Bill Skarsgard

Interview: Boy Kills World director Moritz Mohr on choreography, creativity and French cookies; “The heck if I could tell you how it came to be.”

In his directorial feature film debut, Moritz Mohr aimed for the jugular, and bloodied it out with gusto.  Boy Kills World (you can read our review here) is a balls-to-the-wall action flick about a deaf and mute orphan who is trained by a mysterious shaman to repress his childish imagination and become an instrument of…

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Film Review: Boy Kills World is a bonkers live-action cartoon that delights in its brutal creativty

Childlike yet ultra violent, there’s a lot of style over substance when it comes to Mortiz Mohr‘s Boy Kills World, an exaggerated, audacious, attention-seeking actioner that doesn’t have much to say, but succeeds at being a delirious slice of escapism that deserves points for the fact that it’s a bonkers, live-action (R-rated) cartoon that speaks…

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Bill Skarsgård has revenge on the brain – and a surprising inner voice – in wild first trailer for Boy Kills World

From It to “It will hurt”, Bill Skarsgård is set to unleash a lot of pain if this first-look trailer for his wild new revenge flick Boy Kills World is anything to go by. Skarsgård stars as “Boy” who vows revenge after his family is murdered by Hilda Van Der Koy (Famke Janssen), the deranged…

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Film Review: John Wick: Chapter 4 continues to push the boundaries of the action genre’s capabilities with a grand, operatic manus

It’s hard to believe that, at one point, 2014’s John Wick was practically considered dead on arrival.  A combination of unproven directors (eventual franchise mainstay Chad Stahelski and uncredited “co-director” David Leitch), a screenwriter with only a duo of barely-registered titles under him (Derek Kolstad), and a lead actor with a slew of underperforming box…

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Film Review: Barbarian elevates its simple premise with dark humour and unsettling terror

The premise for Barbarian is almost insultingly simple that its ultimate outcome feels all the more revelatory, thanks to writer/director Zach Cregger expanding on his narrative familiarity with intrigue, dark humour and unsettling terror. A film that has two distinct halves but manages to still feel cohesive in spite of its shift, Barbarian initially sets up…

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Film Review: Nine Days is storytelling in its purest form

With an incredibly vague premise that could read as pretentiously high-concept, Nine Days is the type of life-altering experience that, as cliched as it is to state, needs to be seen to be believed. A powerful piece of storytelling that announces writer/director Edson Oda as a major talent to keep tabs on, Nine Days centres…

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Film Review: IT (USA, 2017) is exactly as scary and as fun as you hoped it would be

In the early part of a person’s life, there is always that one scary story, whether it takes the form of a book, a campfire tale or a film, that will inherently scar a person for life when experienced. In my case (and that of many others), that story is Stephen King‘s IT.

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