Reviews

Series Review: The Bondsman proves the perfect blend of gory horror and situational comedy

The Bondsman is a horror-comedy series that tells the story of Hub Halloran (Kevin Bacon, comical and ever charismatic), a murdered bounty hunter in the south whose bound for Hell due to his own sins, before being brought back to life by the Devil to hunt demons on Earth that have escaped the pits of…

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Series Review: Mid-Century Modern; Hilarious, nostalgic sitcom breaks down queer stereotypes as much as it embraces them

Watching something like Mid-Century Modern you’re reminded of both the golden age of the multi-cam, live audience classicality of a sitcom, as well as the shift in televisual consumption, with this nostalgic itch-scratching firecracker of a show taking advantage of its streaming setting with boundary-pushing humour and considerable profanity; once you hear the stupendous Linda…

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Film Review: Holland; Nicole Kidman anchors ambitious, twisted mystery thriller

If there’s one thing about our Nicole Kidman, it’s that she’s going to work! Fresh off three of last year’s buzziest shows (Expats, Lioness and The Perfect Couple) and a criminally Oscar-oversighted performance in the erotic drama Babygirl, the perennially busy actress/producer is at the centre of another twisted thriller of sorts in Prime Video’s…

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Series Review: The Studio; Seth Rogen’s “inside baseball” series about the film studio scene is perfectly constructed comedy

Whilst there is a certain “inside baseball”-like mentality to The Studio – the Seth Rogen–Evan Goldberg-created comedy series about the moving and shaking of a new film studio head and his attempt to salvage the newly acquired company’s evidently floundering reputation – such is the genius of Rogen and Goldberg’s handling (the duo co-directing each…

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Here’s why you should be making plans to stay at Netflix’s The Residence

A queer President. An occasionally profane Kylie Minogue. An unseen Hugh Jackman. A birder-obsessed detective.  And a murder most foul. An Agatha Christie-meets-Clue-like mystery series from the Shondaland factory (i.e. Shonda Rhimes, the figurehead behind such TV successes as Grey’s Anatomy, How To Get Away With Murder, and Bridgerton), The Residence is an intelligent, witty…

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Film Review: O’Dessa; Post-apocalyptic rock opera delights in its audacious maximalism

Whilst his previous film – 2017’s crowd-pleasing Patti Cake$ – had a scrappiness to it, it beamed with a personality larger than its budget.  For O’Dessa, director Geremy Jasper delights in supreme maximalism, as his post-apocalyptic musical-romance hybrid projects its bigness through both its visuals and its central thematic of how love can transform one’s…

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First impressions: Disney+’s Win or Lose is a home run for Pixar

Animation studio Pixar take on their first Disney+ original animated television show with Win or Lose. In the eight episode series, Pixar return to their roots with a story following a middle-school softball championship league told in an anthology style, with each episode told from a different kid and adult that affects the baseball team’s…

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Run, don’t dribble, to binge Kate Hudson’s Netflix comedy series, Running Point

A starring role with her talents front and centre always suited Kate Hudson, so, immediately, Running Point lands its lay-up, with the Netflix comedy series giving the actress the material needed to flourish. Inspired by Los Angeles Lakers president Jeanie Buss, the Mindy Kaling-produced series subs in the Los Angeles Waves and Hudson’s Isla Gordon,…

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Series Review: Good Cop/Bad Cop is a quirky situational comedy that benefits from its snappy ensemble and lived-in characters

Whilst there’s certainly nothing wrong with the prestige approach to television and treating an entire season as an extended film, essentially, Good Cop/Bad Cop is a welcome example of the type of throwback, one-hour sittings of pure entertainment, riding off the benefits of a snappy ensemble, familiar rhythms and lived-in characters. Set for release locally…

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Film Review: The Gorge; Anya Taylor-Joy and Miles Teller keep firing in a jumble of genres

Given that The Gorge is directed by Scott Derrickson, who has helmed such horror pleasers as Sinister and The Black Phone, penned by an action familiar in Zach Dean (The Tomorrow War, Fast X), and is headlined by the reliable duo of Anya Taylor-Joy and Miles Teller, one would feel safe sitting down to stream…

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Series Review: Netflix’s Apple Cider Vinegar is a unique telling of Australia’s ill-famed scammer

It’s no secret that Belle Gibson is one of the most infamous scammers in Australia’s history. In the rise of social media in the early 2010s, she used her platform as a space to promote healing and wellness, speaking of her multiple illnesses, inoperable stage 4 brain cancer, and how alternative medicine and healthy eating…

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Hal & Harper is a special, emotionally nuanced series from Cooper Raiff; Sundance Film Festival Review

On the initial surface, Cooper Raiff‘s television series Hal & Harper appears to be a sibling drama about two children and their single father.  And whilst that is the case in the most basic of manners, when the film presents its grown-up cast (Raiff as Hal and Lili Reinhart as Harper) as the seven-and-nine-year-old iterations…

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Film Review: Amy Schumer’s Netflix “comedy” Kinda Pregnant is kinda awful

We’re only a month-and-a-bit into 2025, and it’s possible that Netflix have given birth (pun unintended) to one of the year’s absolute worst filmic offerings in Amy Schumer‘s Kinda Pregnant, an absolutely unfunny “comedy” that wastes the talents of its capable cast. A Happy Madison production – which tells you all you need to know…

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Film Review: The Order is a terrifying, topical thriller that echoes the divisive nature of today’s society

When it comes to depicting real-life violence on screen, Australian director Justin Kurzel has an enviable history of such.  His 2011 debut, Snowtown, was a harrowing re-enactment of the South Australian body-in-a-barrel murders that plagued the 90s for close to a decade.  In 2021 he represented the 1996 Port Arthur Massacre through the psychologically taxing…

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Film Review: You’re Cordially Invited; Will Ferrell and Reese Witherspoon make for a winning comedic couple in Prime Video laugher

Very much speaking to just how much times have changed in terms of film distribution, a romantic comedy from the director of such acclaimed titles as Forgetting Sarah Marshall, Bad Neighbours, and Bros, and starring proven talent as Will Ferrell and Reese Witherspoon is releasing straight to the streaming service market. Oh, and it’s actually…

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Film Review: Nightbitch is sure to help audiences reflect on their own self worth and identity

Despite the fact that the recently released trailer made Nightbitch look more like a quirky comedy – think a female-drive, R-rated take on Tim Allen’s The Shaggy Dog – I can attest that Marielle Heller‘s take on Rachel Yoder‘s seemingly unadaptable 2021 novel of the same name is far from the laughable ridiculousness some may…

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Cameron Diaz is Back In Action! But is the latest Netflix actioner worth the wait?

It’s been over a decade since we last saw Cameron Diaz grace our screens.  Bowing out with a planned retirement from the industry following 2014’s middlingly received musical Annie, Diaz has been lured back to do what she does best, reuniting with Annie cohort Jamie Foxx for Back In Action, a fittingly titled comedic actioner…

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Film Review: Unstoppable; Jharrel Jerome wins at every turn in powerful, inspiring biopic

Not to be confused with Denzel Washington’s 2010 runaway train thriller – or the lesser known 2004 outing from Wesley Snipes – Unstoppable, which marks the directorial debut of editor William Goldenberg, whose credits include such titles as Coyote Ugly, Miami Vice and Air, is a by-the-numbers sports drama that lives by its inspirational hook. …

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Netflix’s Black Doves is your next binge-worthy obsession

Arriving just in time for Christmas – though the holiday setting ultimately has no bearing on the show’s intrigue-heavy plotting – Netflix’s British action-thriller series Black Doves has all the surface-level expectation of a classic government conspiracy narrative, before revealing itself as something far deeper, darker, poignant and, surprisingly, humorous. Toplined by Keira Knightley –…

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Does Netflix’s Cold Case: Who Killed JonBenét Ramsey? shed new light on decades-long murder mystery?

A murder case that remains unsolved some near-three decades on, the slaying of 6-year-old beauty pageant phenomenon JonBenét Ramsey still can’t but help earn speculative interest today.  And it’s through Joe Berlinger‘s three-part docuseries, Cold Case: Who Killed JonBenét Ramsey?, that new theories, old wounds and investigative frustrations come to light, resulting in an enveloping, oft-unsettling…

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Series Review: Heartstopper Season 3 delves into further maturity whilst maintaining its original heart

Yet again, the amazing Alice Oseman has teamed up with director Euros Lyn to create the third season of Heartstopper. Previously, the Netflix series was well-known for its gradual approach regarding topics of queerness, health, growing-up, the experiencing of firsts, family dynamics and relationships for a teenage and young-adult audience. However, season 3 takes a…

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Film Review: The Ministry of Ungentlemanly Warfare; Guy Ritchie’s “historical” actioner is at its best when letting Henry Cavill submit to gleeful chaos

Continuing his run of releasing movies at a breakneck speed – his fourth directorial effort in three years, with another in post-production – Guy Ritchie‘s The Ministry of Ungentlemanly Warfare very much sits in his wheelhouse, for better or worse.  Though a tighter focus on its narrative would’ve ultimately benefitted this brash “based on a…

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Film Review: Beverly Hills Cop: Axel F is a welcome return to form for Eddie Murphy’s iconic character

After tarnishing the one-two punch of 1984’s Beverly Hills Cop and it’s 1987 sequel with the 1994 threequel – one that even the film’s stars have turned against over the years – the Eddie Murphy-led franchise seemed permanently laid to rest. Though there’s been considerable chatter in the three decades since its release, the third…

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Film Review: Ricky Stanicky; John Cena livens up an otherwise missed opportunity of a comedy

After finding Oscar glory as a solo filmmaker – with arguably one of the more controversial Best Picture wins in the Academy’s history (see Green Book) – there’s a nice sense of coming back home in the case of Peter Farrelly helming Ricky Stanicky. Now, it does pale in comparison to the comedy works he…

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Film Review: The Greatest Love Story Never Told is the most open and vulnerable aspect of Jennifer Lopez’s This Is Me…Now experience

“What is this fucking girl’s problem?” As Jennifer Lopez states in the opening moments of The Greatest Love Story Never Told, she’s highly aware of what the media has pondered about the multitude of marriages (4, to be precise) she’s partaken in over the course of her resilient career. And it’s that self-awareness and hopeful…

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Film Review: This Is Me…Now: A Love Story is a musical experience that earns Jennifer Lopez her flowers as the barrier-breaking entertainer she truly is

“Have you ever heard the story of Alida and Taroo?…” So begins Jennifer Lopez‘s semi autobiographical musical experience This Is Me…Now: A Love Story, a narrative accompaniment to her latest album, This Is Me…Now, an urban pop record that celebrates her reunion with now husband Ben Affleck, following their original romance some two decades prior….

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Series Review: Netflix’s adaptation of Boy Swallows Universe is an extravagantly intimate experience

There comes a point in Boy Swallows Universe – Netflix’s splashy adaptation of Trent Dalton‘s semi-autobiographical novel of the same name – where you beg for the creators to let the show’s lead feature, 13-year-old Eli Bell (a standout Felix Cameron), earn a moment to catch his breath.  Sure, it’d let us as viewers do…

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Series Review: Dr. Death Season 2 proves equally charming and unnerving as it details its sinister surgeon

Given how implicitly we (mostly) trust those in the medical profession it makes sense that such praise could give way to their intentional negligence.  And such is the case with the stories behind Dr. Death, a (now) anthology series that takes its inspiration from the Wonderey podcast that detailed egregious cases of medial malpractice. The…

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Series Review: Reacher Season 2 avoids a sophomore slump thanks to star Alan Ritchson’s humour and huskiness

Whilst it made sense for a character such as Jack Reacher to be opted for big screen treatment, it wasn’t quite as clear as to why he was realised through Tom Cruise.  From an action capability view it worked, and no one could ever question Cruise’s ability to get butts on seats, but the character…

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Streaming Review: The Prince of Egypt is a visual splendour fit for a king

Biblical stories have always been a favourite amongst theatregoers just ask Joseph with his dream coat and Godspell. The Prince of Egypt is no exception. The story – best known as an animated Dreamworks film – also makes for an epic and fun live theatre show, whether you’re watching it on the stage or streaming…

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