There’s a series of odd interludes dispersed throughout Pascual Sisto‘s unnerving thriller John and the Hole that suggest the story at hand has been passed down over time as something of a fable, one that impressionable young children may construe as a challenge on how they view their own relationship with their supposed elders. It’s…
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Although Malcolm & Marie was one of the first films to be announced as a “made during COVID-19” production, it thankfully has nothing to do with the global catastrophe. Instead, writer/director Sam Levinson (creator of HBO’s Euphoria) has opted for an in-house tragedy revolving around the titular couple (John David Washington‘s Malcolm and Zendaya‘s Marie)…
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Prepare for another social season. Bridgerton, the romantic, scandalous, and quick-witted series that became one of Netflix’s most-watched shows of all time, will be returning for a second salacious season, as stated by the society papers of Lady Whistledown. “Dearest readers, The ton are abuzz with the latest gossip, and so it is my honour…
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After his standout turn opposite Jake Gyllenhaal in 2014’s disturbing neo-noir thriller Nightcrawler, Riz Ahmed seemed destined for greatness on the big screen. And thankfully, after years of slumming it in supporting roles in Hollywood blockbusters that have all wavered in their quality (Jason Bourne, Rogue One: A Star Wars Story, Venom), he’s finally been…
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Despite Kevin Costner and Diane Lane perfecting the kindly rural American in Man of Steel, in no way should they be confused with the kindly rural Americans they embody in Let Him Go. Superman’s parents they are not in Thomas Bezucha‘s slow-burn thriller, a 1960’s set, western-slanted revenge piece that takes a little longer than…
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Likely to appeal to the Nicholas Sparks crowd, All My Life is a particularly sweet (almost too much so for its own good) true story-inspired tearjerker that, in many ways, gets away with being so cookie cutter because – as we are informed in the opening monologue – we only remember the most beautiful and tragic…
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When you realise that ageing grifters Robert and Teresa Dyne (Richard Jenkins and Debra Winger) named their daughter Old Dolio (Evan Rachel Wood) after a lottery-winning homeless man, you immediately learn everything you need to know about the swindling couple. They thought the name would secure them inheritance of some sort, but instead they live…
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Whilst it’s easy to roll your eyes at the almost insultingly familiar narrative Babyteeth works with at its core – terminal ill teenager falls in love with the wrong guy – it somehow manages to avoid most of the genre cliches, thanks to a mindset that isn’t afraid to be messy, frustrating and, at times,…
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So you should know going into The King of Staten Island that, yes, director Judd Apatow hasn’t changed his aesthetic in terms of narrative length or character ingredients. A too-long comedic drama (emphasis on the drama here) focusing on a typical man-child who’s failed to launch himself, Staten Island hopes to be more endearing than…
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Despite this year’s Oscars honouring one of 2019’s more diverse offerings (Bong Joon-ho’s Korean black comedy/thriller Parasite), the whitewashing of the event was overwhelming. In a cinematic year where actors of colour delivered universally-praised performances (see Lupita Nyong’o in Us, Awkwafina in The Farewell, and Jennifer Lopez in Hustlers, for a start), it was disappointing that…
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End of Sentence treads a familiar path. And, initially, Elfar Adalstein‘s father-son-centric drama is a particularly downtrodden affair that audiences may not believe they’ll warm to. The film’s lead characters don’t come off as the most inviting either – Logan Lerman‘s fresh-out-of-prison Sean and his doormat dad, Frank, played by John Hawkes – and their…
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Perhaps as it should, Little Fires Everywhere does indeed start with a fire. “There are little fires everywhere”, a fire marshal relays to a distraught Reese Witherspoon and a concerned Joshua Jackson, as they stare at their sprawling suburban home engulfed in flames. The marshal’s statement indicates this was intentionally lit, setting up an immediate…
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Given the fact that Hostage has something of a reputation for being one of Australia’s biggest Ozploitation films, you’d be forgiven for assuming it would live up to its supposed status. And whilst the opening credits suggest the film to come will be one heavy on uncomfortable violence – there are sudden, furious flashes of…
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The opening scrawl of The Flood states that at least 18,000 people who have been displaced by persecution, conflict and violence in their own habitats around the world have died in the last 5 years alone in their bid to reach Europe. It’s a shocking statistic regarding those trying to enter another country, but in…
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Though the blueprint behind Come As You Are is quite insultingly familiar – three sexually-charged men on a road trip that’s as heavy on situational humour as it is on their own self-discovery – director Richard Wong proves that appearances are indeed deceiving. The core structures of the road-trip-comedy are in place, but Come As…
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On paper, the premise for Swallow sounds almost too-grotesque to be relayed without resorting to some type of gimmick. In reality, Carlo Mirabella-Davis‘s slow-burning thriller transcends its potentially nauseating core to deliver a deep, at times dark tale that wholly understands and respects its unique subject matter. The film surrounds the delicate Hunter (Haley Bennett),…
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*The AU Review will continue with its planned SXSW 2020 coverage. We have been in contact with the respective representatives for available films in order to give them the coverage they intended. Perhaps diving a little too heavily into the metaphorical stance on storytelling, Claire Oakley‘s Make Up is a self-discovery tale dressed up like…
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*The AU Review will continue with its planned SXSW 2020 coverage. We have been in contact with the respective representatives for available films in order to give them the coverage they intended. Detailing a tragic situation with a sobering, uncomfortable realism that has the potential to test even the most patient of viewers, The Surrogate…
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Only one week after elevating the B-grade material of deep-sea thriller Underwater, Kristen Stewart further proves her innate ability of hoisting what little she has to work with on a script page to something of sublime quality in Seberg. A biographical drama detailing a specific time period in the life of American actress Jean Seberg…
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Australian cinema has already seen Ali and Muriel getting married (to other people) but Promised takes a different approach. This dramedy, set in the 1970’s, is a look at an arranged marriage, starring a pair of Italo-Australians. The results are an imperfect story that brims with real heart. It’s obvious that this independent film was…
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Sometimes Always Never proves its only words. This UK dramedy is about a father and son’s complex relationship. It has an English sensibility and a profound love for the Scrabble board game. The result is a quirky and whimsical character study that feels like it pans out in real-time. This film at first was a…
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It seems almost baffling that Neil Armstrong’s account of being the first man on the moon hasn’t been told prior to Damien Chazelle‘s First Man. Clearly an intimidating figure but still reserved, sensitive and aloof enough to not be placed upon a pedestal as some flawless being, Chazelle’s film seeks to uncover the more human…
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It goes without saying that Paul Walker was blessed with the type of face destined to be in front of the camera. And as much as this dedicated documentary, I Am Paul Walker, celebrates his Californian-blessed aesthetics, it seeks more so to highlight that behind the tanned skin, sun-kissed blonde curls and baby blue eyes…
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Although The Miseducation of Cameron Post‘s 1993 setting may have people believe that the gay conversion camps at the film’s centre are a thing of the past, and therefore easy to mock as a symbol of how backwards society’s thoughts on therapy was, this treatment is still sadly legal in a large number of American…
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Netflix always has a new television series lined up for our binge needs and Netflix’s Original Western Drama Godless will entice Western fans and newcomers alike. Godless’ first episode is a slow burn with a lot to digest but it successfully sets up its dusty Western world, hooking you in with mysterious characters. The premiere…
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As easy as it is to liken God’s Own Country to the similarly themed Brokeback Mountain, doing so is only ultimately stripping Francis Lee‘s film of its own identity. A moody and haunting emotional journey for its protagonists, God’s Own Country is a slow burning, though rewarding drama propelled by a duo of strong performances…
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Just as emotionally manipulative as the 2011 original Red Dog but less successful in its execution, Red Dog: True Blue looks to merely survive on a superficial level as the “aww shucks” cuteness of the titular canine appears to be the sole reasoning behind this sequel/prequel hybrid coming to fruition. The stunning harsh red dirt…
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The kind of film that benefits from its titular character being portrayed as less of an impression and more as a fully realised character, Barry is at once thoughtful, intelligent and particularly entertaining. Though he is introduced to us as Barry, we’re all aware of the Barack Obama he ultimately will become (so to speak),…
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Similar to how director Ira Sachs‘ previous effort Love Is Strange commented on the increasing rate of renting in New York City, Little Men showcases how a simple financial squabble can become someone’s undoing. A relationship-based drama that survives mainly on the simplistic but natural performances of its cast, Little Men focuses on young Jake…
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Likely to come as a surprise to many that The Founder is less a success story regarding the origins of McDonalds, but more a tale on greed and the value of real estate, John Lee Hancock‘s engaging drama benefits from its stellar central performance from Michael Keaton, continuing the run he so assuredly began with…
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