Adelaide Fringe

Burn It

Adelaide Fringe Review: Burn It is a raw yet humorous exploration of relationships

Arthur Art Bar is a gritty Fringe venue in the west end of Adelaide that has evolved over the last few years. Formerly a furniture store, it is known for its presentation of alternative and queer performances.  This year for the Fringe, the upstairs rooms, each barely larger than a bedroom have been converted for…

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MAARVELous

Adelaide Fringe Review: MARVELous the Show is a fun-filled sexy spectacular

As the audience files into The Flamingo Tent at Gluttony, a Deadpool like voice is making wisecracking commentary. We soon discover that there is indeed a Deadpool character seated amongst the unwitting patrons, and he is just as irreverent as the Marvel movie character. What ensues is essentially Deadpool reading us a naughty bedtime story,…

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Helen O'Connor

Adelaide Fringe Review: When “Partying with Manson” was a big thing

A voice cries out in the darkness. “You do a lot of crazy things when you’re eighteen. I killed Sharon Tate.” The spotlight shines on the grinning face of Susan Atkins (Helen O’Connor), one of the central protagonists in the infamous Manson murders. “How did we get here?”, she muses and launches immediately into a…

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Adelaide Fringe review: ‘The History of Hip Hop’ is fun but watered down

A History of Hip Hop lesson that gives more weight to Arrested Development than Big Daddy Kane (possibly the most seminal rapper of all time), Geto Boys (the first to really rap about mental illness and trauma with mainstream impact), or the likes of Queen Latifah, MC Lyte and Mobb Deep. That doesn’t sound very…

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Tom Weil

Adelaide Fringe Review: Tom Weil’s Sixth Sense is well tuned

Tom Weil is a magician and mind reader with 20 years of experience. This makes for a satisfying series of gasps and applause from the Adelaide Fringe audience packed into the Kingfisher tent in Gluttony. His particular speciality of mentalism leaves many wondering if, indeed, he can read minds. How did he predict where people…

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Prinnie Stevens

Adelaide Fringe Review: Prinnie Stevens celebrates the best of Tina Turner

Prinnie Stevens has been part of the Adelaide Fringe for several years, with her successful Lady Sings the Blues tribute to women in music and as one of the 2024 Fringe Ambassadors. For the 2025 season, in her latest cabaret show, Stevens has bought the music of Tina Turner to life.  The Woodville Town Hall is…

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4 ways to eat and drink well at Adelaide Fringe

The Adelaide Fringe is a hotbed of creativity, with artists and audiences from all over the world joining forces for an unrestrained orgy of imagination and innovation. But even the most dedicated festival-goers need some more literal sustenance. Fortunately, the Fringe also offers a broad range of culinary delights to satisfy every taste. Here’s what…

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Adelaide Fringe Review: Charlee Watt reimagines classic Beatles tunes

Charlee Watt is barely in her early twenties, yet she has taken a curated selection of Beatles tunes and made them her own. This year, the Adelaide Fringe has increased the number of performance hubs and Plant 4 at Bowden is one of those hubs. Charlee is playing at various venues, but this sunny Saturday…

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La Ronde

Adelaide Fringe Review: La Ronde is a jaw dropping feast of circus performance

Strut and Fret company have two shows in the Spiegeltent in Garden of Unearthly Delights this year, Limbo the Return and La Ronde. Both are extravagant ventures into circus, trapeze and aerial performances. Under director Scott Maidment’s keen eye for detail, La Ronde is a spectacular and captivating performance that keeps the energy levels high…

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MAHO Magic Bar

Adelaide Fringe Review: MAHO Magic Bar brings a taste of Tokyo to the Fringe

This is the third year for the successful MAHO Magic Bar in the Garden of Unearthly Delights. The room is set up like the magic bars in alleyways in Tokyo. Many of the show’s performers work or even own one of these magic bars, which is what makes the experience so authentic. While waiting for…

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Five tips for making the most of this year’s Adelaide Fringe

Adelaide Fringe has kicked off with its typical swagger, taking over the psyche of this historic small city and filling Adelaide’s streets, venues and gardens with just under a month of fun, experimentation and exceptional food. Festival veteran Alexis Buxton-Collins lets you know how to make the most of your time at Adelaide Fringe, whether…

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Limbo the Return

Adelaide Fringe review: Limbo the Return is a finely crafted cabaret gala

Limbo has been a favourite at the Adelaide Fringe Festival over the years. Director Scott Maidment has presented an acclaimed collection of shows such as Le Gateau Chocolat, The Purple Rabbit, The Party, Blanc de Blanc and of course the original Limbo. Having made its debut at the Adelaide Fringe in 2013, the show has…

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Adelaide Fringe Review: Playwright Henry Naylor brings Afghanistan to life

British playwright Henry Naylor presented his personal journey, a one-man monologue entitled, “Afghanistan is Not Funny” at Holden Street Theatre for the Adelaide Fringe. The original show was directed by Holden Street’s Artistic Director Martha Lott, and then was further developed by New York’s Soho Playhouse’s Artistic Director, Darren Lee Cole. The title is the…

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Adelaide Fringe Review: Elf Lyons Raven releasing inner demons using the power of mime

Elf Lyons bounces on stage. The audience is crammed into the basement-like Gallery Theatre, the front row with a plastic sheet “for protection.” In fact the entire set is covered in plastic, looking like Patrick Bateman’s room from one of the murder scenes from American Psycho. We’ve already been warmed up with a soundtrack including…

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Adelaide Fringe Review: Lydia Lunch and Joseph Keckler tell “Tales of Lust and Madness” – The Garage International (14.03.24)

Lydia Lunch and Joseph Keckler are both one-of-a-kind New York performers. The Garage International theatre is a converted church behind the Adelaide Town Hall and is an appropriate venue for the evening’s spoken word entertainment. Chandeliers incongruously light up the seating area in what was the hall, while ushers frantically add chairs to accommodate the…

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Adelaide Fringe Review: Japanese kraut-rockers Minami Deutsch heat up the Cranker

It was a hot summer evening in Adelaide for a night of psychedelia, with four bands on the bill at the Cranker (Crown and Anchor Hotel). Local outfits Nite Rites, Thunder Speaks and Sons of Zöku supported the highly anticipated Japanese Krautrock band MINAMI DEUTSCH, making their debut in Adelaide. Outside, the closed off Rundle Street…

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Adelaide Fringe Review: Infamous the Show is a sexy high flying circus with thrills galore

The Infamous circus tent is a beacon in Ellis Park, on Adelaide’s West Terrace, right next door to Adelaide High. The massive purpose built Spiegel big-top houses the Ashton Family touring circus. The circus was acquired by James Henry Ashton in 1850, and today is run by 6th generation Ashtons and is now known as…

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Adelaide Fringe Review: Plenty of Fish in the Sea is a rollicking shanty story

A sparse looking bedroom; a bed, wardrobe and a mirrorless mirror stand are the only props on stage. A nun drags the bed by a rope slung over her shoulder. Gazing out to sea, she casts a rod, landing herself a wayward traveller, apparently lost at sea. He lands on the bed, dazed and confused,…

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Adelaide Fringe review: Ten Thousand Hours proves that effort and perspiration have their rewards

Gravity and Other Myths is the company presenting the show Ten Thousand Hours. The title of the show pays respect to those performers who spend upwards of 10,000 hours honing their craft. It’s generally considered how much time is required to become competent at a craft. In a way there is a nod to both…

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Adelaide Fringe Review: The Masonic Hall basement hosts a plethora of visual experiences

The Masonic Hall on North terrace in Adelaide is an imposing building, that has a sense of curiosity to most people. For the 2024 season of the Adelaide Fringe, the Electric Dreams collective have bought together a selection of visual treats. Entrance to the shows are via the front entrance into the basement, where a…

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Adelaide Fringe Review: CIRCUS OF F[ACT]S is a fun-filled afternoon for the kids

The Adelaide Fringe is spread over several hubs around Adelaide, and indeed around the state. Fools Paradise in Victoria Square, in the city centre is one of those.  A couple of large circus tents, a trapeze school, food and drink outlets and some fun installations are dotted around. While it may not have the glamour…

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Maho Magic Bar

Adelaide Fringe review: The Maho Magic Bar is full of surprises

Recreating the feeling of the famous magic bars dotted throughout Tokyo, The Maho Magic Bar has set up shop in Adelaide Fringe‘s Garden of Unearthly Delights. The Garden itself is probably the best known hub of the Fringe, in the parklands east of Rundle Street in Adelaide. While the clientele relaxes in the outside bar waiting…

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Adelaide Fringe review: Prinnie Stevens is back with Lady Sings the Blues Vol 2

After the success of Lady Sings the Blues at the Adelaide Fringe in 2022, Prinnie Stevens is back this year with the second instalment of her show. With such an incredible array of blues artists that have shaped today’s musical world, it’s only fitting that the music deserves a second chance. This year the show…

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Adelaide Fringe Review: The Inflatable Church is Europe’s quirkiest wedding venue

One thing that the Adelaide fringe is known for, is bringing strange and unusual events to the city. One of those is The Inflatable Church, which has come all the way from the European Fringe circuit. It’s like a giant inflatable jumping castle, but all the fun happens on the inside. It’s unholy matrimony, where…

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Adelaide Fringe Review: Starwheels – Full Dome Immersive Experience at Adelaide Planetarium

The Adelaide Planetarium is a thirty seat dome in the Mawson Lakes campus of the Adelaide University. Normally used for demonstrating the movements of our celestial system, tonight the idea is to be fully immersed in a sound and light experience. The team behind the show, Sacred Resonance have been presenting sound and light experiences…

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Adelaide Fringe Review: Michael Shafar is definitely well worth the chemo

Michael Shafar is a testicular cancer survivor, hence the chemo joke. It was what his oncologist told him after he had seen the show; “You were well worth the chemo, Michael.” Which is a pretty good recommendation. On a Tuesday night after a long weekend, the house is full. Even if the stage is an…

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Adelaide Fringe Review: Ari Arari is a spectacular Korean folk musical

Ari Arari is a musical based on a 600-year-old Korean folk song. “Arirang” is surmised to mean “my beautiful one,” and the story is set in the Gangwon Province of Korea. Symbolic of the enduring bond between North and South Korea, it is a sweeping epic story of a daughter’s search for her carpenter father…

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Adelaide Fringe Review: Black and White Tea Room – Counsellor is a carefully crafted psychological drama

A man sits reading in a room, surrounded by artefacts of a past era; a record player, an unfinished abstract oil painting; a rotary telephone. He’s a counsellor (Cha Hyun-suk, who also wrote and directed the play) and he is expecting a patient. His patient (Taesik Shim) is to be his last before he retires…

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Adelaide Fringe Review: Hello, The Hell: Othello is a darkly funny Korean play

Adelaide Arts Theatre is hosting the first ever Korean season for the Adelaide Fringe. AtoBiz and Global Cultural Exchange Committee have hand picked a small selection of physical theatre and music shows. The story Hello the Hell: Othello is a play by Creative Jakhwa, a young team that started with the meaning of “flowering a…

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Adelaide Fringe Review: Rouge goes Rogue is saucy fun and entertaining

The late night performance of Rouge is a little bit more saucy and raucous than the earlier evening shows, but with all the passion and fun that one expects. There’s a feeling of rawness and spontaneity that begins soon after the audience fills the Moa tent in Gluttony. In tight black pants, high heels and…

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