Dominic Sessa

Film Review: The Holdovers is a lived-in comedy that crackles in its quieter moments of reflection

After the misstep that was 2017’s ambitious Downsizing, writer/director Alexander Payne returns to more familiar territory in The Holdovers.  Familiar in the sense that the high-school setting brings to mind his biting 1999 black comedy Election, his lead, Paul Giamatti, is a pitch-perfect educator, like his 2004 standout Sideways, and the dialogue peppered throughout is…

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