Given the ambition he showed with his Mad Max-meets-Dawn of the Dead B-grade genre piece Wyrmwood (and its respective sequel), it makes sense that Australian director Kiah Roache-Turner would continue his genre mash-ups for his follow-up. What proves surprising, however, is that for Sting, an ode to the creature feature (and, fittingly, Australia’s fear of…
Read MoreGiven the ambition he showed with his Mad Max-meets-Dawn of the Dead B-grade genre piece Wyrmwood (and its respective sequel), it makes sense that Australian director Kiah Roache-Turner would continue his genre mash-ups for his follow-up. What proves surprising, however, is that for Sting, an ode to the creature feature (and, fittingly, Australia’s fear of…
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