da’vine joy randolph

Film Review: The Holdovers is a lived-in comedy that crackles in its quieter moments of reflection

After the misstep that was 2017’s ambitious Downsizing, writer/director Alexander Payne returns to more familiar territory in The Holdovers.  Familiar in the sense that the high-school setting brings to mind his biting 1999 black comedy Election, his lead, Paul Giamatti, is a pitch-perfect educator, like his 2004 standout Sideways, and the dialogue peppered throughout is…

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Interview: Da’Vine Joy Randolph on navigating grief and class in The Holdovers; “There’s a privilege in showing emotion. And my character doesn’t have that privilege.”

The Holdovers reunites Sideways’ director Alexander Payne and Paul Giamatti in a holiday story of three lonely, shipwrecked people at a New England boarding school over winter break in 1970.  Giamatti stars as Paul Hunham, a curmudgeonly instructor who is forced to remain on campus during Christmas break to babysit the handful of students with…

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Film Review: The Lost City is a playful romp elevated by the charm of Sandra Bullock and Channing Tatum

Reminiscent of the studio mentality of days (years, even) gone by of when the star-driven comedy was enough of a draw to reel audiences in, Adam and Aaron Nee‘s throwback romp The Lost City serves as a healthy reminder that not all playful, high-concept comedies have to exist solely for the streaming services. Resuscitating the…

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