The act of (or is it the art of) lip-syncing is one that practically goes part and parcel within the realms of pop music. Some artists do so because their studio vocals can’t possibly be emulated live. Others rely on such due to demanding dance routines. And then there are those that, well, can’t sing…
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Heartstopper Season 2 continues to explore the importance of representation. Not only in the LGBTQIA+ community, but through families, relationships, friendships, and abilities. The heartfelt romantic tv drama series aired on Netflix on the 3rd of August, produced by See-Saw Productions, written by Alice Oseman, and directed by Euros Lyn. Based on Oseman’s webcomic and…
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Though its title may suggest it’s a comedy of somewhat raunchy proportions, Renée Webster‘s assured debut feature film How to Please a Woman is a far more accessible, rather delightful dramedy that furthers the female view in a male-dominated industry. Filmed in Western Australia (and looking particularly stunning in the process), Webster’s film centres around…
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2019’s Downton Abbey, a filmic continuation of the long-running upstairs/downstairs television series that very much played to its strengths of catering to its devoted fans, was a product that very much felt like it had little interest in truly introducing a new dynamic. For Downton Abbey: A New Era, its bi-line is particularly apt, with…
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Whilst C’mon C’mon is the type of film that ultimately holds you down to listen to what it has to say, Mike Mills constructs it in such a way that it’s a more emotional and gradual experience. There’s a texture in the way he presents his narrative, culminating in a manner that when stepped away…
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There’s something of a full circle moment experienced with Am I OK?, Tig Notaro and Stephanie Allynne‘s co-directorial feature debut. The real-life couple, who met on the set of a Sundance selection title (2013’s In A World…), return to the festival as married women detailing their own journey of self-discovery and acceptance with a film…
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Whilst there’s no surprise revealed in the fact that Emma Thompson truly deserves to be considered one of the greatest living actresses working today, it’s always appreciated when a performance solidifies such a statement. And in the deliriously charming and strikingly emotional Good Luck To You, Leo Grande, Thompson turns in career-best work that leans…
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In the opening moments of Pablo Larraín‘s Spencer, his subject – Princess Diana (Kristen Stewart, beyond impressive) – hopes to maintain any shred of autonomy she can through a lifestyle she knows has wildly altered her reality. Late to a family Christmas celebratory weekend – the film focuses on December 24th-26th in the early 1990’s,…
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Though it’s undeniable what a powerhouse actor and director Clint Eastwood is – he won the Best Director and Best Picture Academy Award twice, for those keeping score – Cry Macho is proof that he’s losing his touch. His fourth film in three years – following 15:17 To Paris, The Mule, and Richard Jewell –…
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Immigration is a topic that’s quite intensely debated across the world, particularly in the United States. And in Blue Bayou, a spotlight is shone on a specific group of immigrants, those that come to a country as infants with little to no recollection of their homeland and, quite often, had no other choice. Such is…
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Immigration is a topic that’s quite intensely debated across the world, particularly in the United States. And in Blue Bayou, a spotlight is shone on a specific group of immigrants, those that come to a country as infants with little to no recollection of their homeland and, quite often, had no other choice. Such is…
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As easy as it would be to accuse a film like Streamline of adhering to the stereotypical tragic narrative that seems to be at the undercurrent of the majority of Australian dramas, Tyson Wade Johnston manages to include subtle commentary on the notion of toxic masculinity within the sporting field – here, specifically swimming –…
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With an incredibly vague premise that could read as pretentiously high-concept, Nine Days is the type of life-altering experience that, as cliched as it is to state, needs to be seen to be believed. A powerful piece of storytelling that announces writer/director Edson Oda as a major talent to keep tabs on, Nine Days centres…
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The first episode of The White Lotus, the latest darkly comedic effort from the mind of Mike White (Enlightened), sets itself up as a more humorous Big Little Lies, offering a seasonal hook in the first few minutes that suggests the titular paradisal resort is anything but. A stoic Shane (Jake Lacy) sits at an…
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Starting on a blackly comic note and ending on a vastly different one of dramatic grit, Mickey Reece‘s Agnes is a truly confounding piece. Inserting a narrative and tonal shift half-way through its proceedings, Reece has created a unique film without question, but it’s one that is likely to irk viewers who could respond so…
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Given that Shapeless is an incredibly personal film to lead actress and writer Kelly Murtagh, detailing a disorder that cripples many, it’s a somewhat painful experience to be framing a review in a negative light. There’s a dark, unforgiving movie in here somewhere, one that expresses no fear in manifesting her struggle with bulimia in…
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Despite a rather sunny marketing campaign – the poster alone evokes feelings of joy – June Again is a far more emotionally devastating feature than audiences may be expecting. That’s certainly not a criticism on behalf of JJ Winlove‘s feature film debut, more a light warning to audiences who may not be prepared for its…
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British businessman Greville Wynne (Benedict Cumberbatch) doesn’t have the most suave persona. And it’s because of this very reason that MI5 and the CIA have collaborated in their bid to maximise the potential of an insider during the time of America and Russian intensifying their nuclear arms race. “You drink too much and you’re not…
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As much as The Mauritanian can boast Jodie Foster (in her Golden Globe-winning role), Benedict Cumberbatch and Shailene Woodley as its headliners, it’s the central performance from the lesser-known Tahar Rahim that ultimately impresses and grounds the film around him. A factual-based dramatic thriller detailing some of the supposed inner workings of the 9/11 terrorism…
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As displayed by her effortless wit and charm in the opening seconds of Introducing, Selma Blair, the actress’ own self-awareness has been one of her pillars of strength as she battles multiple sclerosis (MS). Always aware of her supporting actress stance in Hollywood – the star noting as such throughout – the Legally Blonde alum…
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A devastatingly topical drama surrounding a school shooting and the emotional and psychological damage such a tragedy can cause for its survivors, The Fallout takes a quieter, more intimate look at the unseen faces – those that aren’t framed in the media as “a survivor”, merely fellow students who are unsure how to navigate their…
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A film that takes pride in its conversational awareness of both the LGBTIQA+ and deaf and/or hard of hearing communities, Unsound may not always hit the right notes but there’s plenty of charm in the melody along the way. Centred around deaf Sydney-sider Finn (Yiana Pandelis), a transgender man navigating the complexities of being trans…
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The framing of My Fiona‘s opening scene is laced with a certain tension that very much clues the audience in on the fact that the film’s protagonist, Jeanette Maus‘s Jane, is about to have her life horrifically shattered. It’s an emotional, painful way for us to bond with a character, but it immediately establishes a…
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The opening of Chloe Zhao’s Nomadland opens with a sobering statistic. In Nevada, a small town – Empire – has essentially become a ghost town due to the local Gypsum plant closing down amid the recession. The Empire residents, most of whom lived in company-owned homes, had to vacate in masses, deactivating the town’s zip…
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You’d be forgiven for reading the plot outline for Another Round and assuming wacky comedic hijinks would ensue. Based around a surprisingly real theory put forward by Norwegian psychiatrist Finn Skårderud, who suggested that humans could operate at their best with a consistent blood alcohol level of .05%, Thomas Vinterberg‘s dramedy is occasionally humorous as…
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After introducing itself as a film that promises there’ll be no sugarcoating its subject matter – the first thing we hear are the audible moans and verbal berating from a pornographic film, and the first thing we see is the extremely graphic imagery of a young girl’s privates in the shower – Ninja Thyberg‘s confronting…
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With Nomadland currently doing the rounds and collecting its share of awards in the lead-up to a presumed heft of Oscar nominations, a film like Land being release is curious timing. It’ll inevitably be compared to Chloe Zhao’s inward masterpiece and, in its own way, it’s something of a more digestible, audience friendly take on…
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The notion of a biological clock and its exclusivity to women is a road travelled many a time over the course of cinematic history. Such an idea pertaining to men however is another story entirely, and one that has seldom been explored. Enter, Together Together. Written and directed by Nicole Beckwith (returning to Sundance 6…
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An agonising drama if ever there was one, Mass details the type of conversation that instantly makes you feel sickeningly uncomfortable. And then to watch it unfold in a suffocating location for 110 minutes is a test of endurance that audiences may be unprepared for. The tragedy at the centre of the conversation is one…
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In How It Ends, the joint-directorial effort from Daryl Wein (Lola Versus) and Zoe Lister-Jones (The Craft: Legacy), the question is proposed of what would you do if you knew the world was coming to an end?. It’s a question that has familiarity to it, but Wein and Lister-Jones have the smarts and wit to…
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