Reviews

Cinema, as of late, has really taken advantage of nostalgia and the good faith that audiences will hold onto such and turn out for a years-later legacy sequel.  The last few years alone have given us continuations to such once-dormant properties as Jurassic Park, Star Wars, Indiana Jones, Top Gun, Scream, Halloween, and I Know…

The heist film genre gives itself away to a multiple of mentalities.  Yet, whether it adopts a more action-based personality or one more comedic, it ultimately plays very much by the same central narrative of a snatch-and-grab job that, more often than not, has its share of obstacles to overcome. The Pickup, the latest heavy-name…

In her real time crime thriller set in a war zone, The Cranes Call, director Laura Warner embeds with war crimes investigator Anya Neistat and her team as they track down a group of survivors bold enough to take a stand against those accused of committing the most heinous crimes of rape, torture and murder…

Dog owners are all too aware of how inherently special the bond is between themselves and their four-legged friend.  Regardless of their size, their age or temperament, it’s a deep connection that forms on either side, and the pooch at the centre of The Friend – a gigantic, droopy-faced Great Dane by the name of…

With such a talented cast and a premise ripe with potential, it truly is a shame that Bride Hard succumbs to Shaina Steinberg‘s lazy, exposition-overloaded script, Andrew MacRitchie‘s inexplicable editing, and Simon West‘s continually pedestrian directing (how he has fallen since Con Air in 1997 should be studied), resulting in an action-comedy that fails on…

Riverside Theatres is currently host to a world-class, spine-tingling production of 1984, an adaptation of George Orwell’s iconic novel by Orson Welles, brought to life by the brilliant Shake & Stir Theatre Co. Even if you’ve never read the book, the themes totalitarian control, surveillance, and the distortion of truth that are so deeply embedded…

It feels inevitable that something like Together will earn comparisons to last year’s The Substance, purely off the fact that the horror it indulges in – that would be the body variety – escalates considerably leading into its wild climax.  Sure, The Substance being a great example of body horror is all well and good,…

Set over the course of one day in a dysfunctional office setting, Another Day in America – as much of a generalisation as it may appear as a title – is an apt description for Emilio Mauro‘s commentative dark comedy, which blends situations both mundane and exaggerated across its 112 minutes, resulting in an oft-uncomfortable,…

In the grand design of 90s horror movies that could manage a certain 2025 resurgence, I Know What You Did Last Summer would, arguably, be not placed too high on a list of likelihoods.  Thank the lords then that writer/director Jennifer Kaytin Robinson (Do Revenge) pitched her version to Sony Pictures, as the filmmaker defies…

If you’ve seen the marketing for the latest Smurfs film – which is serving as a soft reboot of the series, disregarding the live-action features from 2011 and 2013, and the animated retooled “sequel” from 2017 – you would notice that they’ve been very much banking on the voice casting of Rihanna as Smurfette.  There’s…

A friend coming group together is a tried and true concept when it comes to situational comedy, and whilst writer/director Deena Kashper isn’t exactly reinventing the wheel with her ensemble laugher Nuked, she gives enough of her reflective humour and narrative hook a distinct personality that we’re happy to go along for the ride; which,…

Similar to fellow DC Comic mainstay Batman, the character of Superman has had his share of big screen iterations (one could argue too many at this point) over the years, with no less than four different actors across as many intended franchises; disregarding the Superman serial series of the late 1940s and early 1950s with…

There’s a whole lot of familiarity going on with Heads of State.  It’s a tested premise – that of mismatched partners in an action landscape – but screenwriters Josh Appelbaum, André Nemec and Harrison Query don’t try to pretend it’s anything otherwise, and so with a capable genre director in Ilya Naishuller (Nobody) and both…

Despite the general consensus very much being that the last two Jurassic World features – 2018’s Fallen Kingdom and 2022’s Dominion – were vastly underwhelming in the manner in which they pushed the story forward, audiences pushing each film to over a billion dollars each at the box office meant that they ultimately didn’t seem…

Director Hariharasidhen Nagarajan and writer Anghus Houvouras couldn’t accept “the new normal” of shootings in the United States.  Such mass attacks as the Parkland High School shooting and the Pulse Nightclub incident were part of a grim reality that the two weren’t willing to become accustomed to. They thought of not only the victims whose…

Given that Stealing Pulp Fiction very much wears its Tarantino affection openly, you’d be forgiven for expecting director Danny Turkiewicz to have the same kind of flair as the very filmmaker he’s adoring.  No, Turkiewicz isn’t replicating that same QT magic, but it would be a heavy ask to expect so, and on its own…

Whilst the original M3GAN was sold as a horror film, its camp sensibilities ultimately shone through, turning its titular killer “doll” from a slayer to an outright slay.  It had tense set-pieces and a terrifying mentality, but it found its personality sat more comfortably in the space of a meditation on A.I. and technology through…

In 2022, when cinemas were still largely recovering from the pandemic and blockbuster viewing wasn’t guaranteed, director Joseph Kosinski (and Tom Cruise) revitalized such a brand with Top Gun: Maverick.  It was undeniably thrilling popcorn entertainment that, with its heart, humour, action and dramatic stakes, checked all the boxes for each major demographic, ultimately resulting…

As evident by its title, 28 years Later takes up such a time period from the virus that first unleashed itself across Danny Boyle‘s 2002 post-apocalyptic horror effort 28 Days Later.  That film centered around the days that followed the actions of a group of animal rights activists who infiltrated a laboratory in Cambridge, where…

A cohesive storyline or if it makes you cry? Sometimes the personal success of a Pixar movie doesn’t always rely on the former, with many taking the latter as enough of a justification for its existence.  In such a case, Elio may be enough of a charming win for family audiences who could find themselves…

Whilst there’s a certain unevenness to how writer/director Emily Abt presents her story in Thirsty, there’s no denying it manages to maintain a sense of interest as it navigates the world of politics, domesticity, and the woman trying to perfect both. That woman is Audrey (Jamie Neumann), a sharp, some may say ruthless, defense attorney…

Delighting in the type of self-centred behaviour that more of us are guilty of than not, the character at the core of The Travel Companion, Alex Mallis and Travis Wood’s debut feature, sprouts lyrical to anyone who’ll listen (or tolerate) about his forthcoming directorial feature – an experimental, hybrid docu-fiction-travelogue about the cultural bridges and…

An education is viewed as an important thing. Former British PM, Tony Blair once ran on a platform where his party’s top three priorities were “Education, Education, Education.” The Shadow Scholars is a documentary that looks at the true cost of education and opportunity. First-time director Eloïse King shines a spotlight on the contract cheating…

There are some of us who have been fortunate enough to eat at a fine dining restaurant. But at a place like Japan’s Tokito, this experience is elevated so high it’s  almost like a religious experience. The documentary Tokito: The 540-Day Journey of a Culinary Maverick plays out like a real-life example of the TV…

The age-old question around if a tree falling in the forest makes a sound is asked in quite a compelling, pressure-cooker type of way in A Tree Fell in the Woods, Nora Kirkpatrick‘s debut dramedy about the implosion of relationships between two couples across a New Year’s Eve getaway in the snowy forests of Utah….

Directed by Alexander Ullom, It Ends was originally a short film that turned into a feature (87 minutes, to be precise), which debuted at SXSW 2025. It tells the story of a group of college kids embarking on a road trip. However, when they miss a turn-off, they realise they are driving directly through a…

“Are you here for the boat or the tooth?” And with that sentence, writer/director Olivia Accardo welcomes us into the bizarre reality of Baby Tooth, a wild five minute short film screening as part of this year’s Tribeca Film Festival; it’s set to play before the feature The Trainer, as well as being included in…

Whilst Everything’s Going to Be Great starts out a bit more eccentric and comedically minded than how it ends, the performances at the core of Jon S. Baird‘s dramedy, and the sense that it celebrates art and those that have always felt a little different in doing so, keeps it continually moving at an enjoyable…

One of the great things about documentaries such as The Rose: Come Back to Me is that it both provides further insight into a rock outfit for the legions of fans, as well as introducing uninitiated viewers into a world that proves endlessly fascinating.  I am personally of the latter, as going into this film,…

Intentionally testing audience patience across its increasingly bizarre, tension-laced 100 minutes, Lorcan Finnegan‘s Australian thriller The Surfer is more about breaking points than Point Break as it mashes surfing culture localism and toxic masculinity. Thomas Martin‘s script doesn’t give specific names to the majority of its players, instead referring to the film’s protagonist as simply…