Reviews

Film Review: Cora Bora; Megan Stalter flexes her star presence in tragic, humorous vehicle

Whilst there’s no doubt that Megan Stalter is a talented comedienne (“Hi Gay!”, anyone?), the type of social-media-sketch-performer-turned-feature-actress trajectory isn’t always a guaranteed translation for both their respective humour and an audience’s positive reaction.  Thankfully, her starring role in Cora Bora is a more dramatic transition for the actress, displaying a vulnerable, shaded, even confidence-lacking…

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Bang Bang features a career-best turn from Tim Blake Nelson: Tribeca Film Festival Review

As much as Vincent Grashaw‘s Bang Bang revels in the alpha masculinity that oft dominates the boxing industry and the men it produces, this hard drama laces its narrative with a sadness and humanity that consistently brings the film above its gruff exterior. And much of that belongs to the impeccable Tim Blake Nelson, leading…

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The Outrun; Saoirse Ronan’s detailed performance as a recovering addict may be her finest yet: Sydney Film Festival Review

A character losing themself to nature in order to find solitude or correct the course of their life is not a road seldom travelled on screen.  And in the case of The Outrun, it’s the windswept Orkney Islands off the northeastern coast of Scotland that serve as a place of rejuvenation for Rona (Saoirse Ronan,…

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Daddio is a conversation-sparking drama anchored by the nuanced performances of Sean Penn and Dakota Johnson: Sydney Film Festival Review

The prospect of being stuck in a cab for 90 minutes with a driver that isn’t afraid to wax lyrical about the dynamics of men and women doesn’t exactly sound like the most pleasant experience.  And whilst that it is the entire premise of Christy Hall‘s conversation-provoking Daddio, audiences pre-empting their annoyance at such a…

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Film Review: The Exorcism compromises its dramatic intentions with shoehorned horror elements

Whilst it’s understandable that audiences may assume The Exorcism is somehow related to last year’s The Pope’s Exorcist – and given both their closeness in title and sharing of Russell Crowe, you can see why – but Joshua John Miller‘s genre entrant is more a dramatic character study, with many of the horrific elements feeling…

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A Different Man provokes thought but lacks the proper execution: Sydney Film Festival Review

The idea of wearing a mask – physical or metaphorical – can so often be used to uncover a psyche within the realms of dark storytelling, and for Aaron Schimberg‘s chaotic A Different Man a literal representation is at the core.  There’s an undeniably captivating and thought-provoking narrative at play, but the execution feels ultimately…

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My Old Ass is a supremely charming affair that values the importance of familial connection: Sydney Film Festival Review

Though there is a high-concept present in the narrative forming of My Old Ass – shroom induced time travel could be the easiest elevator pitch summary (so, a high-concept if ever there was one) – Megan Park‘s deliriously sweet, always charming, oft-hilarious venture is, at its core, an uncomplicated affair that simply wants to make…

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Problemista; Tilda Swinton’s erratic brilliance saves absurdist comedy: Sydney Film Festival Review

There’s a sense of too many eggs in one basket present in Problemista, a loaded-with-ideas, absurdist comedy from comedian Julio Torres who treats his first-time feature as if he may not get the chance to do a second. And there’s nothing inherently wrong with the ideas that Torres – a former Saturday Night Live scribe,…

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Kinds of Kindness is a blackly comic, absurdist, and boundary-pushing surrealist drama that will test audience limits: Sydney Film Festival Review

As Yorgos Lanthimos built up his profile with more mainstream-inclined audiences over the years – blending his unique storytelling vision with noticeable, A-list talent – the filmmaker viscerally tells them to essentially f*ck off with Kinds of Kindness, a 164-minute blackly comic, absurdist, and boundary-pushing surrealist drama that makes his previous oddity, last year’s award-winning…

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Hunting Daze is blackly comic and consistently unnerving: Sydney Film Festival Review

Men behaving badly is at the core of Annick Blanc‘s Hunting Daze, a surreal visualisation of toxic masculinity that refuses to ever pigeonhole itself into one category.  It’s horrific without ever devoting itself entirely to that genre.  It’s blackly funny, though never satirical.  And it’s always engaging, even if the extreme manner in which Blanc…

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Thelma is a sweet, poignant affair that reinvents the action/comedy: Sydney Film Festival Review

Though it leans into the action/thriller genre with a supreme wink, Thelma, Josh Margolin‘s frequently hilarious, always poignant ode to his own grandmother (and, clearly, a love of the action genre), is never spoofing the films it so evidently is earning its laughs from; and it’s that sweetness and keen sense of reinvention that helps…

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The Moogai‘s emotional and psychological terror elements find unrest: Sydney Film Festival Review

The controversial historical treatment of Australia’s native people by white settlers and the continuing generational trauma within the Indigenous communities weigh heavy on the narrative themes of Jon Bell‘s The Moogai.  There’s a ripe premise to lean into horror genre sensibilities – “moogai” is the Bundjalung language for a malevolent child-stealing entity that is the…

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Film Review: Hit Man; Netflix’s sexy actioner is a much deeper, more philosophical outing than expected

The blending of genres isn’t as easy as Richard Linklater makes it look in the deliciously fun Hit Man, a-sexy-romantic-comedy-cum-philosophical-action-film that the School of Rock helmer and lead charmer Glen Powell have co-scribed together in a seamless fashion. Given that Linklater has so often deviated from the expectation put forward in some of his films…

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Film Review: Am I OK? is a delicate journey navigated through the grace that is Dakota Johnson

There’s something of a full circle moment experienced with Am I OK?, Tig Notaro and Stephanie Allynne‘s co-directorial feature debut.  The real-life couple, who met on the set of a Sundance selection title (2013’s In A World…), returned to the festival as married women detailing their own journey of self-discovery and acceptance with a film…

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Film Review: The Watchers is a tense, though questionably executed chiller

Given M. Night Shyamalan‘s penchant for banking the majority of his theatrical narratives on “the twist ending”, it’s understandable to walk into his daughter’s feature directorial debut with the same type of expectation. Whilst I can’t personally speak to whether or not the A.M. Shine novel Ishana Night Shyamalan has adapted is faithfully recreated here…

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Film Review: I Used To Be Funny offsets its humorously-adjacent title with a dark, heartbreaking temperament.

After showcasing her stellar comedic delivery across 2022’s Bodies Bodies Bodies and last year’s Bottoms, Rachel Sennott continues her dominance as one of the industry’s most exciting talents with a more dramatic flex in Ally Pankiw‘s I Used To Be Funny, which offsets its lead’s comedic capabilities and humorously-adjacent title with a dark, heartbreaking temperament….

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Film Review: Bad Boys: Ride or Die honours series nostalgia as much as it creatively projects forward

Whilst this is a franchise that has indulged in its fair share of overtly-violent set-pieces for close to three decades now, there’s something to be said for the fact that Bad Boys: Ride or Die – the fourth in this surprisingly resilient series – is determined to keep the action on hand ageing gracefully. Yes,…

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Film Review: The Garfield Movie hates its audience as much as its lead feline hates Mondays

Similar to the disdain many had when it was announced that Chris Pratt would be voicing Mario for last year’s The Super Mario Bros. Movie, the actor’s involvement as Garfield hasn’t assisted in warming him to the masses that have seriously turned on him in a manner many never saw coming after his winning work…

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Film Review: Night Shift; Singular location chiller proves a serviceable genre entry

Perhaps because we’re simply used to his New Girl persona, or that even in the realms of a horror setting he’s playing with a little uncertain levity, Lamorne Morris‘ presence in the opening moments of Night Shift suggest that The China Brothers (filmmaking duo Benjamin and Paul China) may be preparing their audience for a more…

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Film Review: IF; John Krasinski’s family outing is wholesome but hollow

John Krasinski has primarily set himself up in the horror space across his directorial career.  And though his latest could give way to genre tendencies – imaginary friends can indeed be a terrifying notion – he’s decidedly opted for a more wholesome, family-friendly mentality with the release of IF. IF (which stands for Imaginary Friend)…

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Film Review: Furiosa: A Mad Max Saga is an exhilarating actioner from one of the greatest blockbuster filmmakers of our time

Mad Max: Fury Road felt like a truly once-in-a-lifetime type event upon its release in 2015.  It was continuing a series that had laid dormant for 30 years at that point and, despite still relative success both critically and commercially, the third film – 1985’s Beyond Thunderdome – was so often cited as the series’…

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Film Review: Kingdom of the Planet of the Apes impresses with its technical marvel and emotional resonance

Although Kingdom of the Planet of the Apes is a continuation of the rebooted Planet of the Apes trilogy that Rupert Wyatt’s Rise of the Planet of the Apes kicked off in 2011, with Matt Reeves’ Dawn of the Planet of the Apes (2014) and War for the Planet of the Apes (2017) following through,…

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Film Review: The Idea of You; The luminousness of Anne Hathaway elevates serviceable rom-com

If the premise of The Idea of You sounds like romanticised mentality of fanfiction – that being a romance centred around a 40-year-old single divorcee and the global boyband heartthrob who meet-cutes her and proceeds to pursue her to her bewilderment – it’s because it essentially is. Based on Robinne Lee‘s novel of the same…

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Film Review: The Road to Patagonia twists and turns towards self-discovery

The Road to Patagonia opens with Matty Hannon – the director, cinematographer, and centre-man – telling how he’s headed to the top of Alaska, which if you know your American geography, is distinctly away from Patagonia, which encompasses the southern end of South America. But worry not, the title is not a metaphor nor figurative. …

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Film Review: Boy Kills World is a bonkers live-action cartoon that delights in its brutal creativty

Childlike yet ultra violent, there’s a lot of style over substance when it comes to Mortiz Mohr‘s Boy Kills World, an exaggerated, audacious, attention-seeking actioner that doesn’t have much to say, but succeeds at being a delirious slice of escapism that deserves points for the fact that it’s a bonkers, live-action (R-rated) cartoon that speaks…

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Body horror and dramatic flourishes don’t play together in The Demon Disorder: Gold Coast Film Festival Review

There’s a fascinating premise at its core and an impressive heft of body horror effects abounding throughout, but The Demon Disorder never quite conjures enough other-worldly strength to rise above its structural flaws. A tale of three brothers and the demonic trauma they share off the back of their father’s death – presumably the result…

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Film Review: Hanky Panky; Lo-fi comedic horror effort is intentionally nonsensical – whether you like it or not!

To call Hanky Panky inexplicable at times would be an understatement.  And in no way is that intended to be an overt criticism towards Nick Roth and Lindsay Haun‘s wild comedy-horror effort that delights in its science-fiction mentality whilst bathing itself in batshit insanity. It’s an acquired taste of a film, and it definitely benefits…

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Film Review: The Fall Guy; Crowd-pleasing actioner is both a love letter to the stunt profession and another showcase of Ryan Gosling’s charisma

Not that we needed reminding, but Ryan Gosling‘s distinct energy – rightfully rebranded as “Kenergy” in the culture-shifting buzz surrounding last year’s Barbie – is entirely unmatched.  We saw it earlier this year with his boisterous rendition of the Oscar-robbed “I’m Just Ken” at the Academy Awards where, without even taking off his sunglasses, he…

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The Raid is a brutal and unrelenting action film that serves as a reminder of the true mastery of the genre: Gold Coast Film Festival Review

As easy as it is to call something like The Raid (released in some territories as The Raid: Redemption, this the result of certain legalities) a “thin” movie in terms of plot and character, Gareth Edwards ultimately thrives on such a simplistic nature, turning in a slaughterhouse of an action movie that rarely lets up…

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Sting is an enjoyably camp horror effort that backs its gross effects with some emotional heft: Gold Coast Film Festival Review

Given the ambition he showed with his Mad Max-meets-Dawn of the Dead B-grade genre piece Wyrmwood (and its respective sequel), it makes sense that Australian director Kiah Roache-Turner would continue his genre mash-ups for his follow-up.  What proves surprising, however, is that for Sting, an ode to the creature feature (and, fittingly, Australia’s fear of…

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