Bell Shakespeare Company’s latest production of The Merchant of Venice has a few high points. But overall Director Anne-Louise Sarks has played it pretty safe and as a result there’s nothing about this show that really stands out. Listed among Shakespeare’s comedies, The Merchant of Venice contains some of Shakespeare’s most well-known characters. First, there’s…
Read MoreWhen I heard Kate Mulvany’s casting in the lead of Bell Shakespeare’s latest adaption of Richard 3 my first thought was “cool- genderbend Shakespeare!”. But as it turns out that’s not really what the casting was about at all. This casting was about the right person to play the twisted villainous role, and Mulvany was absolutely the…
Read MoreThe world’s most recognized story proves it’s still got something new to share in this latest production of Romeo and Juliet by Bell Shakespeare. Whether it be in the heights of the stage’s scaffold set, or the choreography of its power swordplay, or in the hilarious delivery of well-loved lines that we never knew we…
Read MoreRomeo And Juliet. The classic tale of forbidden love and the passion of youth, and the first programme by Peter Evans as the new Artistic Director of Bell Shakespeare. We searched for the light through yonder window and found Kelly Paterniti, the productions Juliet, to discuss tackling the world’s most famous leading role, pivotal moments…
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