres isn’t as easy as Richard Linklater makes it look in the deliciously fun Hit Man, a-sexy-romantic-comedy-cum-philosophical-action-film that the School of Rock helmer and lead charmer Glen Powell have co-scribed together in a seamless fashion. Given that Linklater has so often deviated from the expectation put forward in some of his films…
Read More
There’s something of a full circle moment experienced with Am I OK?, Tig Notaro and Stephanie Allynne‘s co-directorial feature debut. The real-life couple, who met on the set of a Sundance selection title (2013’s In A World…), returned to the festival as married women detailing their own journey of self-discovery and acceptance with a film…
Read More
Given M. Night Shyamalan‘s penchant for banking the majority of his theatrical narratives on “the twist ending”, it’s understandable to walk into his daughter’s feature directorial debut with the same type of expectation. Whilst I can’t personally speak to whether or not the A.M. Shine novel Ishana Night Shyamalan has adapted is faithfully recreated here…
Read More
After showcasing her stellar comedic delivery across 2022’s Bodies Bodies Bodies and last year’s Bottoms, Rachel Sennott continues her dominance as one of the industry’s most exciting talents with a more dramatic flex in Ally Pankiw‘s I Used To Be Funny, which offsets its lead’s comedic capabilities and humorously-adjacent title with a dark, heartbreaking temperament….
Read More
