Adelaide Fringe

Sam Songailo

Adelaide Fringe Review: Augmented Reality mural activation brings street art to life in Port Adelaide

Port Adelaide has long been a street art hub, with the Wonderwalls Festival being a celebrated event. Both local and international artists have produced large scale murals, making the Port an artistic destination. For the 2022 Adelaide Fringe, Adelaide artists Vans the Omega and Dave Court have combined forces to create virtual reality interpretations of…

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Adelaide Fringe Review: Kira Yang is Not Your Average Asian Girl

It’s not a particularly good start when the venue doors open late, and the show starts before everyone enters. Then again, it’s probably a reflection of the popularity of Kira Yang filling the Nexus Cabaret room. Kira, front and centre, is the subject of Not Your Average Asian Girl, following her transformation from being quiet…

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Brendan Clare

Adelaide Fringe Interview: Brendan Clare demystifies the stigma around autism

Introducing Brendan Clare: actor, husband, father, IT nerd. Diagnosed with autism in his 40s, he faces his fears to tell his story with humour and heart. Brendan will look back on moments that were bewildering and disturbing, but now seem profound and illuminating. The AU Review sat down with him before his first Adelaide Fringe…

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Adelaide Fringe Review: The Purple Rabbit is full of magical surprises

The Strut and Fret Production Company have had a very successful relationship with the Adelaide Fringe over the years. Popular shows such as Limbo and Blanc de Blanc have had sell-out seasons. Their latest offering, The Purple Rabbit is easily set to follow this trend. The show is set at the Roundhouse, in the Garden…

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Adelaide Fringe Review: Discovering the difference between Soggy and Moist

What is the difference between Soggy and Moist? For this Scratch Arts team, it’s the level of camp, clothing, and age relevancy. Both shows use the same actors. They both have the same storyline. Both feature bubbles and fun props. But they are aimed at very different markets. Loosely the story is that our hero…

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Adelaide Fringe Review: Arcadia takes us on an unknown journey

As the lights go down in the Octagon tent in Gluttony, three dancers emerge on stage in billowing sheets. It sets a sexy sultry mood. Arcadia is described as a “Journey to a desert utopia celebrating idealistic social values of the wild and free.” The mood suddenly changes as Stevie Wonder’s “Higher Ground” sounds out….

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Adelaide Fringe Review: Suren Jayemanne describes being an Industry Darling Adjacent

The Rhino Room is considered Adelaide’s premier venue for comedy. The 2022 Fringe program is huge and this year they’re hosting over 50 performers with 16 shows per night, five nights a week. With this incredible choice, it can be difficult for some performers to break through the noise and find an audience. It was…

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Blanc de Blanc Encore

Adelaide Fringe Gallery: Blanc de Blanc Encore at the Garden of Unearthly Delights

Strut & Fret’s Blanc de Blanc have been a popular part of the Adelaide Fringe in recent years, and this year the team returns for an Encore. With all the glam, glitz, cabaret, burlesque, camp and tasteful nudity we’ve come to expect, there is something for almost all of the family. Acrobats twirl overhead and…

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Adelaide Fringe Review: Electric Dreams’ Anthropocene in C Major is an inspired, if sobering, climate change symphony

The Electric Dreams collective are presenting several immersive arts programs for the 2022 Adelaide Fringe. These include the alternate realities of Bedtime Stories, Volo: Dreams of Flight interactive VR swings, First Nations centerpiece performance Sky Song, and more. This reviewer found themselves in the confines of the Pacific Islander room at the Adelaide Museum, where…

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Adelaide Fringe Review: Surviving Matt Hale’s Hypnotic Chaos

Matt Hale is a self-confessed comedy hypnotist, with self-help motivational and corporate entertainment packages a major part of his life. It makes sense then that a show called Absolute Chaos would be on the Fringe list. Hale’s introduction to the show is measured, thorough and complete. He explains the process and jokingly warns that even…

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Sarah Gaul

Adelaide Fringe Review: Sarah Gaul wants to be a WIFE. Or does she?

Sarah Gaul is a 31-year-old woman who’s been to more weddings in the last six months than she cares to admit. Always the bridesmaid but never the bride? Sarah takes the audience on a journey into her world, her take on relationships and what makes her tick. First things first, Sarah is an eco-warrior. She…

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Adelaide Fringe Review: Massaoke Oz brings late night party dance favourites back

The Massaoke Oz open air sing-along dance spectacular is back at Moa in Gluttony for more Fringe fun. The five-piece band decked out in glitter and glam certainly warmed up the crowd with all the party tune favorites from the 70s, 80s and 90s. A relaxation in COVID rules meant that you could dance, albeit…

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Adelaide Fringe Review: Someday – A Mindful Cabaret lifts the spirits high

Jennifer Trijo, OzAsia and Fringe Festival performer, has created Someday – A Mindful Cabaret performance at artist collective space The Mill. Together with performers Amber Fibrosi and Jakub Gaudasinski, the trio perform soulful and uplifting songs as well as challenging ourselves to be the best that we can be. Early in the performance there is…

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GODZ

A taste of Adelaide Fringe’s 20th Garden of Unearthly Delights

We were invited to a special media preview in The Garden of Unearthly Delights, celebrating 20 years as being part of the Adelaide Fringe. Director Scott Maidment introduced a few selected acts in the gorgeous Spiegeltent. First up was Mirko, direct from Berlin and part of the Blanc de Blanc Encore, with his newly developed…

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Interview: Comedian Michael Shafar on going viral on Chinese social media ahead of Adelaide Fringe

Michael Shafar is a Jewish lawyer turned comedian who relates his cancer recovery in his stand up shows. We chatted ahead of his upcoming season at the Adelaide Fringe. How did your show go back at the Fringe – was it two years ago or last year? I mean it feels like it’s a decade…

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Sky Song lands at Adelaide Fringe 2022: Combining aerial drones with music from First Nations artists

The centrepiece of the 2022 Adelaide Fringe is set to be Sky Song, combining aerial drones with music from First Nations artists. Running for 31 nights at the Adelaide Showgrounds, the event will combine state of the art technology from Celestial with traditional Indigenous music. Narrated by the iconic Archie Roach, a swarm of drones…

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Adelaide Fringe Review: Daniel Muggleton is so much more than Mr White Guy

Daniel Muggleton leaps out onto the stage at Adelaide Fringe, both noticeable and memorable for his bright red tracksuit. A fine fashion choice? Probably not, but if you Google “tracksuit comedian”, he is on the top of the list. So, it’s perhaps a wise one. The venue (Gluttony‘s Piglet) is probably not the best available…

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Adelaide Fringe Review: Barbaroi is a fast paced action show

A lone wanderer stumbles amongst a crew of meta-human misfits in a dystopian world, industrial, cyberpunk in the not-too-distant future. This is the Barbaroi and this is her initiation. The stage is stripped, stark, future industrial and feels like a movie set. A driving contemporary musical backdrop includes artists such as NIN, Radiohead and early…

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Adelaide Fringe Review: Confessions of a Fake-Fake Psychic exposes magical secrets

As the audience assembles in the foyer of the Mill, yellow envelopes are handed out. The instructions are to write a question for the Fake-Fake Psychic and seal them within the envelope. We place them in a glass bowl near the stage as we enter. A statement is projected up on the screen. Words are…

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Adelaide Fringe Review: Hugh Sheridan’s HUGHMAN hits the right notes

The open-air MOA mini stadium at the rear of Gluttony was literally packed to the rafters. A dedicated crowd of followers of Hugh Sheridan were there to watch him strut his stuff in HUGHMAN. Bursting onstage, Sheridan soon spotted a Crows-guernsey-wearing man and pulled him on stage. Surprise. He’s one of the plethora of dancers…

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Yas Queen

Adelaide Fringe Review: Yas Queen belts out the show tunes in Leather Lungs

My closing memory of Yas Queen is a rousing rendition of Queen’s “Somebody to Love” with the audience standing and cheering a stunning performance. The journey along the way was a roller coaster ride of emotion. The opening number was also strong, but a number of factors threatened to derail the show. There was the…

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Adelaide Fringe Review: 3 Course Comedy serves up the laughs

To say that it’s been a difficult time for the arts industry over the last year is an understatement. The Adelaide Fringe was one of the last events held in 2020 before Coronavirus hit and is now back in a far reduced capacity and social distance friendly way. Which doesn’t mean that everything is smooth…

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Adelaide Fringe Review: Reuben Kaye leads us down his Kaye Hole

Reuben Kaye is no stranger to Adelaide audiences. He is entertained and delighted us over several festivals and fringes. As emcee tonight, Kaye invites us down his late-night Kaye Hole with a group of fellow performers. The Kaye Hole is a safe place, except if you’re a straight heterosexual man who, for once, find themselves…

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Adelaide Fringe Review: Paul McDermott and his PLUS ONE serve up some hilarious home truths

You may remember Paul McDermott from our television screens back in the eighties as one of the Doug Anthony All Stars. He’s not as stunningly attractive these days, but with his new bearded look, one could say that he’s still got a certain appeal – to other men with beards, perhaps. Forty years of entertaining…

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Adults Only Magic Show

Adelaide Fringe Review: The Showmen’s Adults Only Magic Show entertains and delights

Magic duo Sam & Justin (known as The Showmen) present the Adult Only Magic Show at Gluttony. The show is marketed as an incredible array of hilariously raucous comedy, mind-bending illusions and stunningly dangerous stunts. The fast-paced show has plenty of audience participation with free drink cards for those helping on stage. Not that many…

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Don't Feed The Ducks

Adelaide Fringe Review: Amy Hetherington on why not to feed the ducks

Amy Hetherington’s one-person stand-up show Don’t Feed The Ducks is a little of a misnomer. If you are expecting an hour of duck jokes, you’d be disappointed. There are duck jokes. But, there’s also a whole lot more to the show. From the moment that the audience are squeezed into the broom-cupboard sized Hell’s Kitchen at…

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Rouge

Adelaide Fringe Review: Rouge is a fun and sexy celebration

There was a good crowd in the Magic Mirror Spiegeltent for the final weekend performance of Rouge. Despite the increasing talk of COVID-19 in the press, audiences remained undaunted and expectant. The tent has a circular stage in the centre, with good views all round. The high fabric and glass covered walls gave the space…

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Adelaide Fringe Review: Shark Heist is a wild and crazy trip – Rhino Room (10.03.20)

As the audience is shepherded into the tiny downstairs Hell Fire space in the Rhino Room venue, they are greeted by a bearded man wearing nothing but a pair of white briefs. Smiling and friendly, he welcomes everyone with open arms. This is going to be a very intimate performance. Cam Venn explains the show…

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Adelaide Fringe Review: Dystopia is the original Heavy Metal Circus-Opera (07.03.20)

Dystopia is a dark fantastical production set in a post-apocalyptic future Earth. The opening screen shows a static montage of bomber planes, skulls, wartime destruction. This sets the scene for the performance to come. The audience catches glimpses of the characters, an elfin ballerina, a doll, lone guitarist, a zombie troupe and more. The lone…

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Adelaide Fringe Review: Rip, Drag and Ruminate showcases final year dancers – Adelaide College of the Arts (28.02.20)

Rip, Drag and Ruminate is a collection of short works from the Adelaide College of the Arts 3rd Year Dancers. Six pieces were presented. The opening sequence by Isobel Stolinski, “To Whom it May Concern”, dealt with art censorship and scrutiny. The Acid Arab soundtrack helped to create an uplifting message which contrasted with the…

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