As the lead in Netflix’s The Lincoln Lawyer and flexing a more intimidating muscle on screen in films such as The Magnificent Seven, Sicario: Day of the Soldado, and Sweet Girl, it’s a welcome change when Manuel Garcia-Rulfo arrives in A Man Called Otto, beaming an infectious smile and displaying effortless charm. Said smile and…
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Welcome back, Mr. Hanks. After adopting a not-so-easy to digest accent and exaggerated acting style in Baz Luhrmann’s divisive Elvis, and whatever the hell that adaptation of (not Guillermo del Toro’s) Pinocchio was, America’s loveable dad has returned for another of his committed, affable turns in Marc Foster‘s A Man Called Otto; which is rather…
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