The year that was 2024 in film. Gladicked wasn’t quite Barbenheimer 2.0. Scary movies ruled all (wait, is horror back?). Audiences weren’t Kraven’ superheroes – unless they were Hugh Jackman. Nicholas Hoult quietly emerged as the year’s most reliable leading man. And, like last year, originality was far more satiating. Here at the AU Review…
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The prospect of being stuck in a cab for 90 minutes with a driver that isn’t afraid to wax lyrical about the dynamics of men and women doesn’t exactly sound like the most pleasant experience. And whilst that it is the entire premise of Christy Hall‘s conversation-provoking Daddio, audiences pre-empting their annoyance at such a…
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The prospect of being stuck in a cab for 90 minutes with a driver that isn’t afraid to wax lyrical about the dynamics of men and women doesn’t exactly sound like the most pleasant experience. And whilst that it is the entire premise of Christy Hall‘s conversation-provoking Daddio, audiences pre-empting their annoyance at such a…
Read More