Brisbane International Film Festival

Blue Bayou is an intimate drama detailing an invaluable message about the state of immigration: Brisbane International Film Festival review

Immigration is a topic that’s quite intensely debated across the world, particularly in the United States.  And in Blue Bayou, a spotlight is shone on a specific group of immigrants, those that come to a country as infants with little to no recollection of their homeland and, quite often, had no other choice. Such is…

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The Drover’s Wife: The Legend of Molly Johnson is an ambitious yet shaky filmic adaptation: Brisbane International Film Festival Review

Lending an air of femininity to the western genre – one so often entangled with a masculine temperament – without compromising its rooted personality, Leah Purcell‘s The Drover’s Wife: The Legend of Molly Johnson is the cinematic incarnation of her penned 2016 stage play and 2019 novel, all inspired by Henry Lawson‘s short story, “The…

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The Brisbane International Film Festival to “reboot” and return after three year hiatus

The Brisbane International Film Festival is ready to return in 2017 with its first screening program in three years, thanks to the support of the Queensland Government through Screen Queensland and the expertise of industry partner Palace Cinemas. The Brisbane International Film Festival will run from August 17th until September 3rd and will be co-directed…

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BIFF Review – Venus in Fur (France/Poland, 2013)

Earlier this year, I was fortunate enough to see the Australian premiere of Venus in Fur in its original form as a production from Queensland Theatre Company. The play easily joined the ranks of my favourite experiences at the theatre, and completely won me over with its winning combination of comedy and drama. So when I heard that Roman…

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BIFF Review – All Is Lost (USA, 2013)

“I’m sorry. I know that means little at this point, but I am. I tried. I think you would all agree that I tried. To be true, to be strong, to be kind, to love, to be right. But I wasn’t.” With these few words, so begins All Is Lost, an incredible film about one man’s struggle…

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BIFF Review – Only Lovers Left Alive (USA, 2013)

Seeing Only Lovers Left Alive at the Brisbane International Film Festival was the best kind of surprise. The title alone had piqued my interest, and the synopsis ensured that this would at least be an unusual film, if anything. But Only Lovers Left Alive completely and utterly stole my heart right from the first frame…

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BIFF Review – Don Jon (USA, 2013)

As BIFF winds down the movies certainly do not. The last screening of Joseph Gordon-Levitt’s Don Jon graced the Palace Cinemas last night and guests were greeted with champagne and a chance to be photographed. It was a nice touch to bring a little bit of Hollywood to Brisbane. Anticipation for Don Jon  has been brimming…

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BIFF Film Review – Blue Is The Warmest Colour (France, 2013)

As with many European Art films, Blue Is The Warmest Colour requires patience. The film moves at a snail’s pace but this is only to increase the drama and tension at pivotal turning points in the narrative. That being said, Blue Is The Warmest Colour is a beautiful character study that, with its depiction and…

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BIFF Film Review: Foxfire (France/Canada, 2012)

Foxfire screened at Biff Wednesday night at Palace Cinemas. The film runs dangerously close to three hours but thankfully you won’t notice it until you step out of the theatre bleary-eyed onto the busy, buzzing barracks shopping complex. This isn’t the first time Foxfire has entered the minds of girls, women and people everywhere. The…

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BIFF Film Review – The Railway Man (UK/Australia, 2013)

It’s refreshing to see a war film that doesn’t concentrate on the ‘fighting’ aspect of war. Instead, The Railway Man, which opened the Brisbane International Film Festival, focuses on the effects of war such as post-traumatic stress disorder and its devastating nature for decades to come. Based on the autobiography by Eric Lomax, the film…

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BIFF Film Review – OXV: The Manual (Australia/UK, 2013)

OXV: The Manual is unlike any other film you’ve seen, it’s even coined a new genre: the ‘scientific-philosophical romance’. It breaks free from genre conventions to deliver a unique story that presents a new look on fate, determinism and freewill. The film may take a few viewings to fully grasp the rules of writer/director Darren…

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BIFF Film Review: The Act of Killing (Denmark, Norway, UK, 2012)

Viewers going in to see this documentary were warned that it was going to be grizzly. But none were prepared for the disturbing images this film produced. Most of which were re-enactments and fantasies, but they were all horrific and true. The Act of Killing focuses on a group of retired gangsters in Indonesia. In…

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BIFF Film Review: Six Degrees of Separation (USA, 1993)

One of the great things about Brisbane International Film Festival is not only the celebration of new films and innovations but also the celebration of old ones. Six Degrees of Separation is almost incidentally nostalgic of New York, the 90s and the fantasy of socialites. Though there’s been enough time to get informed, it’s obvious…

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BIFF Film Review: The Congress (Israel/Germany/France, 2013)

You know when you watch a film, and when someone asks you to describe what you just watched you’re completely lost for words? Ari Folman’s The Congress is one of those films. It’s a psychedelic rabbit hole that you’ll tumble down with increasing velocity, leaving logic and reason behind for an experience like no other. Robin Wright stars…

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On The Red Carpet: Brisbane International Film Festival (BIFF) Opening Night 2013.

It’s that time of the year again when not only the social and cultural Brisbanites band together but people come from all around the world for the Brisbane International Film Festival. A little bit of Hollywood found its way to Brisbane’s renowned Gallery of Modern Art on Wednesday night when the red carpet rolled out,…

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