Album Review: Falling In Reverse – Just Like You (2015 LP)

Falling In Reverse have just released their most recent LP Just Like You. Since their controversial single, “Alone”, Ronnie Radke and his fellow band mates have gotten quite a following with their stylish direction in the post-hardcore scene and have been turning heads since their early days with “The Drug in Me is You”. Unfortunately, the band’s image has not been well-respected in the past but who’s to say there isn’t at least one track that can’t be enjoyed from the record? It’s a hard ball game to play but it doesn’t hurt to give this record a try either.

It’s a cathartic experience to hear Jacky Vincent’s stellar guitar work take the lead, revealing a match made in heaven with its electrifying moments. “Chemical Prisoner” and “God, If You Are Above…” are both solid in their element, illustrating Ronnie’s vocals reach their peak in conjunction with the outstanding guitar solos that weave their way through, adding incredible value to the record.

Quite easily a guilty pleasure number, “Just Like You” is cheeky with its charismatic instrumentals and upbeat chorus. It pokes fun at everything, showing little care towards the opinions of other people. The lyrics, “I am aware that I am an asshole”, is truthful with its intentions and one that plays part in the acknowledgement stage. It’s a childish track that takes away the maturity this band has but it’s one that can be appreciated by those who enjoy the thrill of making a mockery out of something.

Although the record showcases the band’s strength in musicality, it’s an overall letdown in terms of its consistency. Some tracks have been added as fillers which completely masks their underrated talent. Case in point with “Guillotine IV (The Final Chapter)” has too many overbearing breakdowns and becomes a little too tiring to listen to at this point. Following more of a metalcore approach, there’s a continuous pattern of chugga chugga instrumentation resonating from tracks like “Stay Away” and “Die For You” which shape up to be the most generic tracks from the record. Combining some aspects of EDM and dubstep, they lack in chemistry and it’s a shame to see this as both had so much potential to be better.

However, “Brother” was an absolute highlight, showcasing a bit of a surprise towards the end of the album. For a post-hardcore band that self-indulges in all things comedy-like, this explored the dimensions of an emotive side to the band. Dedicated to the passing of Ronnie’s older brother, the simplicity and grace it brought to the table was an elegant ballad. It was powerful in its delivery through its contemporary elements, highlighting Ronnie’s exceptional vocals. Even though the record itself had a messy direction musically, the closing track ended up finding its way again through its mature themes of pain and loss.

It’s frustrating to see a band not use their full potential but this record reassures listeners that there’s still talent left from Falling In Reverse. Through its clunky structure it’s hard to justify whether or not the band had any sense of direction with this record, but there are parts of it that will make you realise how passionate they really are.

Review Score: 6.5 out of 10

———-

This content has recently been ported from its original home on The AU Review: Music and may have formatting errors – images may not be showing up, or duplicated, and galleries may not be working. We are slowly fixing these issue. If you spot any major malfunctions making it impossible to read the content, however, please let us know at editor AT theaureview.com.