Alex Proyas has long been one of Australia’s greatest directorial exports. Biding his time between international and local fare – in the same sentence of his work you can mention 1994’s defining The Crow, the ambitious neo-noir sci-fi thriller Dark City, and the blockbuster Will Smith outing I, Robot – the filmmaker has made a…
Read More
Gods of Egypt isn’t bad – but it certainly feels out of place. It feels like an effects-heavy blockbuster from a time before superheroes ruled the box office. With no spandex in sight, the movie stands out like a sore thumb. While this does the movie some favors, there’s plenty of other missteps which act as…
Read More
